hamid masfour (3 Ergebnisse)

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2016 in the subject Film Science, Sultan Moulay Sliman University, language: English, abstract: After an overview on the stereotyped view of American cinema on different cultures, the paper proceeds to explore how Hollywood represents Moroccans and how it perpetuates an orientalist imaginary in the case of the American Film 'Babel'. Although on a manifest level this movie represents Moroccans without offending their culture, it approaches them on a latent level through a repertory of denigrating stereotypes belonging to a Eurocentric tradition. Accordingly, due to a racist undercurrent pervading its representation of Morocco, 'Babel' fails in conveying a universal humanistic message claimed all along the plot of the film.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2016 in the subject English Language and Literature Studies - Literature, , course: Literary citicism, language: English, abstract: In a way or another, literature underlies subtle discursive processes that either inform the text with a power regime or contest it through a disruptive counter-discourse. Taking part in circulating power-laden cultural values legitimating or countering the status- quo, literature has been a fertile ground for different currents of critical and cultural studies such as postcolonial, feminist and literary theory. In this context, the argument of this paper investigates through examples of different literary genres how literature has always been amid a tug of war either endorsing hegemonic power representations or taking a position of resistance.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Research Paper (postgraduate) from the year 2015 in the subject American Studies - Literature, grade: 16/20, , course: Afro-American literature, language: English, abstract: In many ways, Charles Johnson's novel 'The Middle Passage' (1990) can be considered a subtle rewriting of slavery and a meticulous rethinking of the Eurocentric representations of blacks. Through the journey of an ex-slave, Calhoun Ruthford, stowing away on a ship to escape a forced marriage, Charles Johnson weaves a postmodern slave narrative told from the perspective of a black protagonist to question the tropes of white superiority. In every twist and turn of the plot, Calhoun's reflective Journey underlies different sites of deconstruction against white paradigms, artistically masterminded to unveil significant moments of self-contradictory essentialist Eurocentrism. With a counter-discourse advocating inter-subjectivity, human interconnectedness, subjective mobility and third spaces, the middle passage, as this essay argues, enacts different deconstructive strategies involving anti-Eurocentric cultural politics with rebellious Afro-American poetics.