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Sprache: Französisch
Verlag: PAYOT PETITE BIBLIO N°1196, 2022
ISBN 10: 2228931721 ISBN 13: 9782228931724
Couverture souple. Zustand: bon. RO20275667: 2022. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 202 PAGES - pliure sur le 2e plat - Petit déchirure sur le derniere page de garde. . . . Classification Dewey : 891.7-Littérature russe (slave).
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In den WarenkorbZustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the origina.
Verlag: London : T. Fischer Unwin ; [The Gresham Press, Woking and London], MDCCCXCVIII (1898), 1898
Anbieter: Joseph Valles - Books, Stockbridge, GA, USA
Erstausgabe
Hardcover. Zustand: Good. No Jacket. 1st Edition. xv, 302 pages ; 1 illustration ; 20 cm ; National Library: 003690054; 012158898 LCCN: 04-17204 ; LC: PG3432 ; OCLC: 1260725 ; "Letters written by Turgenev to Flaubert, Zola, Maupassant, Goncourt, and other friends in France." ; "edited by E. Halperine-Kaminsky ; translated by Ethel M. Arnold." ; "That Ivan Sergu&vitch Tourgueneff was one of the most human and lovable of men readers of his novels must long ago have discovered for themselves, and the letters contained in this volume, written for the most part to his intimate friends among that group of remarkable Frenchmen who made Paris what it was in the fifties and sixties, can only confirm this impression. It may be said at once that Tourgueneff was in no sense a great letter-writer. Letters were to him precisely what they have been to many hard-working literary men and women, such as Balzac and George Eliot for instance-viz., merely a means to an end, that end being the communication of necessary information to his correspondents. They made no demand upon his literary sense, and, consequently, obtained no response from it. Only very seldom, when, for instance, he found himself back in his native land, on his own property in the Province of Orel, did he indulge in letter-writing rightly so-called, and then only because his sense of the complete ignorance of his correspondents as to his surroundings stirred his artistic instinct, urging him to produce graphic little word pictures of his setting and mode of life. For this reason the letters from Russia will probably be considered by the general public as the most interesting of the series.The last fifty years of this century have witnessed many changes in the world of art and letters, but perhaps no change has been so marked, or so revolutionary, as that which has taken place in the whole conception and character of the novel. Fifty years ago the romantic convention reigned supreme; truth, in our modern sense of the words, lay hidden at the bottom of the well. Time passed, and romanticism, together with all the stagemachinery of old-fashioned fiction, was thrown contemptuously on one side, and every novelist went a-groping down the well for Truth. Many of them emerged bearing inanimate objects covered with mud and slime which they palmed off upon a credulous world as the long-sought goddess, some bearing fragments of undoubted authenticity but insufficient of themselves to satisfy a desire as old as time, as enduring as eternity. Only one or two, and in our opinion Tourgueneff was preeminently one of this select band, found what they sought, and revealed to us the clear, strong, but pitiful face of Truth herself.The most interesting and intimate among them, are, as will be seen, addressed to Gustave Flaubert. The two men seem to have conceived an instantaneous liking for one another the first time they met, and this instinctive sympathy developed into a friendship which was only terminated by Flaubert's death. Of the letters which passed between them, we see of course in this volume only those written by Tourgueneff, but they arc quite sufficient to show how easy, affectionate, and confidential were the relations existing between the two men. The common termination of "Je vous embrasse" which, in order to avoid the foreign air a literal translation would inevitably have lent to the correspondence, I have generally translated by "much love to you," is alone sufficient to show the closeness of the friendship.1 But in order that no doubt may exist in the reader's mind as to its rec1procal nature, M. Halperine-Kaminsky gives us several quotations both from Flaubert's letters and from the de Goncourt Journals, which show clearly enough that Tourgueneff's affectionate admiration for the author of Madame Bovary was cordially and amply returned. The same may also be said with regard to his relations with Georges Sand, whom he always revered as the original source of his literary inspiration" ; green cloth ; wear on spine ; G. Book.
Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 112 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Sprache: Französisch
Verlag: BIBLIOTHÈQUE-CHARPENTIER, Eugène FASQUELLE, éditeur, Paris, 1900
Anbieter: Aparté, PEZENAS, Frankreich
Couverture rigide. Zustand: Bon. un volume in-8°, 519 pp. Reliure ancienne en demi-maroquin, dos à nerfs orné de pièces d'auteur et de titre, double filet or sur les plats, tête dorée, gardes peignées. (dos légèrement insolé et frotté, coins émoussés, il manque le feuillet blanc et le feuillet de garde au contre-plat inférieur, découpe sans manque de lettre au feuillet 513-514, les feuillets sont uniformément brunis). Exemplaire de l'édition originale sur papier ordinaire enrichit d'un hommage signé d'Octave Mirbeau adressé à l'écrivain et traducteur Halpérine-Kaminsky. RARE.
Verlag: Eugène Fasquelle éditeur, 1901
Anbieter: Librairie Les Autodidactes - Aichelbaum, Paris, Frankreich
Verbandsmitglied: ILAB
Erstausgabe Signiert
. In-12 br. Portrait de Tourgueniev en frontispice. Lettres à Mme. Viardot, G. Flaubert, E. Zola, G. de Maupassant, Th. Gautier, Sainte-Beuve, etc. Avertissement et préface d'E. Halpérine-Kaminsky. E.O. Envoi autographe d'Ely Halpérine-Kaminsky. On joint une lettre autographe avec enveloppe, datée de 1901, d'E. Halpérine-Kaminsky au directeur du Courrier de la Presse, pour ce plaindre de ne pas avoir reçu certaines coupures de la presse étrangères, mais avoir reçu des articles qui ne lui étaient pas destinés.