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Sprache: Englisch
Verlag: Grosvenor House Publishing Ltd, 2024
ISBN 10: 1803815604 ISBN 13: 9781803815602
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Sprache: Spanisch
Verlag: Oxford University Press España, S.A., 2006
ISBN 10: 0194381692 ISBN 13: 9780194381697
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Zustand: Muy bueno. : High Score 3 Student's Book es un libro de texto de inglés para estudiantes de secundaria. Este libro, publicado por Oxford University Press España, S.A., es parte de la serie High Score y está diseñado para ayudar a los estudiantes a mejorar sus habilidades en el idioma inglés. El libro incluye una variedad de temas y actividades para mantener a los estudiantes interesados y motivados. Es una herramienta valiosa para cualquier estudiante que quiera mejorar su inglés. EAN: 9780194381697 Tipo: Libros Categoría: Educación Título: High Score 3 Student's Book Autor: Kathy Gude| Helen Halliwell| Michael Duckworth Editorial: Oxford University Press España, S.A. Idioma: es-ES, en Páginas: 216 Formato: tapa blanda.
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Verlag: Association of University English Teachers of South Africa, 1993
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Softcover. Zustand: Very Good. No Jacket. 99 pages (complete). A pleasing copy. The covers and spine have some very, very mild user wear. They are otherwise healthy and tidy. The contents are fresh, clean, clear, confident, very certain. fk. Our orders are shipped using tracked courier delivery services.
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In den WarenkorbZustand: New. pp. 264.
Taschenbuch. Zustand: Neu. Acoustical Imaging | Peter N. T. Wells (u. a.) | Taschenbuch | xiv | Englisch | 2013 | Springer US | EAN 9781475787948 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera's staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera's ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The origin ofthe International Acoustical Imaging Symposium series can be traced to 1967, when a meeting on acoustical holography was held in C alifornia. In those days, acoustical holography was at the leading edge of research but, as the importance of this subject waned, so the title of the series was changed from Acoustical Holography to Acoustical Imaging in 1978. The early Symposia were held at various venues in the United States. In 1980. the series became international, with the Symposium that year taking place in Cannes in France. The pattern now is to try to met alternately in the USA and in another part of the world so that active researchers everywhere can conveniently attend at a reasonably high frequency. It was a great privilege for us in Bristol in the United Kingdom to be chosen to host the 25th Symposium, which convened on 19 March 2000 and spread over four days. We were blessed not only by good weather, but also by the attendance ofnearly 100 pa rticipants who came from 17 c ountries. A large number of papers were accepted for presentation, either orally or as posters. Whether an oral presentation or a poster, all were considered to have equal merit, and no distinction is made between them in the published proceedings. There were no parallel sessions, so every participant could attend every presentation. The re sultant disciplinary cross fertilisation maintained the t radition of past Symposia.