halley peter (140 Ergebnisse)

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Jan. 19 (weekend SALE item)* 64 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

[24] pp.; 26.5 x 18.8 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 10 - April 22, 1990. Essays by I. Michael Danoff and Peter Halley. Includes exhibition history and an exhibition checklist. Good / Very Good. Light rubbing of covers and cover edges and 6.7 x 1.9 cm. label and tape on recto. Contents clean and unmarked.

[24] pp.; 26.5 x 18.8 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 10 - April 22, 1990. Essays by I. Michael Danoff and Peter Halley. Includes exhibition history and an exhibition checklist. Very Good / Fine. Light rubbing of covers and cover edges, otherwise Fine. Contents clean and unmarked.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Fine. Softcover, 34 pgs. 9" x 6.25". Brief essays, color illus. Fine.

Hardcover. Zustand: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Couverture différente. Edition 1992. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 1992. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Zustand: Very Good. 34 pp. Oblong large format paperback. Slight nick to spine and wear to corners. Full-colour illustrations throughout. 0955493129 Oblong 4to. Exhibition Catalogue.

95 pp.; 16.8 x 10.9 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the work of Peter Halley with texts by Arturo Schwarz. Foreword by Demetrio Paparoni. Includes full color illustrations, a list of primary and secondary sources and an index of works. Very Good. Light edge wear and rubbing of covers. Discrete small rubber stamp logo on page 94, otherwise contents clean and unmarked.

Trade Paperback. Zustand: Used. First Edition. Minor bumps/wear at edges/corners. Pages are clean and bright. Overall a very nice edition. *see pictures for condition*.

First edition and first printing. Large hardcover. 128 pages. Features essays by Roberta Smith and Peter Halley. A look at New York's vibrant art scene in the 1980s and includes color and black and white illustrations after works by Jeff Koons, Barbara Kruger, Ross Bleckner, Christopher Wool, McDermott & McGough, Philip Taafee, Terry Winters, George condo, Richard Prince, Nan Goldin, and numerous others. A clean and tight very fine copy in cloth boards and in near fine dust jacket with some light wear.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Acceptable. Zustand des Schutzumschlags: Includes dust jacket. Title page looks to have been torn out. Dust jacket has some wear. Light tanning to pages.

Zustand: New. Idioma/Language: Español. Peter Halley (Nueva York, 1953) se dio a conocer a mediados de los años ochenta en Nueva York como impulsor del movimiento neoconceptualista. Esta corriente aparece como reacción al neoexpresionismo y supone un resurgimiento de la abstracción geométrica. La teoría estructuralista es una referencia de su estilo, que refleja la idea del lenguaje como sistema cerrado y autorreferencial y critica las reivindicaciones trascendentales del minimalismo. Tan importante como su obra pictórica son sus escritos y su trabajo como teórico, otra vertiente de su producción artística que nos permite acercarnos de manera distinta a la experiencia y la mentalidad del creador. Peter Halley ha sido director de estudios de pintura de la universidad de Yale, ha impartido clases en la Universidad de Columbia, en UCLA y en la Escuela de Artes Visuales de Nueva York. De 1996 a 2005 dirigió la revista cultural Index Magazine. Ha realizado exposiciones individuales en la Academia de Arte de la Bienal de Venecia en 2019, el Museo de Arte de Santa Barbara en 2015, el MoMA de Nueva York en 1997 y el Museo Nacional Centro de Arte Reina Sofía de Madrid y el Museo de Arte Contemporáneo de Burdeos en 1992. Escritos sobre arte, el volumen que presentamos, ofrece al lector la primera traducción al español de una selección de sus ensayos más innovadores, así como una muestra de algunos de sus escritos más personales, entre ellos, su primer encuentro con Andy Warhol en 1986. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Hardcover. Zustand: Very Good. Brescia: Galleria Massimo Minini, 1997. 40 pp. 16.5 x 19 cm. Camel colored paper covered boards with black titling to cover; illustrated with tipped-in colored plates; limited to 1,200 copies, this is number 478. Text in Italian and English. Some light bumping and rubbing to spine ends and corners of boards. Some very light foxing to endpapers. Interior otherwise clean and unmarked. Binding firm. Catalog of an exhibition held at the Galleria Massimo Minini, January 17 - February 2, 1997. Hard Cover. Very Good.

Soft Cover. Zustand: Very Good. Limited. Booklet. 63pp. Frontis. No. 150 of a limited edition of only 2000 copies. 1st edition 1997. A little wear to covers. A very pleasing copy. (q2).

Hardcover. Zustand: Very Good. No Jacket. Condition: Very Good; Hardcover, no dustjacket as issued. Limited Edition. This is copy 526/1200. The book is in Very Good condition with clean pages and a tight, square binding. Sticker ghost on front cover with mild soiling.

183 pp.; 27.8 x 21.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 13 -May 26, 2013. Curated by Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore, and Margot Norton. Artists include Janine Antoni, Ida Applebroog, Art Club 2000, Lutz Bacher, Matthew Barney, Alex Bag, Sadie Benning, Lina Bertucci, Nayland Blake, Gregg Bordowitz, Bureau, Kathe Burkhart, Peter Cain, Larry Clark, Jessica Diamond, Patricia Cronin, John Currin, Devon Dikeou, Cheryl Donegan, Mary Beth Edelson, Nicole Eisenman, Andrea Fraser, Coco Fusco, Nan Goldin, Robert Gober, Félix González-Torres, Renée Green, Michael Joaquín Grey, Ann Hamilton, Peter Halley, David Hammons, Rachel Harrison, Todd Haynes, Mike Kelley, Byron Kim, Karen Kilimnik, Derek Jarman, Jutta Koether, Alix Lambert, Annie Leibovitz, Zoe Leonard, Sean Landers, Glenn Ligon, Sarah Lucas, Kerry James Marshall, Daniel Joseph Martinez, Marlene McCarty, Donald Moffett, Paul McCarthy, Suzanne McClelland, John Miller, Frank Moore, Christian Phillip Müller, Cady Noland, Gabriel Orozco, Kristin Oppenheim, Pepón Osorio Elizabeth, Peyton Jack Pierson, Steven Pippin, Charles Ray, Jason Rhoades, Julia Scher, Andres Serrano, Cindy Sherman, Gary Simmons, Lorna Simpson, Kiki Smith, Rudolf Stingel, Lily van der Stokker, Wolfgang Tillmans, Rirkrit Tiravanija, The Thing, Nari Ward, Gillian Wearing, Jack Whitten, Hannah Wilke, Sue Williams, and Andrea Zittel. New. As issued, in publisher-issued shrink-wrap. Due to large size and weight additional shipping charges will be required for international orders.

20 S. Kartoniert. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. 8°. Zweisprachig: Deutsch/ Englisch. Sprache: deu.

First edition. Softcover. Exhibition catalog for a show that ran April 27 through June 17, 2023. Features an essay by Chris Byrne. Includes numerous color and some black and white illustrations. A fine copy in wrappers and from the library of Lucas Samaras with estate stamp and in a fine dust jacket. A very nice copy with an interesting provenance.

Cloth. Zustand: Fine Condition. 380 pages color illustrations throughout. Minor rubbing to the blue cloth cover. Peter Halley in Conversation with Paul Lee. Edition of 1,000. Book.

Rústica. Zustand: Nuevo.

Soft Cover. Zustand: Fine. This is a fine softcover copy with no wear at all. Completely clean. Text in English and German. This catalog was prepared to accompany the exhibition at Galerie Thomas Modern in Munich from September 9 to November 19, 2011. Essay by Costanza Musumeci. Illustrated in color. Exhibition history. 10" square, 68 pages. This book will be securely wrapped and shipped with tracking.

Quer-8°, Orig.-Karton. n. pag. farb. Abb. Gutes Exemplar. Sprache: Deutsch.

Paperback. Zustand: Good. No Jacket. Ex-Library copy with typical library marks and stamps. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Zustand: Good. 8vo. [ 54pp.] Soft Cover. Very Good+ - light edge wear, light bend to front cover. Color Photographs & Plates. Curated by Barry A. Rosenberg. Features selected works by Bleckner, Halley & Lasker.

Soft cover. Zustand: Very Good. Published to accompany the exhibition held from January 26-February 21, 1992 at the Museum of Contemporary Art at Wright State University curated by Barry A. Rosenberg. An excellent copy - clean and well-bound in black wraps. Bottom right corner of front panel is a little bumped/creased, There are a few small, light scratches to front panel and minor edge-wear throughout. Interior pages bright, square and unmarked.