hall edmond (14 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. Hesse, Janine; Hall, Kerrida (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. 289pp. Green cloth hardcover with gilt titles and illustrated paste-down. Minor rubbing to he cloth at the spine. Former owner bookplate on front pastedown with ghost of bookplate on front endpaper, surface abrasions on spine. Size: 8vo - over 7¾" - 9¾" tall A.

Zustand: Good.

LP. Zustand: Sehr gut. US 671 190. 1 LP. LP VG- (ungewaschen). Cover VG. Keine Jahresangabe - geschätzt ca. 1970. Bei Mehrfachbestellungen ab der 3. LP keine zusätzlichen Versandkosten (außer bei amazon, dort jeweils + 1,- Euro statt 3,- Euro Versandkosten). Versand im speziellen LP-Versandkarton. ISBN: 5052795283309 Sprache: Deutsch Gewicht in Gramm: 1005.

Vinyl LP. Zustand: Gut. 16 Titel. Cover etwas beschabt. Leichter Knick und Liegeschaden. Schallplatte in sehr gutem bespielten Zustand. Sprache: Englisch Gewicht in Gramm: 1550.

CD. Zustand: D'occasion - Comme neuf.

Softcover. Zustand: Near Fine. Original 10" 33 1/3 rpm microgroove record. Some very light wear from use, else near fine in a very good cardboard sleeve with a music shop stamp on the back cover, and some soiling. Blue text "767 Lexington Ave" on the labels. "BN - LP - 5026," "9 M," and "Plastylite ear" in the runouts. Back cover variant: "Modern Jazz Series" toward the top left and a Blue Note logo at the bottom right. Features six tracks including "Profoundly Blue No. 2" and "Seein' Red.".

rigide. Zustand: Bon. 1 vol. in-folio cartonnage postérieur (vers 1975), La Petite Gironde. Supplément illustré. 2e Année - Année 1899 [ 46 Numéros, du n° 1 du 1er janvier 1899 au n° 46 du 12 novembre 1899, puis 53 numéros du N° 1 du 7 janvier 1900 au n° 52 du 30 décembre 1901, avec le numéro spécial de Noël ] Rare exemplaire collationné et bien complet de l'intégralité des 46 premiers numéros de l'année 1899 pour le supplément illustré de la Petite Gironde. Les illustrations en couleurs sont souvent savoureuses ! Bon ensemble (rares petits accrocs à qq. rares ff., parfois trop courts de marge, défauts avec petits mq. au dernier numéro, 3 numéros du Petit Journal et un numéro du Petit Parisien ont été relié en tête, très bon état par ailleurs) pour cet ensemble peu commun. Nous disposons par ailleurs des 6 derniers numéros de l'année 1899, reliés avec l'année 1900 Langue: Français.

rigide. Zustand: Bon. 1 vol. in-folio cartonnage postérieur (vers 1975), La Petite Gironde. Supplément illustré. 3e Année - Année 1900 complète. [ 59 Numéros, à savoir 6 numéros du n° 47 du 19 novembre 1899 au n° 52 du décembre 1899, puis 53 numéros du N° 1 du 7 janvier 1900 au n° 52 du 30 décembre 1901, avec le numéro spécial de Noël ], 4 ff. par numéro ordinaire Rare exemplaire collationné et bien complet de l'intégralité des 53 numéros de l'année 1900 pour le supplément illustré de la Petite Gironde. Les illustrations en couleurs sont souvent savoureuses, dans lesquelles on trouvera notamment évoqués la guerre au Transvaal et les événements en Chine ! Bon ensemble (rares petits accrocs à qq. rares ff., parfois un peu court de marge, très bon état par ailleurs) pour cet ensemble peu commun. Nous disposons par ailleurs des 46 premiers numéros de l'année 1899 Langue: Français.

Vinyl-LP. Zustand: Sehr gut. 9 tracks. Hülle leicht berieben, Vinyl sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1550.

4pp., 12mo. Bifolium. In good condition, lightly aged and worn. Since his return from Basildon three friends have promised him 'letters from the illustrious' for her collection. He has also 'looked for a collection I made myself once - but altho I have found all kinds of things which I thought I had lost for ever I cannot find it'. He lists seven 'minor autographs' he is sending her, including '(7) The late Earl of Denbigh to Bish of Patterson - This letter led to the capture of a famous impostor, who died immediately afterwards in Clerkenwell Gaol'. He apologises for the two-day delay in finishing the letter, adding: 'I'm teaching a small boy his catechism, trying to correct 30 or 40 History papers & practising 3 boys in a farce "a Night on Snowdon" which they have to perform on Friday'. He ends in the hope that she is 'well and flourishing and did not lose too much at the races'. In 1896 Nolan moved to Cambridge and established (under the patronage of the 15th Duke of Norfolk and Baron Anatole von Hügel) the embryonic St Edmund's House, initially with one student.

An interesting correspondence, casting light on the practicalities of early twentieth-century English portrait-painting. The recipient is Colonel Frederick Hugh Langston Oldham, D.S.O., D.L., of Overley Hall, near Wellington, Shropshire, eldest son of the Archdeacon of Ludlow, and the letter concerns Brock's portrait of Oldham's wife Christabel Josephine Oldham. The five letters in good condition, lightly aged. The four dated letters are dated between 25 February and 13 July 1920. The total 9pp (seven in 8vo and two in 12mo). In the first letter he thanks Oldham for sending the 'charming' photographs of his wife, whom he thinks 'would make a really interesting subject to paint, & under the circumstances it would be a pleasure to do the portrait for you at your fee of £123, this would be exclusive of the frame'. In accepting the commission he does not wish to 'bind' himself 'in making a promise to send the portrait to the R.A.' He explains: 'We are only entitled to send in three each year and as a rule I only send in one portrait of a lady, so I have to disappoint many.' The rest of the letter concerns proposals for the date of painting. The second letter, 30 March 1920, is written after the completion of the portrait, and in addition to discussing the frame and payment Brock writes: 'I had some artists here on Sunday & they selected your wife's as the best - it was remarkable the way it came on just when I thought I had failed again. I had another sitting on Sunday morning & managed to soften off the features especially the chin, & am only waiting for the paint to dry before putting in the final touches.' He has 'decided to leave the face & background alone, it is the drapery only that requires qualifying, at present it is a little heavy in places.' In the third letter, 5 April 1920, he writes: 'On seeing the portrait after my short list I thought it looked quite my best - it does not show in any way the trouble I had over it & I am only sorry that I was unable to send it to the R.A.' He also discusses the possibility of visiting the Oldhams in Shropshire. In a postscript signed 'E. B.' he states that there is 'certainly a possibility that I might be able to send the portrait to the R. A. next year'. In the fourth letter, 13 July 1920, he writes: 'It is very kind of you to suggest that I should visit you & bring the portrait with me but unfortunately I shall be unable to get away - I shall be returning to the Studio on Saturday the 17th. & shall arrange to have the portrait packed & forwarded on to you.' Before sending it he proposes 'using a special medium to bring out the colours as quite six months must pass before the pictures can be varnished properly'. In the final letter, only dated 'Monday' and signed 'E. Brock', Brock again declines the invitation to visit the Oldhams, adding: 'I have so much to do.' He concludes with regard to the varnishing of the picture: 'it is best that it should be done in the summer months. The varnish to me is drastic - it is preferable to the other kinds - it should be painted very thinly with a hog's hair brush. & it is preferable to slightly heat the varnish & it is also important that the brush & canvas be free from damp - I am letting you have these particulars so that in the event of my being unable to get away, you could attend to the matter yourself.'.