haley margaret (25 Ergebnisse)

Paperback. Zustand: Fair. Second. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: As New. Haley, Amanda (illustrator). Like New condition. A near perfect copy that may have very minor cosmetic defects.

Hardcover. Zustand: Very Good. No Jacket. Haley, Amanda (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Haley, Amanda (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. No Dust Jacket A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780761923831.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Fine copy in hardcover with fine jacket. Labor.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 252 pages. 9.00x6.00x0.63 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Near Fine. First edition. White wrappers. 148pp. Spine wrinkled and cocked, near fine. Poetry and stories by George P. Elliott, Lawrence Judson Reynolds, Margaret Edwards, Fambrough L. Brownlee, Kenneth Fields, Jim Medeiros, Jane Gentry, Gibbons Ruark, Stephen Ratcliff, Anne Boes, Gayle E. Wood, Tim Tarkington, James Whitehead, Sally Van Noppen, Amon Lines, Arlene Katz, Sister Bernetta Quinn, Timothy Steele, Candace Flynt, Carmen Elliott, Timothy Dekin, Lynne Barrett, Tommy Huey, Vanessa Haley, Rick Smyth, Ross Taylor, Alex Stiber, S.J. Makler, and Jay Strafford.

Hard Cover. Zustand: F-. Zustand des Schutzumschlags: F-. First Edition. F-/F-. 4to. original green boards gilt (slight spotting) in dustwrapper (a trifle rubbed); pp. 148, with illustrations + pictorial endpapers. A near fine copy.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. 697pp. Fine in fine dustwrapper. The final anthology of this much-praised and long-running series edited by an African-American poet, issued after a thirty year hiatus in conjunction with Braithwaite's 80th birthday. An important compendium representing most active American poets of the period.

1 x Obrosch + 3 x Oppbd mit Os, + 3 Oppb mit Os und Goldprägung im Rücken , gute Exemplare, über 1000 g.

Gebunden. Zustand: New. KlappentextrnrnExcerpt from Religion and Politics in New York During the Revolutionary EpochCity, 0. H. Van Tyne in his American Revolution makes the state ment: So prominent was this religious phase of the struggle that men of limited u.

Paperback. Zustand: Brand New. 2nd edition. 217 pages. 8.75x5.75x0.50 inches. In Stock.

Zustand: New. The Second Edition remains the only book to discuss both theory and application of qualitative research techniques to inspire great advertising and build strong brands. Num Pages: 240 pages, Illustrations. BIC Classification: KJSA. Category: (U) Tertiary Education (US: College). Dimension: 226 x 154 x 13. Weight in Grams: 326. . 2011. 2 Rev ed. Paperback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Fine in about fine dustwrapper with a couple of tiny nicks. Laid in are prospectus and information about the publication of the book. The final anthology of this much-praised and long-running series edited by an African-American poet, issued after a thirty year hiatus in conjunction with Braithwaite's 80th birthday. An important compendium representing most active American poets of the period. This copy Signed by the following poets at each of their contributions: John Hall Wheelock (twice), Mark Van Doren (twice), and Marianne Moore. Scarce in dustwrapper.

First edition, first printing of this classic work in L. Frank Baumâs celebrated Oz series, the last of the series to appear during Baumâs lifetime, as he passed away shortly before its release in 1919. First printing with the verso of the ownership page listing Baum titles through The Tin Woodman of Oz. Octavo, original publisher's full lime green cloth with pictorial label affixed to front board, spine stamped in black with "Reilly" of the publisher's imprint measuring 7/8 in., black-and-white pictorial endpapers, illustrated with frontispiece and 9 colored plates by John R. Neill. Signed by seven leading cast members from The Wizard of Oz (1939) film Judy Garland (1922-1969), Billie Burke (1884-1970), Ray Bolger (1904-1987), Frank Morgan (1890-1949), Bert Lahr (1895-1967), Margaret Hamilton (1902-1985), Jack Haley (1897-1979), and director Victor Fleming (1889-1949), additionally inscribed by Fleming on frontispiece verso. The 1939 film adaptation The Wizard of Oz, directed by Victor Fleming and produced by Metro-Goldwyn-Mayer, was revolutionary in its visual and technical achievements. While it was not the first color film, it was among the earliest and most influential to use Technicolor as a deliberate artistic device rather than a novelty. The dramatic shift from the sepia-toned realism of Kansas to the vibrant, multicolored world of Oz symbolized Dorothyâs passage from ordinary life into the realm of imagination and self-discovery. This use of color served both aesthetic and thematic purposes, illustrating the emotional and psychological contrasts between confinement and freedom. The filmâs combination of groundbreaking visuals, memorable music, and universal moral lessons elevated it beyond a childrenâs fantasy, turning it into a defining moment in cinematic history. The Wizard of Oz thus demonstrated how emerging technologies could be harnessed to deepen narrative meaning and create enduring cultural myths. In very good condition, lacking plates opposite pp. 48 & 236 (though it seems they were never inserted to begin with). Housed in a custom full morocco clamshell box by Asprey with pictorial morocco onlays. An exceptional example, rare and desirable signed by seven members of the groundbreaking cinematic masterpiece including Judy Garland. The Magic of Oz held a crucial place in the development of Baumâs imaginative universe, as it extended the themes and moral lessons that had characterized his earlier works. The novel portrayed a maturing vision of Oz, where the balance between innocence and corruption, power and responsibility, became increasingly complex. The story followed the young boy Kiki Aru, who discovered a magical word capable of transforming beings, and whose misuse of that power threatened the harmony of the Emerald City. Through the intervention of established figures such as Dorothy, Glinda, and the Wizard, Baum emphasized the redemptive power of community, empathy, and moral integrity. Written in lucid yet symbolically rich prose, the book reflected Baumâs persistent idealismâ"the belief that wisdom and cooperation could preserve a just society. Thus, The Magic of Oz functioned not only as a continuation of his fantasy world but also as a meditation on human nature and ethical order within a utopian framework.