Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 20,78
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 33,44
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbZustand: New.
Verlag: Bloomsbury Publishing (UK), 2022
ISBN 10: 1350283525 ISBN 13: 9781350283527
Sprache: Englisch
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 35,45
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Bloomsbury Publishing PLC, 2022
ISBN 10: 1350283525 ISBN 13: 9781350283527
Sprache: Englisch
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 41,28
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbZustand: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 36,63
Währung umrechnenAnzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 59,48
Währung umrechnenAnzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 248 pages. 9.21x6.14x1.00 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
EUR 40,59
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbZustand: New. Über den AutorJuliet Hacking is Subject Leader for Photographic Studies at Sotheby s Institute of Art, UK. Joanne Lukitsh is Professor of History of Art at Massachusetts College of Art and Design, USA.
Verlag: Bloomsbury Publishing PLC Mär 2022, 2022
ISBN 10: 1350283525 ISBN 13: 9781350283527
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
EUR 49,95
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbTaschenbuch. Zustand: Neu. Neuware - Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualized for art and re-contextualized for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic' Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the book examines the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.