haby (27 Ergebnisse)

Zustand: very good. Maroger, Isabelle; Was, Maeva (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: good. Maroger, Isabelle; Was, Maeva (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

Maroger, Isabelle; Was, Maeva (illustrator). État de NEUF / New condition 472202 9782263175435 21.

Paris, Presses Universitaires de France 1970. In-8 cartonnage éditeur de 167 pages illustrées. Collection France de demain. Très bon état.

Zustand: Bueno. : Este libro, titulado 'Vie publique en France avril 97 juillet 98', ofrece una mirada retrospectiva a la vida pública en Francia durante el período comprendido entre abril de 1997 y julio de 1998. Escrito por René Haby, este libro en tapa blanda es una publicación de La Documentation Française y está redactado en francés. El libro analiza diversos aspectos de la sociedad francesa y su vida pública durante este período específico. EAN: 3303339548692 Tipo: Libros Categoría: Historia Título: Vie publique en France avril 97 juillet 98 Autor: Rene Haby Editorial: La Documentation Française Idioma: fr-FR Formato: tapa blanda.

Broché. Zustand: Assez bon. Ed. Julliard. 1983, 215 pages (page 481 à 696). Volume broché. Format : 18,5 x 25,5. BE intérieur. Etat extérieur satisfaisant, défraîchi.

Zustand: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Buch. Zustand: Neu. Neuware - Count With Me in Fula is an engaging and educational children's book. It teaches young children how to count from 1 to 10 in Fula and English and it introduces them to the Fula culture through fun illustrations.

Couverture rigide. Zustand: bon. RO60046053: 1960. In-8. Cartonnage d'éditeurs. Bon état, Couv. convenable, Manque en coiffe de pied, Intérieur acceptable. 159 pages. Nombreuses photographies et illustrations en noir et blanc hors texte. Traces de tampon sur la page de garde, la page de faux titre et la page de titre. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE.

Zustand: N. Paris, cartonnage de l'éditeur; in-8, 168 pp. Neuf- sous boitage carton Les problèmes de la région et de l'agriculture, l'expansion industrielle, les réseaux urbains et l'aménagement régional. Cartes, figures et planches. Coll. France de demain n°3.

Couverture souple. Zustand: Bon. in-8 br., 274 p., bon état. Annales de l'Est. Voir sommaire sur photos jointes.

Zustand: Très bon. Maroger, Isabelle; Was, Maeva (illustrator). Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Zustand: bon. RO80233823: Non daté. In-8. Broché. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. 99 pages. . . . Classification Dewey : 330-Economie.

Couverture souple. Zustand: bon. R320170553: 1983. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 26 pages. . . . Classification Dewey : 370-Education.

Couverture souple. Zustand: Très bon. Palley (illustrator). Edition originale. 159 pages, illustration couleur et n&b.

Edition limited to 60 copies (this, no. 19), signed by Haby with initials; approx. 4" x 6", 36 leaves printed on rectos only, showing illustrated rectos and holograph versos of 11 collaged postcards; fine throughout. Gracia Haby, in partnership with Louise Jennison, is located in Melbourne, Australia. "I have been collaborating with Louise Jennison since 1999, making artists' books, zines, collages, stories, prints, and drawings. Besotted still, it appears, with paper for its adaptable, foldable, cut-able, concealable, revealing nature, using an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists' books) to Z(ines)" (gracialouise[.]com). State Library of Queensland only in OCLC.

Zustand: Assez bon. DOCUMENTATION FRANCAISE (illustrator).

hardbound. Zustand: Fine. profusely illustrated (illustrator). Early artists book by Melbourne art duo Haby Gracia and Louise Jennison, who began collaborating in 1999; illustrated concertina of 22 pages (being 11 panels printed both sides); initialled and numbered by the artists; a collage of images and recipes relating to New Orleans' food, music and culture; single-colour lithographic offset print hand coloured in pencil on Aquarelle Arches 100% pure cotton hot pressed 300gsm paper, bound in colourful cotton over boards; exhibited at Ex Libris (2005) and Pagination (2016); collections holding copies include State Library of Victoria, State Library of Queensland, Melbourne University Library, National Gallery of Australia, Monash University Library; not available on the Gracia and Louise website; Fine copy. no dustwrapper. 22pp. 18 x 18cm. Fine.

Zustand: Good. Envoi rapide Bon état Dos bruni intérieur très bon. Annales de L'est / Presses universitaires de Nancy Faculté de lettres et des sciences humaines de l'université de Nancy mémoires N°37. in-8. 1970. broché. 274 pages. Good.

[Melbourne] : the artists, 2004. Artist?s book, 180 mm tall, 22 page concertina offset lithograph with original hand colouring, bound in coloured fabric, initialled by the artists. Printed in an edition of 30 copies with one artist's proof, this is copy 13/30. A colourful celebration of the cultural life of New Orleans, Louisiana. "[These two daring pirates]is Gracia Haby and Louise Jennison's ninth book together in a partnership that often involves members of their families helping to construct or contribute to various aspects of their book making. Haby's connection to New Orleans stems from her parents continued enthusiasm for the temporary home they made there in the 1970s. Early last year she accompanied them on a nostalgic return trip, while Jennison remained in Melbourne minding the fort and collating the material Haby sent back. Those Two Daring Pirates is a collage of family snaps, memorabilia, found recipes and the beautiful drawings of flora and fauna which are signature Haby/Jennison." - extract fromArtists' book review by Jurate Sasnaitis inPoster Magazine, Issue eight, Customisation, Autumn, 2005. This artists' book was later exhibited as part of Ex Libris (2005), and The Banyule City Council Works on Paper Art Award 2005. Editions of this book are in the collections of the State Library of Victoria, the State Library of Queensland, Melbourne University Library, Monash University Library, and the National Gallery of Australia (formerly as part of the Ergas Collection). ?We are besotted with paper for its adaptable, foldable, cut-able, concealable, revealing nature. In our artists? books, prints, zines, drawings, and collages, we use an armoury of play, humour, and perhaps the poetic too, with intent to lure you closer. The animal is oft present and easily detectable, the centre of our paper stage. Hard to miss, over here and over there, the animal runs up hills, scales rooftops, and sometimes appears to take flight. Gliding through a scene it is too large to be contained within or perhaps too manmade to call home, that it has a tail or feathers or furred muzzle is not solely why its form appears. For us, the animal is there to question our very behaviour, those moral principles one governs the self by, and to explore our relationship with the natural world. The words of Gogol whisper in the ear, ?the longer and more carefully we look at a funny story, the sadder it becomes.? And so, we leave our scenes open-ended, inviting you to ponder and perhaps find that things are not always as they first appear.? ? Artists? statement The contemporary artists? books of Gracia & LouiseOur are represented in the collections of Artspace Mackay; Bibliotheca Librorum Apud Artificem; Deakin University Library; Melbourne Museum; Melbourne University Library; Monash University Library; Mornington Peninsula Regional Gallery; National Gallery of Australia; National Gallery of Victoria; National Library of Australia; RMIT University Library; State Library of New South Wales; State Library of Victoria; State Library of Queensland; Tate (UK); University of the West of England (UK).

[Melbourne] : the artists, 2007. Artist?s book, 110 mm tall, consisting of 22 page concertina offset lithograph by Gracia Haby, bound by Louise Jennison, initalled by Haby. Printed in an edition of 10 copies, this is the single Artist's Proof. Exhibited as part of A trapdoor in every room (2007), and later as part of the 2008 Libris Awards: Australian Artists' Book Prize, Artspace Mackay, Queensland. Editions of this book are in the collections of Artspace Mackay, Bibliotheca Librorum Apud Artificem, the State Library of Victoria, Melbourne University Library, Monash University Library, and the National Gallery of Australia (formally as part of the Ergas Collection). ?We are besotted with paper for its adaptable, foldable, cut-able, concealable, revealing nature. In our artists? books, prints, zines, drawings, and collages, we use an armoury of play, humour, and perhaps the poetic too, with intent to lure you closer. The animal is oft present and easily detectable, the centre of our paper stage. Hard to miss, over here and over there, the animal runs up hills, scales rooftops, and sometimes appears to take flight. Gliding through a scene it is too large to be contained within or perhaps too manmade to call home, that it has a tail or feathers or furred muzzle is not solely why its form appears. For us, the animal is there to question our very behaviour, those moral principles one governs the self by, and to explore our relationship with the natural world. The words of Gogol whisper in the ear, ?the longer and more carefully we look at a funny story, the sadder it becomes.? And so, we leave our scenes open-ended, inviting you to ponder and perhaps find that things are not always as they first appear.? ? Artists? statement The contemporary artists? books of Gracia & LouiseOur are represented in the collections of Artspace Mackay; Bibliotheca Librorum Apud Artificem; Deakin University Library; Melbourne Museum; Melbourne University Library; Monash University Library; Mornington Peninsula Regional Gallery; National Gallery of Australia; National Gallery of Victoria; National Library of Australia; RMIT University Library; State Library of New South Wales; State Library of Victoria; State Library of Queensland; Tate (UK); University of the West of England (UK).

1. I think all the world is falling.[Melbourne] : the artists, 2017. Artist?s book, 8 pages concertina digital print, printed covers on gold-trimmed board, in a card slipcase with lettering. Printed in an edition of 6 copies. 2.No longer six feet under. [Melbourne] : the artists, 2017. Artist's book, 8 pages concertina digital print, printed covers on gold-trimmed board, in a card slipcase with lettering. Printed in an edition of 6 copies. 3.Disrupted and rumpled.[Melbourne] : the artists, 2017. Artist's book, 8 pages concertina digital print, printed covers on gold-trimmed board, in a card slipcase with lettering. Printed in an edition of 6 copies. 4.Dim wood, spark bright. [Melbourne] : the artists, 2017. Artist's book, 8 pages concertina digital print, printed covers on gold-trimmed board, in a card slipcase with lettering. Printed in an edition of 6 copies. 5.A warmed pebble in my hand.[Melbourne] : the artists, 2017. Artist's book, 8 pages concertina digital print, printed covers on gold-trimmed board, in a card slipcase with lettering. Printed in an edition of 6 copies. These artists' books by collaborators Gracia Haby and Louise Jennison are part of the showLooped, exhibited in the La Trobe Reading Room at the State Library of Victoria (running from August - November 2017). They form a series of five independent yet related artists' books, which together weave a tale. ?We are besotted with paper for its adaptable, foldable, cut-able, concealable, revealing nature. In our artists? books, prints, zines, drawings, and collages, we use an armoury of play, humour, and perhaps the poetic too, with intent to lure you closer. The animal is oft present and easily detectable, the centre of our paper stage. Hard to miss, over here and over there, the animal runs up hills, scales rooftops, and sometimes appears to take flight. Gliding through a scene it is too large to be contained within or perhaps too manmade to call home, that it has a tail or feathers or furred muzzle is not solely why its form appears. For us, the animal is there to question our very behaviour, those moral principles one governs the self by, and to explore our relationship with the natural world. The words of Gogol whisper in the ear, ?the longer and more carefully we look at a funny story, the sadder it becomes.? And so, we leave our scenes open-ended, inviting you to ponder and perhaps find that things are not always as they first appear.? ? Artists? statement The contemporary artists? books of Gracia & Louise are represented in the collections of Artspace Mackay; Bibliotheca Librorum Apud Artificem; Deakin University Library; Melbourne Museum; Melbourne University Library; Monash University Library; Mornington Peninsula Regional Gallery; National Gallery of Australia; National Gallery of Victoria; National Library of Australia; RMIT University Library; State Library of New South Wales; State Library of Victoria; State Library of Queensland; Tate (UK); University of the West of England (UK). The books in this series have received numerous nominations and awards. The pairI think all the world is falling andNo long six feet under were shortlisted for the 2017 Geelong acquisitive print awards, at Geelong Gallery, 2017.I think all the world is fallinghas been shortlisted for the 2017 Fremantle Arts Centre Fremantle Print Award, and will be exhibited at Fremantle Arts Centre, W.A., from 21 September 2017. The three other books were created as a trio, specifically for theLooped exhibition at the State Library of Victoria.

[Melbourne] : the artists, 2016. Artist?s book, consisting of title sheet, contents sheet, 10 cards each printed with an original woodblock and collage sourced from Edwardian postcards, all housed in a custom linen solander box with collage and woodblock inlays. Created in an edition of 10 copies, each unique with a different assortment of collages. "Because I Like You is based on the concept of a love letter to ten mammals. Each of the edition is housed in a black fabric Solander box with inlaid windows featuring one of the ten mammals enclosed. Each page has one mammal lemonwood block print portraitand one mirrored original collage of the portrayed mammal. The mammals featured range from a Greater bilby (Macrotis lagotis) to a Sea otter (Enhydra lutris) by way of a Royal antelope (Neotragus pygmaeus) and a gruff Polar bear (Ursus maritimus). This artists' book has been over a year in the making, based on a back and forth notion we have been toying with more and more (a collage in response to a print this time). The printed portrait shows nature, as intended (close to), and the collage shows the animal in different (and often less than ideal) surrounds. It is also our first book to feature woodblock prints. Because I Like You was released into the wild from our stall at the Melbourne Art Book Fair at the NGV, 2016. The Eurasian red squirrel edition is now in the collection of the University of Melbourne Library; the Sea otter edition is in the collection of the State Library of Victoria; the Greater bilby edition is in the collection of the National Library of Australia; and the Black-and-gold howler monkey edition is in the collection of the State Library of Queensland. In addition, the Polar bear and Royal antelope editions are in private collections. The Greater stick-nest rat edition was acquired by the Mornington Peninsula Shire, as part of the 2016 National Works on Paperexhibition.The Rufous mouse lemur edition was exhibited as part of the Fremantle Arts Centre Print Award at the Fremantle Arts Centre, late 2016." - Artists' statement ?We are besotted with paper for its adaptable, foldable, cut-able, concealable, revealing nature. In our artists? books, prints, zines, drawings, and collages, we use an armoury of play, humour, and perhaps the poetic too, with intent to lure you closer. The animal is oft present and easily detectable, the centre of our paper stage. Hard to miss, over here and over there, the animal runs up hills, scales rooftops, and sometimes appears to take flight. Gliding through a scene it is too large to be contained within or perhaps too manmade to call home, that it has a tail or feathers or furred muzzle is not solely why its form appears. For us, the animal is there to question our very behaviour, those moral principles one governs the self by, and to explore our relationship with the natural world. The words of Gogol whisper in the ear, ?the longer and more carefully we look at a funny story, the sadder it becomes.? And so, we leave our scenes open-ended, inviting you to ponder and perhaps find that things are not always as they first appear.? ? Artists? statement The contemporary artists? books of Gracia & LouiseOur are represented in the collections of Artspace Mackay; Bibliotheca Librorum Apud Artificem; Deakin University Library; Melbourne Museum; Melbourne University Library; Monash University Library; Mornington Peninsula Regional Gallery; National Gallery of Australia; National Gallery of Victoria; National Library of Australia; RMIT University Library; State Library of New South Wales; State Library of Victoria; State Library of Queensland; Tate (UK); University of the West of England (UK).

"Printed card box in the form of a giant matchbox, 160mm x 230 mm x 45 mm, containing 19 handmade zines by the two artists created in 2017 and 2018. Created in an edition of 5 boxed sets hand lettered title card. This is set number 4, all the editioned zines are also edition number 4. All the zines are initalled in pen by the artists. The zines include :

[Melbourne] : the artists, 2016-17. Artist's book, consisting of title card, six cards of text, 8 original nineteenth century cartes de visite with individual collages, paint and pencil additions by Gracia Haby, 8 accompanying original pencil drawings on card by Louise Jennison which follow the photographs, colophon sheet with artists' initials, all housed in a custom fabric box with collage screenprint. Unique edition of one copy. In this unique artwork, the collaborative pair of Melbourne artists Gracia & Louise adorn discarded cartes de visite from another century with a wild assembly of creatures, while dressing the sepia figures in colourful costumes from the Ballets Russes. With accompanying delicate pencil drawings returning the animals and birds to their natural world, the artists create a work of incongruous whimsy, when photograph and drawing are placed side by side they form a duo of surreal realism. 'We are besotted with paper for its adaptable, foldable, cut-able, concealable, revealing nature. In our artists' books, prints, zines, drawings, and collages, we use an armoury of play, humour, and perhaps the poetic too, with intent to lure you closer. The animal is oft present and easily detectable, the centre of our paper stage. Hard to miss, over here and over there, the animal runs up hills, scales rooftops, and sometimes appears to take flight. Gliding through a scene it is too large to be contained within or perhaps too manmade to call home, that it has a tail or feathers or furred muzzle is not solely why its form appears. For us, the animal is there to question our very behaviour, those moral principles one governs the self by, and to explore our relationship with the natural world. The words of Gogol whisper in the ear, "the longer and more carefully we look at a funny story, the sadder it becomes." And so, we leave our scenes open-ended, inviting you to ponder and perhaps find that things are not always as they first appear.' - Artists' statement The contemporary artists' books of Gracia & LouiseOur are represented in the collections of Artspace Mackay; Bibliotheca Librorum Apud Artificem; Deakin University Library; Melbourne Museum; Melbourne University Library; Monash University Library; Mornington Peninsula Regional Gallery; National Gallery of Australia; National Gallery of Victoria; National Library of Australia; RMIT University Library; State Library of New South Wales; State Library of Victoria; State Library of Queensland; Tate (UK); University of the West of England (UK).