Gyrowetz adalbert (34 Ergebnisse)

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

4°. (= ORGANUM; ausgewählte ältere vokale und instrumentale Meisterwerke. Dritte Reihe: Kammermusik Nr. 43). 28, 5, 5 S. mit den beiden Stimmen. Orig.heft, schönes Ex. Notenheft. ------- Adalbert Gyrowetz, tschechisch Vojtech Matyás Jírovec (* 19. Februar 1763 in Budweis, Böhmen; gest. 19. März 1850 in Wien) war ein böhmisch-österreichischer Komponist. Adalbert Gyrowetz erhielt früh Unterricht in Gesang und Violine und während seiner Gymnasialzeit in Orgel und Generalbass. Nach seinen Studien in Prag trat er in Brünn in die Dienste des Grafen Johann Franz von Fünfkirchen. Anschließend besuchte er zahlreiche damalige Musikzentren Europas. In London traf er 1791/92 auf Joseph Haydn, dessen Stil und Harmonik seine dort komponierte Kammermusik und seine Sinfonien beeinflusste. Einige seiner Werke wurden sogar irrtümlich Haydn zugeschrieben. 1793 kam er nach Wien, wo er von 1804 bis 1831 Hoftheater-Kapellmeister war.…

3 S. Kopftitel. Sprache: Französisch Gewicht in Gramm: 600.

Size: Folio. 16pp. Stitched as issued in plain wrappers. Engraved. First edition. RISM A/I/3 G 5418 citing only three copies (two incomplete).

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.…

Taschenbuch. Zustand: Neu. Neuware.

Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

1 Bl. Quer-4°. Flachdruck. Kopftitel. Letzter Takt ohne Doppeltaktstrich, aber vermutlich doch komplett. Sprache: Italienisch Gewicht in Gramm: 350.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New.

Size: Oblong folio. Individual paginations. Half leather. Engraved. Seller's label of A. Gitter in Augsburg pasted at foot of title-page. First edition. RISM A/I/3 and A/I/12 G 5198.

Soft cover. Zustand: Fair. [Gyrowetz, Adalbert]: Quartetto von Mozart. Manuscript. 4 parts of a string quartett attributed to Mozart but written by Gyrowetz - No place, [between 1804 and 1825]. Brown ink. 10 p. 410 mm - RISM G 5346. Paper from the factory of Matej Potanka (watermarks: MP - Muraner Gros Median). Folded, slightly torn.…

34,5x28,2 cm. 13 S. (Violino o Flauto). Schlichter Broschurumschlag der Zeit mit hs. Deckelschild. Angerändert. S. 11/12 lose.

[Siegel / Siegel' s] C. F. W. Siegel's Musikalienhandlung (R. Linnemann), Leipzig, [1915]. Original-Pappband, 136 Seiten, 8° (19,5 cm). Druck in Antiqua (lateinischen Lettern). Einband mit einigen Gebrauchsspuren, etwas nachgedunkelt und minimal lichtrandig, beide Außenfalzen merklich lädiert bzw. angeplatzt, Rücken deswegen angelöst, Ecken minimal berieben, Papier minimal gebräunt, Buchblock sauber (also ohne Unterstreichungen & Randglossen). Vom Einband abgesehen nahezu sehr schönes Exemplar. Datierung nach DNB. …

Mit gestochenem Portrait, 96 Seiten, grüner Seideneinband der Zeit mit dreiseitigem Goldschnitt, 22 x 14,5 cm, Einband etwas angestaubt, innen etwas gebräunt. Biographie des böhmisch-österreichischen Komponisten Adalbert Gyrowetz (1763 bis 1850).

2 vol. 36x37 cm. 9 S. (Flauto o Violino); 9 p. (Violoncello). Schlichter Broschurumschlag der Zeit mit hs. Deckelschild; ohne Einband.

Size: Folio. [i (title)], 24, 20, 19, 18pp. Disbound. Violin I title dusty, some foxing; outer edges of cello part shaved close to text, with slight loss of text on pp.5-10. First violin part signed by the publisher. Importer's label of Longman & Broderip pasted over imprint on violin I. Engraved. [?Parallel] First edition. RISM A/I/3 and A/I/12 G 5346 references only one in the USA. BUC p.412. Worldcat records one copy only (Koninklijke Bibliotheek in the Netherlands). …

Cm. 36, pp. (2) 42; 10; 10. Frontespizio decorato. Senza legatura (come d'origine?). Usure ai bordi, peraltro esemplare genuino e marginoso. Firma manoscritta al frontespizio, verosimilmente dell'editore: Sieber. Partitura completa con le prime 42 pagine comprendenti la parte per il pianoforte e le successive 10 + 10 le parti di violino e violoncello.…

Oblong folio (245 x 305 mm). Sewn. Notated in black and brown ink on 14-stave rastrum-ruled paper. 10 pp. Contains five variation sets for violin by various composers: 1) Tema with Variations for the Violin. 3 pp. Nine variations on a waltz-like theme in F major. Following each variation the scribe indicates "tutti" or "to the tutti," indicating that these variations may have been performed with an ensemble of musicians. Unlocated. 2) Bishop, Sir Henry Rowley 1786-1855 and [?]Anon Variations from Home Sweet Home. 2 pp. Five variations on Rowley's well-known song. Bishop was an English composer who, "in his day he enjoyed a commanding reputation as the guardian of the best traditions of English song, and for a time he kept English opera alive almost single-handed. Yet he is now remembered for little but the song Home, Sweet Home." Nicholas Temperley and Bruce Carr in Grove Music Online 3) Rode, Pierre 1774-1830 Theme with Variations for the Violin. 2 pp. Four variations originally published as a solo for violin accompanied by a second violin, viola, and cello. "At the height of his career, Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach, he imbued it with characteristically French verve, piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade, and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos, martial dash and melting cantilena. His gift for lyrical, often melancholy melody, which represents a prominent trend in French music of this period, made his music particularly attractive to German early Romantic composers. . At the height of his career, Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach, he imbued it with characteristically French verve, piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade, and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos, martial dash and melting cantilena. His gift for lyrical, often melancholy melody, which represents a prominent trend in French music of this period, made his music particularly attractive to German early Romantic composers. . His innate gifts as a teacher are demonstrated in his 24 Caprices, which balance the musical and technical needs of the student and have become an indispensable part of the violin curriculum." Boris Schwarz, revised by Clive Brown in Grove Music Online 4) Gyrowetz, Adalbert 1763-1850 Variations. 3 pp. Eight variations on a Tyrolean folksong, popular at the time and the subject of numerous variation sets. Gyrowetz was a noted Bohemian composer and conductor. 5) Rossini, Gioachino 1792-1868 Variations from the Tanti Palpiti. 2 pp. Five variations. The composer's Di tanti palpiti was the subject of variation sets by celebrated composers including Paganini, Giuliani, and Gelinek. Unlocated. Several small stains, mainly to blank margins; minor soiling to final page, mainly affecting its eight blank staves. These variations by the composers represented in the present manuscript are virtuosic, incorporating rapid scales and arpeggios, passages in double stops, and bariolage. Pierre Rode 1774-1830; Sir Henry Rowley Bishop 1786-1855; Adalbert Gyrowetz 1763-1850; Anon. [Copyist musical manuscript] (illustrator).…

Folio. Sewn. Engraved. Untrimmed. Violino primo: 1f. (recto title, verso blank), [i] (blank), 2-24 pp. Violino secondo: [i] (title), 2-20 pp. Viola: [i] (title), 2-19, [i] (blank) pp. Violoncello: [i] (title), 2-18 pp. With publisher's signature to foot of title of Violino primo part. Slightly worn; uniform moderate browning; edges dusty and frayed; minor to moderate foxing and occasional small stains to blank margins. Quite a nice copy overall, untrimmed. First Edition. Lesure p. 273. BUC p. 412. RISM G5346 and GG5346 (no copies in the U.S.). Gyrowetz was a Bohemian composer and conductor. "His father, a choirmaster, taught him singing and the violin and he later studied the organ and thoroughbass with Haparnorsky, a church organist and composer. His earliest compositions include serenades, sacred works and string quartets. . A promising young composer, Gyrowetz left the region and travelled to the principal music centres of Europe: Vienna, Italy, Paris, London, and then back to Vienna. During his first visit to Vienna, in either late 1785 or 1786, he made the acquaintance of Haydn, Dittersdorf, Albrechtsberger and Mozart; he developed a warm relationship with Mozart, who performed one of his symphonies at a subscription concert. In the service of Prince Ruspoli he travelled to Italy, where he met Nardini in Florence and Goethe in Rome. He composed six string quartets which, without his knowledge, were published in Paris by Imbault as his op. 1." Adrienne Simpson, revised by Roger Hickman in Grove Music Online. …

1 S. Qu.-gr.-8vo. "Schön ist wohl das Künstler-Leben, / Süß, sehr oft wie Mandeln und Ziweben [!], / Doch giebt es auch oft bittere daneben!" - Adalbert Gyrowetz stand als Sekretär und Musiker im Dienst des Grafen Franz von Fünfkirchen in Wien, lernte dort u. a. Mozart und Haydn kennen, trat mit einigen Symphonien als Komponist hervor und setzte seine musikalische Ausbildung bei Nicola Sala und Giovanni Paisiello in Neapel fort. "1789 ging Gyrowetz über Mailand und Paris nach London, wo er seit 1791 für die Salomon Concerts und The Pantheon Theatre als Komponist tätig war und u. a. die Oper 'Semiramide' schrieb, deren Aufführung durch den Brand des Pantheons verhindert wurde, dem auch die Partitur zum Opfer fiel . 1792 kehrte Gyrowetz über Brüssel nach Paris zurück, kam 1793 nach Wien und trat als Legationssekretär in den österr. Staatsdienst ein. 1804-31 war er Hofkapellmeister und Dirigent der Wiener Hofoper und veranstaltete bis 1847 zahlreiche Konzerte. Neben seinen dreißig Opern, u. a. 'Robert oder die Prüfung' (1813) und 'Hans Sachs' (1836), komponierte Gyrowetz vorwiegend Symphonien und Streichquartette" (DBE).…

1 S. Qu.-8vo. "Wo sich Kunst und Anmuth paaren, / Geistes Schwung mit im Verein, / Da wird auch in späten Jahren / Stets Bewunderung Dir sein". - Adalbert Gyrowetz stand als Sekretär und Musiker im Dienst des Grafen Franz von Fünfkirchen in Wien, lernte dort u. a. Mozart und Haydn kennen, trat mit einigen Symphonien als Komponist hervor und setzte seine musikalische Ausbildung bei Nicola Sala und Giovanni Paisiello in Neapel fort. "1789 ging Gyrowetz über Mailand und Paris nach London, wo er seit 1791 für die Salomon Concerts und The Pantheon Theatre als Komponist tätig war und u. a. die Oper 'Semiramide' schrieb, deren Aufführung durch den Brand des Pantheons verhindert wurde, dem auch die Partitur zum Opfer fiel. 1792 kehrte Gyrowetz über Brüssel nach Paris zurück, kam 1793 nach Wien und trat als Legationssekretär in den österr. Staatsdienst ein. 1804-31 war er Hofkapellmeister und Dirigent der Wiener Hofoper und veranstaltete bis 1847 zahlreiche Konzerte. Neben seinen dreißig Opern, u. a. 'Robert oder die Prüfung' (1813) und 'Hans Sachs' (1836), komponierte Gyrowetz vorwiegend Symphonien und Streichquartette" (DBE).…

2. Augsbourg ( Augsburg ) , chez Gombart et Comp ; Editeurs et Graveurs de Musique. S.d. ( ca. 1800), in-folio, 32,5 x 26 cm, one part only , title + 44 pp of engraved music . Plate number 138. ( removed from a convolute , disbound, title page a bit dustsoiled and thumbed, some slight browning at the inside.). (See Bibliothekverbund Bayern BVB-Nummer BV007803602).…