Sprache: Englisch
Verlag: International Center of Photography [ICP] / Steidl, New York and Gottingen, 2004
ISBN 10: 3882439742 ISBN 13: 9783882439748
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Erstausgabe
First Edition. First Edition. Near Fine, with no dust jacket as issued. Oversize volume, shipping billed at cost.
Sprache: Englisch
Verlag: Steidl/International Center of Photography, 2004
ISBN 10: 3882439742 ISBN 13: 9783882439748
Anbieter: Mooney's bookstore, Den Helder, Niederlande
Zustand: Very good.
Sprache: Englisch
Verlag: International Center of Photography ; Steidl, New York, Göttingen, 2004
ISBN 10: 3882439742 ISBN 13: 9783882439748
Anbieter: Antiquariaat Digitalis, Amsterdam, Niederlande
Erstausgabe
Hardcover. Zustand: Near Fine. 1st Edition. First edition, paper covered boards (hardcover), 255 pages : illustrations (some color) ; 31 cm. Very good/fine, clean, crisp, unread copy. Just some minimal shelf-wear. "Gustav Klutsis and Valentina Kulagina: Photography and Montage After Constructivism is an in-depth study of the work of Gustav Klutsis, the pioneer of photomontage in the Soviet Union and a central figure in the transition from the formalism of the early Soviet avant-garde to the increasingly state-sponsored art production of the 1930s. Also presented is the work of Klutsis's wife and colleague, Valentina Kulagina, an innovative poster, book, and exhibition designer, who participated in such seminal exhibitions as the 1928 Pressa exhibition in Cologne. Photography and Montage After Constructivism includes the artists' important public works - street displays, posters, and book and magazine desigs - as well as intimate family portraits and experimental photographs and photomontages. Drawing from her research at Russian archives and on previously unavailable information contained in the artists' letters and diaries - many translated here for the first time - art historian Margarita Tupitsyn offers new insights on the artists and the political and cultural climate in which they were working.".
Verlag: 1926 Moscow the author, 1926
Anbieter: A. Van Zaelen antiquariaat, MECHELEN, Belgien
Erstausgabe
edited: 2000 copies - first edition - 17,8 x 12,9 cm - [2]+26 pgs - soft thick paper cover with illustration by Klutsis - stappled - one of at least 7 small booklets by Kruchenykh on Esenin 's suicide or used it as pretext, see MOMA 644 - Campton: Russian avant-garde books pg 58 and 59,- condition bottom of back used, otherwise in good condition, library number (?) on front part of wrappers, slightly discolored front part (see pictures).
Verlag: Moscow: Sopo, 1922
Anbieter: Michael Fagan Fine Art & Rare Books, Newton, MA, USA
Erstausgabe
Soft cover. Zustand: Near Fine. 1st Edition. Octavo 17,8x 12 cm., wrappers, (26) pp.The All-Russian Union of Poets was organized in Moscow in 1918 and continued to 1929 when it was absorbed into All Russian Union of Writers. In 1922 it came under the scrutiny of the NKVD who forced it to change the charter of its aims This collection consists of exponents of various schools due to the extreme dubiousness of the goals and revolutionary objectives pursued by the Union, as well as harmful activities to the ranks of youth. This is the second poetry collection issued by the Union. Poets representing various isms are found here with Mandel shtam (Sestry), Tsvetaeva (Kon -Khrom), Pasternak (Mne v sumerki ty vse.), Sel vinskii and Boguslavskii, among others. Rare, Getty 827,MOMA 394. Printed on heavy van Gelder, This copy very crisp, near fine. With very fine cover by Gustav Klutsis, one of his earliest works.