Soft cover. Zustand: New. 1st Edition. The Changeover (Kalantara), one of the successful novels of Mohanty, is written in the background of one devastating cyclonic storm that occurred in 1971, in Odisha. In the novel, the author is particularly sensitive to the sordid reality that surrounded the village life in post-independent societies. The degradation of human conduct, and erosion of societal values and constraints, and a resultant conceptualisation of a cosmic cataclysm as a definite conclusion to these evils is the underlying framework of this novel. The storm that blew through the landscape, therefore, finds an analogue in the minds of men which is presented as salubrious and having the qualities of cleansing and purifying a stained soul. There is an epical sweep and magnitude in the description of the storm which points out the depth of the author's intense experience that occasioned many a poetical passages in the novel. However, the lyric intensity is never lost and beautifully sustained till the end. Nature, in the novel, assumes the status of a character, promoting mental metamorphosis, which informed the lives of each and every character in the novel. The illusoriness of human suffering, aggravated by the natural calamity, makes them to look for a metaphysical solution in the holy texts and scriptures. (jacket).
Sprache: Englisch
Verlag: Atlantic Publishers and Distributors, 2024
ISBN 10: 8126938544 ISBN 13: 9788126938544
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 22,70
Anzahl: 4 verfügbar
In den WarenkorbZustand: New. pp. 480.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 23,92
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Black Eagle Books Sep 2025, 2025
ISBN 10: 1645607445 ISBN 13: 9781645607441
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Together, these travelogues shatter the binaries that uphold colonial discourse-insider versus outsider, observer versus observed, subject versus object. Parkes remakes her identity through total immersion; Begum cements hers through strategic authorship. Parkes enjoys the spoils of empire even as her prose trembles with unease at its arrogance. Begum couches her dissent in syntax palatable to British temperament, yet never surrenders her regal perspective. Positioned at opposite poles of the colonial spectrum, they both illuminate the brutal alchemy of power, gender, and authenticity forged in the crucible of travel. Deploying feminist literary theory, postcolonial critique, and travel studies, this book rips open the layered politics inscribed in these texts. It reveals that these travelogues are not passive recollections or sterile geographic logs; they are battlegrounds where belonging, agency, and authorship are claimed-and violently defended. In these semi-autobiographical chronicles, Parkes and Begum invent new selves, staking out spaces that a world hell-bent on confining them never intended to grant.