guichard v (18 Ergebnisse)

Zustand: New. In.

Softcover. 27,5 x 21 cm, Originalbroschur mit 69 (2) Seiten und einigen s/w Abbildungen. Am Einband etwas angestaubt, Vorsatz ist an der Klammerung ausgerissen, ansonsten gutes Exemplar. aus dem Inhalt: H. Zopf: Karl Theopil Guichard gen. v. Quintus Icilius (3 Abb.); F. G. Bernhard: Emil von Arnstedt; Dr. B. Schulze: Geist von Beeren (2 Abb.); Dr. H. Fricke: Erinnerungen an Theodor Storm von Theodor Fontane. Ein nicht vollendeter Nekrolog, mitgeteilt von -- (3 Abb.); L- Themel: Zwie Brandenburg-Preußische Verordnungen über "Eximierte" aus dem Jahre 1748; Dr. H. Schall: Der Name Potsdam und die "Insel des Chotemysl" (2 Abb & 2 Kunstdrucktafeln); Dr. G. Stein: Ofenkeramik der Gotik und Renaissance auf der Spandauer Zitadelle (2 Kunstdrucktafeln); Dr. E. Schwartz: Im Prenzlauer Posthaus zur Franzosenzeit 1806 - 1815 (2 Abb.); Bücherschau: B. Brilling, Zur Geschichte der hebräischen Buchdruckerei in Frankfurt a. d. Oder / Ders. Jüdische Verleger in Frankfurt a. d. Oder im 18. Jahrhundert / Ders., Jüdische Buchdruckerfamilien in Frankfurt a. d. Oder (E. Schirrmacher) / E. Schwartz, Geschichte der St. Marienkirche zu Prenzlau ( H. Methling); H. Gimm, Dietrich von Bülow, Bischof von Lebus, in seinem Leben und Wirken (1460 - 1523) / H.-D. Kahl, Zum Ergebnis des Wendendreuzzuges 1147, zugleich ein Beitrag zur Geschichte des sächsischen Frühchristentums / W. Hoppe, Drei lutherische Landesfürsten in Brandenburg (M. Henning) / C. Ph. Melms, Chronik von Dahlem (W. Rust); M. Henning: Aus dem Leben der Vereinigung; Personen- und Ortsverzeichnisse -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! K02287-437156.

Expéditions Polaires Françaises (Mission Paul-Emile Victor) - 1991 in-8, broché, 96 pages Très bon état - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

Zustand: New. Idioma/Language: Español. El primer libro de estudios y testimonios dedicados a Eduardo Chirinos, uno de los poetas más importantes del cambio de siglo en lengua española. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

35pp, 20 figs, Printed Card Cover, VGC,

Zustand: New. In.

Zustand: New. In.

hradbound, pictorials boards, 4to 71 pp., 98 ills. das Jahr der Entscheidung; die Belagerung von Avaricum-Bourges; gergovia Schlacht; Bibracte; Alesia, die Schlacht; Kapitulation des Vercengetorix; WIE NEU.

Zustand: Fair. Envoi rapide Etat Correct. in8. 1851. Broché. 104 pages. Couverture usagée bordure des pages et coins aussi. Quelques rousseurs a l'intérieur majoritairement en début et fin d'ouvrage et en marge. Fair.

510 páginas, 1 hoja. Cubiertas editorial. Profusamente ilustrado con fotografías de cerámicas, pinturas, esculturas, arquitectura, etc., dentro de texto y a color. Perfecto estado. 30x24 cm.

Zustand: New.

pp. (iv), 104. Original lemon-yellow printed wrappers, uncut, a toouch of wear to the spine ends, else a very good copy. *COPAC records two copies - the British Library and LSE.

Zustand: Buone. Francese Condizioni dell'esterno: logorata e macchiata Condizioni dell'interno: evidenti tracce d'umidita'.

Taschenbuch. Zustand: Neu. Neuware.

Limoges, administration: René Rougerie. Un volume 14,4x22,8cm broché de 136 pages sous couverture illustrée en couleurs. Bon état. Excellente revue de poésie animée par Oleg Ibrahimoff et Janine Mitaud jusqu?en 1974. Livres.

Couverture souple. Zustand: bon. RO80168100: 1987. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages augmentées de nombreuses photos en couleur et en noir et blanc dans et hors texte. Annotations au stylo sur la page de titre. Coiffe en tête abîmée. . . . Classification Dewey : 708-Galeries, musées, collections d'art.

4°. 71 S. OPp. Tadelloses Ex. (Zabern Bildbände zur Archäologie - Sonderheft der Antiken Welt) Sprache: Deutsch.

Zustand: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déj.