guerard eugene (25 Ergebnisse)

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. pp.(iv)+84. 30.5cm. 21 colour illustrations. Black and white illustrations in the text. List and details of illustrations. Bibliography. List of Exhibitions. Index. Hard cover in dust jacket. Small printed label of private owner on end paper. Good clean copy.

4to. 84pp. Original boards in dustwrapper. Name on fe. B&W illustrations throughout and colour plates. A very good copy. First edition.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. South Yarra, Currey O'Neil, 1982. Quarto, [iv], 84 pages with numerous illustrations (many in colour). Papered boards; a fine copy with the near-fine dustwrapper. The diary and sketchbooks of the German artist Eugene von Guerard in 1852, recording 'his time in Geelong and on the Ballarat goldfields . The diary, published here for the first time, is accompanied by an introduction and biography . by Marjorie Tipping. It is also interspersed with interpretative annotations which give additional information about the entries' (dustwrapper blurb).

SOFTCOVER. Zustand: FINE. 1st Edition. 4to in textured stiff card covers, unpaginated, approx. 48pp on thick art paper, plates in colour and some b/w, additional b/w plate (Le Port a Camaret) laid in at rear (as issued) plus gallery compliments slip loosely inserted . [CONDITION: A well preserved FINE clean and tight unmarked copy (covers faintly tanned) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Zustand: Fine. First Edition. Hardback. Number 49 of 1500 copies, numbered and signed by Marjorie Tipping, viii,[2],118pp, colour and b/w ills. throughout, oblong folio, colour illustrations throughout, notes on individual plates, select bibliography, bound in original quarter brown cloth with beige cloth boards, title lettered in gilt on spine, portrait laid down on upper board, housed in original slipcase. Heavy, and delivery costs may be a consideration especially outside Britain. Johann Joseph Eugene von Gurard (1811Ð1901) was an Austrian-born artist, active in Australia and New Zealand from 1852 until 1882. Known for his finely detailed landscapes in the tradition of the Dsseldorf school of painting, he is represented in Australia's major public galleries, and is recognized as one of Australia's greatest nineteenth-century landscape painters. By the early 1860s von Guerard was recognised as the foremost landscape artist in the colonies, touring Southeast Australia and New Zealand in pursuit of the sublime and the picturesque. He is most known for the wilderness paintings produced during this time, which are remarkable for their shadowy lighting and fastidious detail. The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. He was one of a number of influential German-speaking residents who brought their "epistemic traditions" to Australia, and not only became "deeply entangled with the Australian colonial project", but also were "intricately involved in imagining, knowing and shaping colonial Australia" Fine.

Hardcover. Zustand: Fine. Limited edition, number 72 of 500 copies, tipped in frontis portrait of the artist, 50 tipped in colour plates + numerous b/w illustrations complete, 306pp, oblong folio, a lavish production fine original decorative black half crushed morocco giltover blue cloth, ribbon marker, fine original cloth clamshell box with mounted colour illustration to front cover. Very heavy, and delivery costs may be a consideration especially outside Britain. Johann Joseph Eugene von Gurard (1811Ð1901) was an Austrian-born artist, active in Australia and New Zealand from 1852 until 1882. Known for his finely detailed landscapes in the tradition of the Dsseldorf school of painting, he is represented in Australia's major public galleries, and is recognized as one of Australia's greatest nineteenth-century landscape painters. By the early 1860s von Guerard was recognised as the foremost landscape artist in the colonies, touring Southeast Australia and New Zealand in pursuit of the sublime and the picturesque. He is most known for the wilderness paintings produced during this time, which are remarkable for their shadowy lighting and fastidious detail. The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. He was one of a number of influential German-speaking residents who brought their "epistemic traditions" to Australia, and not only became "deeply entangled with the Australian colonial project", but also were "intricately involved in imagining, knowing and shaping colonial Australia" (Barrett, et al., 2018, p.2). (2).

Zustand: Good. Original tinted lithograph. 35 x 50 cm (sheet). Very Good, minor rubs, soiling and foxing in the margins.

Couverture rigide. Zustand: Très bon. Edition originale. Paris, J.B. Baillière, 1853 ; 2 vol. in-8 (chacun en deux parties, à pagination continue), 480 pp., 2 planches dépl. et 480 pp., 4 planches dépl., demi-basane moderne, dos lisses ornés de filets dorés, tranches jaunes, quelques rousseurs, très bon état. Les Annales d'Hygiène Publique et de Médecine Légale constituent la première revue française consacrée d'une part à l'hygiène publique et à la médecine environnementale avant la lettre, et d'autre part à la médecine légale et à la toxicologie. Elle renferme aussi des articles de psychiatrie ayant des rapports avec l'hygiène ou la médecine légale. Cette revue, qui rassemble les plus grands spécialistes de l'époque est remarquable pour le caractère novateur de nombreux articles et aussi pour la longueur considérable et tout à fait inhabituelle de certains d'entre eux (qualifiés de mémoires et réalisant de véritables monographies (Cf. N. Krieger, Epidemiology and the people's health,p. 78 :"one of the world's first public health journals" ; A. La Berge, The early nineteenth century French public health movement, p. 48 ; B.P. Lécuyer, L'hygiène en France avant Pasteur, In : C. Salomon-Bayet, Pasteur et la révolution pastorienne, pp. 102-113 ; Nemec, Highlights in medicolegal relations, 378). Nous relevons en particulier dans ces 2 volumes (correspondant à la totalité de l'année 1853) les articles et mémoires suivants : Alph. GUERARD, Mémoire sur la prison cellulaire de Mazas [à Paris] (T. 49, pp. 5-68, 1 pl.) ; VERNOIS & BECQUEREL, Recherches sur le lait, T. 49, pp. 257-322 et T. 50, pp. 43-147 ; Adolphe TOULMOUCHE, Considérations médico-légales sur deux cas assez rares d'aberration mentale, T. 50, pp. 424-449 (cf. article J. Arveiller, Le syndrome de Tardieu : maltraitance des enfants, médecine légale et psychiatrie au XIXe siècle, Evolution psychiatrique, 2011, 76, 219-243) ; Eugène CHEVREUL, Mémoire sur plusieurs réactions chimiques qui intéressent l'hygiène des cités populeuses, T. 50, 5-42 (cf. A. Corbin, Le Miasme et la Jonquille, pp. 28-29 : "longue archéologie du miasme entreprise par le grand chimiste Chevreul, infatigable collectionneur et analyste des boues parisiennes. Pour lui, la salubrité des villes est bien fonction de l'imprégnation passée ; les matières organiques 'tôt ou tard produisent des effets d'infection de diverses sortes'." ; S. Barles, La ville délétère, pp. 251-254 ; A. Guillerme, Bâtir la ville: révolutions industrielles dans les matériaux de construction, p. 270 ; Massard-Guilbau, Histoire de la pollution industrielle: France, 1789-1914 (nombreuses citations); etc.

Oblong folio; 118pp. Colour illustrations throughout, notes on individual plates, select bibliography; original brown cloth, title lettered in gilt on backstrip, Portrait on front board, a fine copy in original slip-case, . First Edition limited to one thousand signed and numbered copies.

Zustand: Good. Tinted engraving measuring 17 x 21 inches, mounted on cardboard. Title at top is worn off but still legible are the words, "Musée des Rieurs". Print is a bit sunned, rubbed and worn around the edges, with a few light marks here and there.

Nantes / Paris, 1868 lithographie sur fond teinté. Format de la feuille : 370mm x 550mm / format de la figure 250mm x 360mm. Tirage d'essai avant la lettre (aucune mention d'éditeur ou de légende). Il ne s'agit pas d'une gravure tirée de l'ouvrage mais d'une épreuve originale de l'imprimeur. Paris dans sa splendeur à d'abord été annoncé en livraison en 1857 puis publié de 1861 à 1863. Une nouvelle édition à été donnée par le même éditeur en 1868. Notre tirage différe des tirages antérieurs par des détails tels que les personnages, plus nombreux ici, qui rendent la vue beaucoup plus vivante. Quelques légères rousseurs, minime déchirure sans manque en marge inférieure. Le dessin est d'Eugène Cicéri (1813-1890).

Zustand: Good. 3 volumes. Large folio. 36 x 55cm. Publisher's qtr. red morocco with matching percaline. light to moderate foxing; Complete with 100 lithographs.; one torn in the margins. . Exemplaire en reliure d'éditeur.OCLC Number: 4401208. . Very heavy, close to 50 pounds shipping weitght. In-folio, demi-chagrin rouge de l'éditeur, plats en percaline rouge, avec à chaque premier plat les armes dorées de la ville de Paris (frottements et usures, rousseurs éparses, une planche déchirée).41 vignettes gravées sur bois dans le texte, dont une répétée sur le titre, et 100 lithographies hors texte, dont un plan de Paris, tirées sur fond teinté et parfois en couleurs [complet]. Ouvrage collectif qui eut parmi les rédacteurs Louis Énault, Édouard Fournier, Eugène de La Gournerie, Mary Lafon, Prosper Mérimée, Viollet Le Duc, etc., et parmi les illustrateurs PhilippeBenoist, Jules David, Guérard, etc.Expertise by : Amaury BONNETAIN.

VOLUME 1 : Description de Paris : Les Palais / Eglises, Chapelles, Cimetières / 1863 / 206 pages // VOLUME 2 : Description de Paris : Promenade dans Paris / Beaux-Arts, Sciences et Lettres / Administration / Etablissements de Bienfaisance / Etablissements de Plaisir / Industrie et Commerce / 1861 / 219 pages // VOLUME 3 : Histoire de Paris - Environs de Paris : Paris Ancien / Paris Moderne / Appendice, Coups d'oeil sur les environs de Paris / 1863 / 184 pages // ATLAS : 100 Planches. Français Publié par Henri Charpentier au format : 36 x 50 cm reliés en demi-chagrin Havane. Les couvertures présentent d'infimes frottements d'usage très peu signifiant, les dos sont conservés malgré un petit manquement sur le troisième volume au niveau du titre, les intérieurs sont frais malgré des rousseurs plus ou moins éparses. // Très belle condition générale autant pour la qualité des papiers que des reliures. SUPERBE & FRANCO DE PORT.

Zustand: Good. 3 volumes in- folio, 33.5 x 49cm; light to moderate foxing; 98 of 100 lithographs present. lacks plates 81 and 87.reliés demi-chagrin brun, plats de percaline marron ornés d'un bel encadrement doré, armes dorées de la ville de Paris au centre du premier plat, dos à nerfs ornés, tranches dorées. Exemplaire en reliure d'éditeur.OCLC Number: 4401208. (quelques rousseurséparses, manque planches 81 « Henri II mortellement blessé » et 87 « Mgr Affre blessé mortellement »).Une des plus importantes publications sur Paris, illustrée de 41 vignettes gravées sur bois dans le texte, dont une répétée sur le titre, et 98 sur 100 lithographies hors texte, dont un plan de Paris, tirées sur fond teinté (trois Ouvrage collectif qui eut parmi les rédacteurs Louis Énault, Édouard Fournier, Eugène de La Gournerie, Mary Lafon, Prosper Mérimée, Viollet Le Duc, etc., et parmi les illustrateurs PhilippeBenoist, Jules David, Guérard, etc.

Zustand: Good. Large oblong folio. 62 x 90cm. Original board covers, worn and defective along the edges.Complete with 47 plates, some maps and some excellent views and battle scenes.Waterstainis and defects in the margins of some of the prints. Rare. Only 1 copy in OCLC at the Bibliothèque nationale de France, no. 466311387.1 vol. in-folio oblong. Cartonnage éditeur, rubans. Importants manques, reliure enl 'état.Titre, [1]f table, 11 feuillets, 47 planches numérotées de 1 à 34 représentant lesdifférentes étapes de la guerre d'Orient.Bien complet des 47 planches.Mouillure dans la marge supérieure à partir de la planche XI, de plus en plusmarquées selon les planches.

Zustand: Good. Collection of 19 tinted lithographs. 50.5 x 35 cm. A few with marginal wormholes, tears or stains. PAR MM. PHILIPPE BENOIST, POUR LE PLUS GRAND NOMBRE ET AVEC L'AIDE DE LA PHOTOGRAPHIE; JULES ARNOUT, BACHELIER, A. BAYOT, FÉLIX BENOIST, CHAPUY, EUGÈNE CICERI, HUBERT CLERGET, JULES DAVID, FICHOT, JULES GAILDRAU , GUÉRARD J. JACOTTET, GUSTAVE JANET HIPPOLYTE LALAISSE, AUG. MATHIEU, SABATIER, ETC. VIGNETTES DE FELIX BENOIST ET CATENACCI, EXÉCUTÉES SUR BOIS PAR LES PREMIERS GRAVEURS.

Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68. Gold was discovered in Beechworth, Victoria in 1852, and shortly thereafter along the Ovens River. In the same year, Austrian-born von Guerard arrived in Victoria, Australia, determined to try his luck on the goldfields. Like many, he failed as a miner, but he did produce numerous studies of goldfields life, including this image depicting men working on a sluice. Color lithograph, signed in the plate, with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed, some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587.

Print. From Eugene von Guérard's Australian Landscapes 1866-68. A panoramic view taken from a hill looking down towards the lake, farmland surrounding it. The lake is a large coastal lagoon just south of Woollongong, 100 km south of Sydney. Color lithograph, signed in the plate, with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/2" on paper 18 x 24 1/2". Archivally cleaned and backed, color tastefully enhanced. nOT ON TROVE (?).

Print. From Eugene von Guérard's Australian Landscapes 1866-68. Two horsemen are approaching a punt to cross the Goulbourn. A boat in the foreground holds two fishermen. Color lithograph, signed in the plate, with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 18 x 24 1/2". Archivally cleaned and backed, color tastefully enhanced. Two small marginal cracks repaired. Not recorded on Trove.

Print. Plate XVI from Eugene von Guérard's Australian Landscapes 1866-68. The location is now named Budj Bim and is a dormant volcano near Macarthur in southwestern Victoria, Australia. The volcanic history of this part of Victoria is remarkable, and the quarried black volcanic rock is seen throughout buildings & walls. Color lithograph, signed in the plate, with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19" on paper 18 x 24 1/2". Archivally cleaned and backed, color tastefully enhanced. Libraries Australia ID 7744685.

Print. Plate VII from Eugene von Guérard's Australian Landscapes 1866-68. A stunning view oin the Blue Mountains, N.S.W. Originally named The Weatherboard, the town was Jamisons Valley in 1815. In July 1867, the first railway journey to the Blue Mountains traveled through to Weatherboard Station, where the train terminated. In 1879, the village took its name from the nearby waterfalls, which had been named for William Charles Wentworth, one of the men that headed the exploration to cross the mountains in 1813 and a friend of John Jamison. Two men with a rifle are overlooking the falls. Color lithograph, signed in the plate, with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19 1/2" on paper 18 x 24 1/2". Archivally cleaned and backed, color tastefully enhanced. Libraries Australia ID 7744602.

Print. Plate XV from Eugene von Guérard's Australian Landscapes 1866-68. American Creek, Mt. Kembla. Trees pictured include cabbage trees, bangalow palms and flame trees. Timbermen are working in the foreground to fell the huge trees. Von Guerard describes the scene thus: This sylvan scene is situated at a distance of little more than ten miles from Wollongong, near the junction of a little stream upon which some prosaic devotee of the bottle has bestowed the dishonouring appellation of the Brandy and Water Creek, with the American Creek, and at the foot of a noble range of mountains. With the lofty bangalow palm, the cabbage palm, the gigantic wild fig-tree, the fire tree (otherwise known as the blaze tree) with its vividly scarlet blossoms, are intermingled the nettle tree, the rose-wood, the sassafras, the white-wood, the wild rose, numerous varieties of the fern tree, and parasites innumerable the whole being woven together into one dense and almost impenetrable mass of foliage. Unfortunately the progress of settlement is necessitating the destruction of some of these magnificent forests, which in many instances clothe a rich chocolate soil of especial value to the farmer. At the time this view was sketched, numerous fires had been kindled by the wood-cutters, and the stately giants were rapidly falling before the pitiless axe of the hardy pioneers of civilization. Color lithograph, signed in the plate, with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4 x 20 3/4" on paper 25 x 18 3/4". Archivally cleaned and backed, repairing some marginal splits, including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 774462.

Print. Zustand: Otherwise very good condition. Plate 5 in Eugene von Guérard's Australian Landscapes 1866-68. "The bold and romantic headland which bears this title forms one of the most picturesque "bits" of scenery on the Victorian coast. The rocks have been worn into the most grotesque and fantastic shapes by the action of the waves, which rush in, with a majestic sweep, from the Southern Ocean . the artist has indicated the entrance of Port Phillip by the position of the steamer faintly visible in the offing." (NGV). Color lithograph, signed in the plate, with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4x19 1/4" on paper 25 x 18 3/4". Archivally cleaned and backed, repairing some marginal splits, including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 7744596.

Print. Zustand: Very good overall. From Eugene von Guérard's Australian Landscapes 1866-68. Von Guerard is said to have painted the work "at the entrance to Dobson's Gully in the Dandenong's'. The area was the location where Thomas Dobson made his home and established a timber camp. He called it 'Lightwood Gully', the original name for Ferntree Gully. "His remarkable image of a fern-tree gully in the Dandenong Ranges, some 40 kilometres east of Melbourne, conveys a sense of the landscape as a spiritual sanctuary. Painted on return to the artist's Melbourne studio, Ferntree Gully in the Dandenong Ranges is a work that combines von Guerard's meticulous observation of local plant species with his artiistic interest in compositional arrangement and the creation of a 'mood' particular to this environment. In this case we are privy to the magical world of a bower - an enclosed gully of natural foliage created by towering tree ferns. A pool of light on the forest floor leads us to two male lyrebirds cast in shadow, one withits characteristic tail feathers raised.: Tiom Bonyhady, Australian Colonial Paintings in the Australian National Gallery, Canberra; Australian National Gallery, 1986, p. 171. Color lithograph, signed in the plate, with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 19 x 24 1/2". Archivally cleaned and backed, color tastefully enhanced.

On the evening of 12 September 1871 the colonial artist Eugene von Guérard and his wife Louise were passengers on a train which was involved in a collision as it was returning to Flinders Street from Prahran. Ironically, the accident took place only a short distance from their residence in East Melbourne. The injuries both sustained were deemed significant enough to warrant an out-of-court settlement with the Melbourne & Hobsons Bay United Railway Company for £200 in compensation - a very substantial sum of money. The legal document offered here is a deed of release (probably one of two copies) prepared by the Railway Company's solicitors, Malleson England & Stewart; by signing it, the von Guérards absolved the Company of any further liability and acknowledged receipt of its compensation payout. The deed is signed in full, twice, by both of the von Guérards. Folio bifolium, 385 x 240 mm, manuscript in clerical hand on watermarked wove paper (occupying the first side only); folding to 240 x 100 mm, the front endorsed: 'Release. Eugene von Guerard and wife, and The Melbourne & Hobsons Bay United Railway Company. Dated 17th October 1871. Malleson England and Stewart.'; the document is in fine condition. 'Know all Men by these Presents that We Eugene von Guerard of Gipps Street East Melbourne in the Colony of Victoria, Artist, and Louisa [sic] Guerard his wife, in consideration of two hundred pounds sterling to us in hand paid by the Melbourne and Hobsons Bay United Railway Company incorporated by the Act of Parliament of Victoria Number 270 (the receipt whereof we do and each of us doth hereby acknowledge) do and each of us doth by these presents remise release and for ever discharge the said Melbourne and Hobsons Bay United Railway Company of and from all and all manner of action and actions suit and suits cause and causes of action and suit sum and sums of money accounts trespasses damages wrongs claims and demands whatsoever at Law or in Equity which against the said Railway Company We or either of us ever had now have or which we or our either of us our or either of our heirs executor or administrator hereafter, can shall or may have by reason or in consequence of the injuries sustained by us the said Eugene von Guerard and Louisa [sic] Guerard on the twelfth day of September one thousand eight hundred and seventy one by or from a Collision occuring in the said Company's line of Railway or which may result therefrom or of anything which may hereafter arise in relation thereto or for or upon or by reason of any other matter cause or thing whatsoever In witness whereof we have herewith set our hands and seals the Seventeenth day of October one thousand eight hundred and seventy one. Signed Sealed and delivered by the said Eugene Von Guerard [his full signature, 'Eugene von Guérard'] . Signed Sealed and delivered by the said Louisa [sic] Guerard [her full signature, 'Louise von Guérard'] [witnessed by James Douglas Ramsay, Article Clerk for Robert Ramsay, Solicitor, Melbourne]. Received on the day and year first before written of and from the said Melbourne and Hobsons Bay United Railway Company the sum of two hundred pounds being the consideration money before expressed . [full signatures of 'Eugene von Guérard' and 'Louise vonGuérard]. An account of the train accident was published in The Argus the following day, 13 September 1871: 'A very serious accident happened lastnight about a quarter past 10 o'clock on theMelbourne and Hobson's Bay Railway. Fromwhat can be gathered (for the railway officialsrefuse to give the slightest information), itseems that the 10 o'clocktrainfrom Windsorwas waiting at the usual place, opposite thebottom of Spring-street, for the signal toproceed, when an unattached engine, drivenby a man named Duncan M'Farland, reputedto be a cautious driver, came up behind atfull speed, and ran into the stationary train.The last carriage was a first-class one, full ofpassengers, and so great was the force of thecollision that the carriage was smashed up,the glass windows being shattered, and thedoors broken open, some of them overlapping by nearly six inches. The persons in the carriage were thrown violentlyall in a heap, and many of them sustainedvery serious injuries. Among the occupantsof the carriage were several ladies, who,besides being injured by the concussion, werenearly all in hysterics from extreme fear whenthetrainarrived at the station. The secondcarriage from the end was the smoking-carriage, which was also greatly shattered.There were not many persons in thiscarriage, but one of them, a Volunteer, isreported to have suffered greatly from injuryto the spine. The occupants of the othercarriages were also much shaken, but generallyin a less degree than those in the last twocarriages. The cause of tho collision is atpresent unknown, though it is generally believed to have occurred through there beingno danger light or tail lamp at the end of thetrain.Several persons who were in thetrainstate it as their opinion that thestoppage at tho east side of Swanston-streetlasted fully 10 minutes before the collision occurred. In any case, the occurrence of such an accident in close proximityto the principal station, and with sofew trainsrunning, would indicate grossnegligence on the part of the engine-drivers,or a very defective system of signalling.Most of the injured persons were removed totheir houses, and thus we are unable to giveanything like a full account of the extent ofthe damage done. Only one person, Mrs.Jane Lake, was taken to the hospital, whereit was found that she was suffering from asevere contusion on the left foot, occasionedby being thrown against the seat opposite tothat she was sitting on. Her injuries wereattended to, and she was sent home afterrecovering from the effects of the shakingshe had received. Mr. England, brother ofMr. E. England, of the firm of Malleson,England, and Stewart, was in the last carriage, and was so much injured that it wasa c.