guberti giulio (6 Ergebnisse)

Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Ottime.

paperback. Zustand: Ottimo (Fine). Catalogo di mostra, Ferrara (Padiglione d'Arte Contemporanea Parco Massari), Modena Galleria Civica), Forlì (Palazzo Albertini), Ravenna (Pinacoteca Comunale Loggetta Lombardesca). Numerose ill. in nero (opere di Riccardo Biavati, Alessandra Bonoli, Giorgio Colombani, Gianni Guidi, Sergio Monari, Bruna Musso, Giovanni Scardovi, Sergio Zanni e Giorgio Zucchini) . 8vo. pp. 60. . Ottimo (Fine). . . . Book.

Original-kartoniert mit illustriertem Original-Schutzumschlag (Englische Broschur); Gr. 8°; 155 (5) Seiten. Gutes Exemplar. Sprache: Italienisch 550 gr.

Brossura. Zustand: ottimo. prima edizione. Catalogo della mostra, brossura, 58 pagine, illustrazioni in bianco e nero, 15x21 cm. Artisti coinvolti: Sergio Monari, Gianni Guida, Giovanni Scardovi. Ottima copia.

Soft cover. Zustand: Very Good. 1st Edition. 8° - 245pp - B/w reproductions. The Space of Reflection in Art: Michelangelo Pistoletto (1933) Italian painter, action and object artist, and art theorist. Pistoletto is acknowledged as one of the main representatives of the Italian Arte Povera. First edition, text in Italian. Original boards. In Very good condition.

Soft cover. Zustand: Very Good. 1st Edition. Gr. 8° - 226 pp. Richly illustrated with b/w and color plates. Very rare first edition, in fine condition. Alighiero Fabrizio Boetti (Torino, 16 dicembre 1940 Roma, 24 aprile 1994)Italian artist: Along with Giovanni Anselmo, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini, and Gilberto Zorio, he was part of the Arte Povera group. At the same time, he was also one of the first to distance himself from it. His most famous works are tapestries of various sizes, in which phrases and mottos invented by the artist are inserted and divided into grids (e.g., The Progressive Vanishing of Habit, From Today to Tomorrow, Creating and Recreating, I Don't Leave, I Don't Stay, I Thirst for Fire, I Hunger for Wind, etc.). Boetti proposes systems within which to act, often involving others. Or geography, mathematics, geometry, and postal services provide the platform for his choices. His work questions the traditional role of the artist, interrogating the concepts of seriality, repetition, and the authorship of the artwork. After Gemelli, the common thread linking many of his works was the underlying duality of intent in the creative process. This was especially true after experimenting with humble materials, when Boetti moved to the capital and decided to start again from something truly simple: a pencil and a sheet of graph paper. The mechanisms he invented for his works were thought structures applicable to things without ever being exhausted. Once the principle behind them was clear, they broke free from subjective patterns and allowed the freedom to self-generate like natural things. Boetti saw painting as a "betrayal" of the ideals (artistic and political) that had exploded in 1968: painting represented a sort of detachment from the real world, a detachment to be regarded with disdain for those like him who felt directly involved in the present and current events. First edition, text in Italian. Original boards. In Very good condition.