Gruault jean (35 Ergebnisse)

Hardcover. Zustand: Très bon. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: Very good. - Octavo, teal pictorial wrappers. The wraps are lightly bumped & rubbed. There is a stain to the rear wrap with a price-sticker on its bottom corner. 100 & [4] pages. Illustrated with black-and-white stills from the film. Very good. Third printing.

Zustand: Fair. : Sumérgete en la Francia de 1900 con 'Belle Époque', una novela escrita por Jean Gruault y François Truffaut. La historia sigue a Lucien Lachenay, un industrial que rescata a Alice Avellano en un tren nocturno, enamorándose perdidamente de ella. La trama se complica con la aparición de un joven anarquista y se entrelaza con intrigas políticas y espionaje industrial, llevándonos hasta el inicio de la Primera Guerra Mundial. Una obra que captura la esencia de una época de cambios y conflictos. EAN: 9782070746958 Tipo: Libros Categoría: Literatura y Ficción Título: Belle Époque Autor: Jean Gruault| François Truffaut Editorial: GALLIMARD Idioma: fr-FR Páginas: 392 Formato: tapa blanda.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

mass market paperback. Zustand: good; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED12mo; 190 pages; good mass market paperback; few slight nicks to edges; some tanning spine and cover edges; tanned pages; tips bumped; edges factory coloring some fade; clean pages; prompt shipping with tracking; spine starting to slant.…

Zustand: very good. Photo non contractuelle. Envoi rapide et soigné.

Zustand: COME NUOVO. Milano, Feltrinelli cm.11x18, pp.197, brossura con copertina figurata a colori. Collana Universale Economica Feltrinelli,952. A cura di Piero Arlorio.

Zustand: good. Envoi rapide et soigné.

Paperback. Zustand: Brand New. 224 pages. French language. 7.40x4.80x0.87 inches. In Stock.

Softcover. Zustand: Very Good. First American edition. Translated form the French by Linda Lewin and Christine Lemery. 12mo. Illustrated from film stills. Pictorial wrappers. Wraps lightly worn and soiled, light creases down the spine, foredge with soiling, small "s" stamp on the topedge, possibly a remainder mark, very good.…

Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Brossura. Zustand: fine. Milano, 1962; br., pp. 174. Libro.

Volume: 1 20,5x13,5 cm., in brossura, protezione acetato, in copertina i due interpreti, pp. 174 (2), prima edizione italiana, buone condizioni Jules e Jim è uno di quei film destinati a diventare in breve tempo un punto fermo nella storia dell'arte cinematografica. .E' sembrato importante pubblicare la sceneggiatura integrale.oltre a costituire un notevole fatto culturale. .un prezioso strumento per lo studio delle soluzioni tecniche di cui si è servito Truffaut per la realizzazione del film.…

Zustand: CN. Paris, broché, couverture illustr; in-8, 328 pp. Très bon état - roman.

Couverture rigide. Zustand: Très bon. Collection : Collection Ça-cinéma 1 vol, 14x22cm, 147 p. Broché, couv. souple bon état, légèrement plissée sur le plat. Quelques accrocs sur le plat. Dos plissé. Tâches de rousseur sur toutes tranches. Intérieur jauni. 4C2 370g.

Zustand: very good. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommages esthetiques mineurs. vendeur professionnel; envoi soigne en 24/48h.

Zustand: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Paperback. Zustand: Good. French.

Zustand: Très bon état. in-8, broché, couverture illustrée, 147 pp., 8 planches hors-texte. Édition originale du scénario de Jean Gruault (inspiré des travaux d'Henri Laborit) pour le film d'Alain Resnais. Précédé d'entretiens de Madeleine Chapsal avec Alain Resnais et Henri Laborit. En bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.…

brossura. Zustand: Good. 174 p., [16] p. di tav. : ill. ; 21 cm. Buono (Good) alcune (pochissime) sottolineature a penna sulle prime 18 p., pieghe da lettura sul dorso, pagine brunite ma in buono stato. Book.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 400 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Softcover/Paperback. Zustand: Near Fine. [Paris, 1979]. Vintage original French screenplay, 11 x 8" (28 x 20 cm), printed production company wrappers, 100+ pp. Wrappers lightly smudged. Many pages have actual 35 mm clips from the film on verso, illustrating the specific shots designated in the script (some of these have come loose). The script was presented to legendary French cinematographer Sacha Vierny by Arthur Cloquet, who was his assistant cameraman. Near fine. Mon oncle d'Amérique is a classic of French cinema -- and one of only a handful of foreign-language films to be Oscar-nominated as of 1980. Besides its nomination for Best Original Screenplay, it received many other plaudits, including the 1980 winner for Best Foreign Film from the New York Film Critics Circle and the Grand Jury Prize at Cannes. Alain Resnais (1922-2014), along with Jean-Luc Godard, was considered one of the most formally innovative filmmakers of the French New Wave. Resnais' first three features -- Hiroshima mon amour (1959), Last Year at Marienbad (1961) and Muriel (1963) -- employed the full vocabulary of cinema, particularly montage, to redefine the way movies treated the themes of time and memory and had a revolutionary effect on the way those themes were treated in movies generally thereafter. Mon oncle d'Amérique is no less revolutionary, formally speaking. It's a film that blends essay and narrative, starting with the lectures of real-life theoretical psychologist and biologist Henri Laborit, and illustrating Laborit's behavioral theories with the interweaving fictional stories of three characters: Jean (Roger Pierre) a would-be politician, Janine (Nicole Garcia) a would-be actress, and René (Gérard Depardieu), the son of a farmer who becomes an executive in a textile factory. The stories of the three leading characters are, in turn, intercut with film clips of three iconic French actors, Danielle Darrieux, Jean Marais and Jean Gabin, who helped to define the self-images of the three protagonists. To write the narrative portions of his film, Resnais turned to veteran French screenwriter, Jean Gruault, whose other distinguished credits include Paris Belongs to Us (Jacques Rivette, 1960), Vanina Vanini (Roberto Rossellini, 1961), Jules et Jim (François Truffaut, 1962), La Religieuse (Rivette, 1966), Two English Girls (Truffaut, 1971) and The Story of Adèle H. (Truffaut, 1975). To shoot the film, Resnais employed one of the world's greatest cinematographers, Sacha Vierny, a long-time collaborator who had shot most of Resnais' previous films including Hiroshima mon amour, Last Year at Marienbad and Muriel. This particular copy of the Mon oncle d'Amérique screenplay was formerly the property of Vierny, and includes physical film clips taped onto the back of many pages of the script to serve as color and lighting references. Professor Laborit's theories focus on four main types of animal behavior -- consumption, escape, struggle, and inhibition -- and he is particularly concerned with how an organism, human or otherwise, responds to crisis. Resnais illustrates Laborit's theories not only with human behavior, but with clips of all kinds of animal life, ranging from sea anemones to crabs and tortoises. Sometimes Resnais' illustrations have a surreal quality, as for example when we see performers interacting while wearing the heads of white rats. Mon oncle d'Amérique is a thoroughly accomplished and entertaining work, and it is utterly singular. There has never been anything quite like it.…

Vintage borderless reference photograph of François Truffaut and Laurence Ragon from the 1978 film. Layout annotations in manuscript ink, "La Chambre Verte" stamp, and "June 78" stamp, all on verso. Based on the 1895 short story "The Altar of the Dead" by Henry James, with elements of James' 1903 novella "The Beast in the Jungle," and his 1896 short story "The Way it Came." One of Truffaut's least successful films, but also one of his most personal and critically acclaimed, a meditation on death and on an individual's inability to live in the face of it. Truffaut stars as Julien Davenne, a journalist who writes obituaries in an unfashionable journal, obsesses about the loss of his wife Julie and those members of his WWI squad lost in the war, which lead him to build a shrine as a memorial so that they may never be forgotten. The third and final film which Truffaut would both direct and star. Shot on location in Calvados and Eure, France. 10 x 8 inches. Near Fine. Rosenbaum 1000.…

Vintage borderless photograph of director François Truffaut and actors Jean-Pierre Léaud and Stacey Tendeter on the set of the 1971 film. Agency rubber stamps and manuscript annotations on the verso. Based on the 1956 novel of the same name by Henri-Pierre Roche. 7 x 5 inches. Near Fine.

Vintage borderless photograph from the 1962 film, showing the film's principal characters Catherine, Jim, and Jules playing dominoes around a table, as seen through the window of their cottage. Based on Henri-Pierre Roche's 1953 novel of the same name, a story of a love triangle set in France throughout the First World War. Shot on location in France. 7 x 5 inches. Near Fine. Criterion Collection 281. Ebert II.…

Vintage reference photograph of François Truffaut and Isabelle Adjani on the set of the 1975 film. Based on the diaries of Adele Hugo, youngest daughter of French writer Victor Hugo. Adele Hugo's (Isababelle Adjani) romantic obsession with the indifferent British officer, Lieutenant Pinson (Bruce Robinson), leads her to follow him to Halifax, and eventually succumb to madness and despair. Nominated for an Academy Award for Best Actress for Adjani, at age 20, making her the youngest nominee for the award, at the time. Set in Halifax, Nova Scotia, shot on location in Senegal and Channel Islands. 12 x 9.5 inches. Light soiling in margin, else Near Fine.…