griffiths green (16 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780340272336.

Paperback. Zustand: Fine. Creased cover. Slight scratches to cover. Appears unread, may have minor superficial marking. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Zustand: New.

Paperback. Zustand: Fine. Crisp, clean pages; no owners' marks; as new. vi, 200pp. incl. index.; Annals of Mathematics Studies Series; Vol. 157.

Zustand: New. First edition, first printing, 208 pp., Hardcover, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Zustand: New. This monograph presents topics in Hodge theory and representation theory, two of the most active and important areas in contemporary mathematics. The underlying theme is the use of complex geometry to understand the two subjects and their relationships to one anotheran approach that is complementary to what is in the literature. Finite dimensional representation theory and complex geometry enter via the concept of Hodge representations and Hodge domains. Infinite-dimensional representation theory, specifically the discrete series and their limits, enters through the realization of these representations through complex geometry as pioneered by Schmid, and in the subsequent description of automorphic cohomology. For the latter topic, of particular importance is the recent work of Carayol that potentially introduces a new perspective in arithmetic automorphic representation theory. The present work gives a treatment of Carayol's work, and some extensions of it, set in a general complex geometric framework. Additional subjects include a description of the relationship between limiting mixed Hodge structures and the boundary orbit structure of Hodge domains, a general treatment of the correspondence spaces that are used to construct Penrose transforms and selected other topics from the recent literature.

Zustand: Fine.

Soft cover. Zustand: Fine. No Jacket. 208 p. : ill. ; 29 cm. ; ISBN: 0520213009 (pbk.); 9780520213005 (pbk.) LCCN: 97-20496 ; OCLC: 36900938 ; LC: NC1479.H613; Dewey: 741.5/942 ; pictorial stiff paper wrappers ; Contents: 1. Whose Hogarth? -- 2. Hogarth's Public: Finding An Audience -- 3. Politeness and Roman Satire -- 4. Hogarth and 'The Spirit of Party' -- 5. Disenchantment: Hogarth, God and Science -- App. Hogarthomania and the Collecting of Hogarth / Sheila O'Connell -- Catalogue -- Redefining Hogarth: Twentieth to Eighteenth Centuries -- The Satirical Engraver and His Public -- The Targets of Satire: The Orders of Society -- The Political Stage -- Intellectual Warfare: The Analysis of Beauty and Its Reception -- Last Battles -- Index of Hogarth's Works Illustrated. ; Catalog of exhibitions held at the British Museums, London, from 26 Sept. 1997 to 4 Jan. 1998, and other North American museums from 28 Jan. to 21 Nov. 1998./ Includes bibliographical references (p. 204-205) and indexes. ; "This volume.looks at the varied reactions's to Hogarth's prints and the different identities imposed upon the artist over the centuries: witty satirist, stern moralist, libertine, aggressive self-promoter, detached observer, and man of the people."--Jacket. ; exhibition dates . British Museum, London, from 26 September 1997 to 4 January 1998 . Berkeley Art Museum, University of California: 28 January - 19 April 1998, National Gallery of Canada, Ottawa: 18 June - 23 August 1998, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York: 15 September - 21 November 1998] ; "The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. " ; FINE. Book.

Softcover. Ex-library in GOOD condition with library-signature and stamp(s). Some traces of use. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. C-00003 9780821898574 Sprache: Englisch Gewicht in Gramm: 350.

Zustand: Gebraucht / Used. 45,00 EURO Paperback. Very good. Vi,200pp.

Zustand: New.

Paperback. Zustand: Brand New. 200 pages. 9.00x6.25x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 256 pages. 10.00x7.00x0.75 inches. In Stock.

Zustand: New. Mumford-Tate groups are the fundamental symmetry groups of Hodge theory, a subject which rests at the center of contemporary complex algebraic geometry. This book provides a comprehensive exploration of Mumford-Tate groups and domains.Mumford-Tate group.

Zustand: New. Mumford-Tate groups are the fundamental symmetry groups of Hodge theory, a subject which rests at the center of contemporary complex algebraic geometry. This book provides a comprehensive exploration of Mumford-Tate groups and domains.&Uumlber den .

Hardcover. Zustand: Brand New. 289 pages. 10.25x7.25x1.00 inches. In Stock.