griffin ben (25 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. Illustrated by Dudley Brooks, Charles Del Vecchio, Harry Naltchayan, Etc (illustrator). 66 pages. Clean inside, spine binding glue on the inside cover is visible, book is intact. Essay by various writers, some of which are: The Man Who Knew the Nazi Secret: The Futil Effort to Stop the Final Solution by Charles Fenyvesi; God and the Holocaust: Five Survivors and Their Faiths by Paula Herbut; Elie Wiesel: Four Decades After Auschwitz by Phil McCombs; Newspaper Columns are supposed to have a conclusion, this One Will Not by Richard Cohen plus others.

Paperback. Zustand: Brand New. 107 pages. 8.50x5.50x0.55 inches. In Stock.

Paperback. Zustand: Brand New. 107 pages. 8.50x5.50x0.55 inches. In Stock.

Paperback. Zustand: Brand New. 107 pages. 8.50x5.50x0.55 inches. In Stock.

Paperback. Zustand: Brand New. 96 pages. 9.25x6.50x0.31 inches. In Stock.

Paperback. Zustand: Brand New. Griffin, Ben (illustrator). 194 pages. 8.00x5.25x0.44 inches. In Stock.

Paperback. Zustand: Brand New. Griffin, Ben; Hernandez, Jenn (illustrator). 446 pages. 10.00x7.00x1.01 inches. In Stock.

Zustand: Very Good.

First Edition. First Edition. 5.5 x 8.5 inches, 14 leaves, rectos and versos. Lightly used, else Near Fine in saddle-stapled illustrated card wrappers.

Zustand: New. KlappentextThe prestigious and highly anticipated annual anthology of the best Canadian and international poetry. The 2018 edition will be edited by Ian Williams, who was previously shortlisted for the Griffin Poetry Prize himself, as.

Zustand: New. In.

Wraps. Zustand: Good. Presumed First Edition, First printing. The format is approximately 9.5 inches by 13 inches. 66, wraps, Illustrated cover. Illustrations. The covers are somewhat worn and soiled. The cover title: Holocaust, the obligation to remember. The Holocaust was the genocide of European Jews during World War II. Between 1941 and 1945, Nazi Germany and its collaborators systematically murdered some six million Jews across German-occupied Europe, around two-thirds of Europe's Jewish population. The murders were carried out primarily through mass shootings and poison gas in extermination camps, chiefly Auschwitz-Birkenau, Treblinka, Belzec, Sobibor, and Che mno in occupied Poland. The Nazis developed their ideology based on racism and pursuit of "living space", and seized power in early 1933. Meant to force all German Jews regardless of means to attempt to emigrate, the regime passed anti-Jewish laws, encouraged harassment, and orchestrated a nationwide pogrom in November 1938. After Germany invaded Poland in September 1939, occupation authorities began to establish ghettos to segregate Jews. Following the invasion of the Soviet Union in June 1941, 1.5 to 2 million Jews were shot by German forces and local collaborators. Many Jewish survivors emigrated outside of Europe after the war. A few Holocaust perpetrators faced criminal trials. Billions of dollars in reparations have been paid, although falling short of the Jews' losses. The Holocaust has also been commemorated in museums, memorials, and culture. It has become central to Western historical consciousness as a symbol of the ultimate human evil. From a Washington Post article published in 1983: IT IS NOW 38 years since the defeat of Hitler's empire and the Allied armies' relief of the death camps. Anyone who survived those camps is now well into middle age; most are elderly. That is the reason for the American Gathering of Jewish Holocaust Survivors here this week. It is preparation for a time when there will no longer be living witnesses to those events. Some of those who died in the camps were gypsies, and some were intellectuals. Some were Christians whose consciences made them disruptive influences in Hitler's New Order. But a very great majority of them were, of course, Jews sent there in the empire's attempt to destroy a faith together with all who followed it and their entire families. In Europe, that attempt nearly succeeded. The Holocaust will necessarily have a special meaning for Jews, but it would be deeply wrong to let the memory of the death camps be consigned to an exclusively Jewish heritage. The message of the Holocaust deserves the most careful consideration of everyone of any religion or none at all. Even in 1945, in the heat of war, the significance of the Holocaust transcended national politics. It was correctly taken as evidence of the presence of a militant and purposeful evil, in the sense in which the moralists and theologians have always used the word. There had been optimistic times in the 18th and 19th centuries when enlightened people often thought of evil as a condition that rising standards of living and improved education would eventually cure. That brave thought collapsed in the first half of the present century. The death camps were the creation of people who were highly endowed, by the world's standards, with both material wealth and an elevated culture. The 1930s and the 1940s brought the demonstration that the heart of darkness does not lie in the upper reaches of some exotic or primitive place, but much closer to home, in the most "advanced" of societies. The death camps stand in our history as profound warning against certain dangerously easy assumptions about human nature. The camps constitute a commentary not simply on Nazi Germany, but on habits of mind and spirit that can be found elsewhere as well. It is more pleasant not to think about these things, and to keep the conversation to those moments in history that show the human race at its best. But at the other extreme are those st.

Hardcover. Zustand: Brand New. 291 pages. 8.50x5.50x0.75 inches. In Stock.

Zustand: New. In.

Zustand: New. This collection of essays explores the broad range of influences which have shaped the distribution of authority within British homes and families - religion, commercial advertising, governments, welfare professionals, medical experts, psychologists and the law. Editor(s): Delap, Lucy; Griffin, Ben; Wills, Abigail. Num Pages: 302 pages, biography. BIC Classification: HBJD1; HBLL; HBLW; HBTB; JHBK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 22. Weight in Grams: 472. . 2009. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. This groundbreaking history challenges traditional assumptions about the development of British democracy and the struggle for women's rights. Num Pages: 366 pages, 3 tables. BIC Classification: 1DBK; 3JH; HBTB; JFSJ1; JPVH1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 153 x 228 x 20. Weight in Grams: 524. . 2014. Paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This groundbreaking history of Victorian politics, feminism and parliamentary reform challenges traditional assumptions about the development of British democracy and the struggle for women's rights and demonstrates how political activity has been shaped by changes in the history of masculinity. From the second half of the nineteenth century, Britain's all-male parliament began to transform the legal position of women as it reformed laws that had upheld male authority for centuries. To explain these revolutionary changes, Ben Griffin looks beyond the actions of the women's movement alone and shows how the behaviour and ideologies of male politicians were fundamentally shaped by their gender. He argues that changes to women's rights were the result not simply of changing ideas about women but also of changing beliefs about masculinity, religion and the nature of the constitution, and, in doing so, demonstrates how gender inequality can be created and reproduced by the state.

Zustand: New. In.

Hardcover. First Edition, First Printing. Octavo, 4 Volumes. In Near Fine condition with Near Fine condition dust jackets. Solid color spines with checkered designs and black and white lettering. Dust jackets are all wrapped in mylar coverings and Volumes 1 and 3 have numbered stickers on the front mylar covers. All Volumes are signed flat by editor Sonny Brewer and 94 other contributors. Shelves []. 1385085. Special Collections.

Zustand: New. This groundbreaking history challenges traditional assumptions about the development of British democracy and the struggle for women's rights. Num Pages: 366 pages, 3 tables. BIC Classification: 1DBK; 3JH; HBJD1; HBLL; JFFK; JPVH1. Category: (U) Tertiary Education (US: College). Dimension: 237 x 166 x 23. Weight in Grams: 718. . 2012. hardcover. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This groundbreaking history of Victorian politics, feminism and parliamentary reform challenges traditional assumptions about the development of British democracy and the struggle for women's rights and demonstrates how political activity has been shaped by changes in the history of masculinity. From the second half of the nineteenth century, Britain's all-male parliament began to transform the legal position of women as it reformed laws that had upheld male authority for centuries. To explain these revolutionary changes, Ben Griffin looks beyond the actions of the women's movement alone and shows how the behaviour and ideologies of male politicians were fundamentally shaped by their gender. He argues that changes to women's rights were the result not simply of changing ideas about women but also of changing beliefs about masculinity, religion and the nature of the constitution, and, in doing so, demonstrates how gender inequality can be created and reproduced by the state.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Q & A Peter Bowen on Sundance Film Festival GADGET LOVE R. U. Sirius on Bill Gates The Road Ahead AMERICAN MYTHS J. Hoberman on the Remaking of the President MUSIC Mark Van de Walle on the Mountain Goats MUSIC Bruce Hainley on Yoko Ono/IMA MUSIC Evelyn McDonnell on the Raincoats MUSIC Charles Aaron on Brand New Blues HOT LIST Mark Van de Walle on Celluloid Sites LETTER Georgia Lobacheff on Brazil LETTER Carlos Basualdo on Cannibal Culture LETTER Jan Fjeld on Brazilian Rap HOTLIST Mark Van de Walle on Celluloid Sites TOP TEN Howard Hampton s Real Life Rock COLUMNS FEATURES REVIEWS BOB S THING Flanagan s Wake Dennis Cooper Excerpts from Flanagan s Pain Journal Bob Flanagan Rack Talk Deborah Drier interviews Bob Flanagan and Sheree Rose DREAM TEAM: THE BROTHERS QUAY Thyrza Nichols Goodeve talks with the Brothers Quay FLASH TRACK: MARIO SORRENTI PHOTOGRAPHS THE BERNADETTE CORPORATION Olivier Zahm LIKE A ROLLING STONE: GABRIEL OROZCO Jean-Pierre Criqui OPENINGS: GRAZIA TODERI Giorgio Verzotti COLUMNS FEATURES REVIEWS Molly Nesbit on Chris Marker NEW YORK James Meyer on Jo Baer Ben Lifson on John Coplans Ben Lifson on Richard Poussette-Dart Mark Van de Walle on Jessica Stockholder Faye Hirsch on Alice Neel Barry Schwabsky on Lucio Fontana Barry Schwabsky on Cathy de Monchaux Bruce Hainley on Francesco Clemente Bruce Hainley on Fantasy and Reality: Drawings from the Sunny Crawford von Bülow Collection Jean-Pierre Criqui on Tony Smith Donald Kuspit on André Masson Joshua Decter on Liisa Roberts Jenifer P. Borum on Red Grooms Marek Bartelik on Shooting the Moon Ingrid Schaffner on Robin Tewes Ernest Pascucci on City Speculations WASHINGTON, D.C. Howard Risatti on Painting Outside of Painting PITTSBURGH David Carrier on David Humphrey CHICAGO James Yood on Buzz Spector SAN FRANCISCO Maria Porges on Charles Goldman LOS ANGELES Andrew Perchuk on Udomsak Krisanamis Laura U. Marks on Photography and Beyond in Japan: Space, Time, and Memory BUENO AIRES Carlos Basualdo on Gladys Nistor MADRID Juan Vicente Aliaga on ZAJ MILAN Marco Meneguzzo on Rudolf Stingel Anthony Iannacci on Richard Wilson PARIS Jérôme Sans on Douglas Gordon LYON Miriam Rosen on Biennale de Lyon KREFELD Giorgio Verzotti on Jan Vercruysse FRANKFURT Noemi Smolik on Andreas Slominski/Ayse Erkmen ANTWERP Giorgio Verzotti on Ettore Spalletti LONDON/CAMDEN Martin Maloney on Matt Collishaw LONDON James Hall on Tracey Emin.

First edition. Hardcover. Signed by the authors and editor. Limited edition. Publisher's original illustrated boards, in the Ben Baldwin illustrated dustwrapper. Illustrated endpapers. A fine copy, the binding square and firm, the contents are clean throughout, and without previous owners' inscriptions and stamps. Complete with the fine original dustwrapper, which is bright and fresh, and without fading, loss, and tears. Issued in an edition of 100 copies, from which this example is numbered 52 and signed by editor Darren Speegle and authors Tim Lebbon, Lisa Tuttle, Angela Slatter, Brian Evenson, Cody Goodfellow, Erinn L. Kemper, Michael Griffin, B. E. Scully, Nadia Bulkin, Laird Barron, Mark Morris, Ramsey Campbell, Anna Tambour, and Jeffrey Thomas on the limitation page. This beautiful science fiction collection features the following short stories: '@Home', 'The Tale's in the Telling', 'Worse Than Blind', 'Daylight Come', 'At the End', 'Fuck Everybody', 'Uroboric Beginnings/Amniotic Ends', 'A House of Webs', 'A Universe of Charnel Glamour', 'No Hard Feelings', 'Tin Pistol', 'Eyes Like Evil Prisms', 'The Fortunes of Unwarranted Fortunes', 'The Tricksters', and 'The Twilight of Life'. The collection is lovingly dedicated in memory of weird fiction author Mark Samuels (1967-2023), whose signature is not included here as the special signed edition was published after his passing. Ben Baldwin is an award-winning British freelance artist and illustrator, who frequently collaborates with authors of science fiction and horror literature. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Signed by Author(s).

First edition, first printing. Limited edition. Signed by the editors and illustrator. Publisher's original red faux leather, with gilt titles to the spine and illustration to the upper board, in the Francois Vaillancourt illustrated dustwrapper. Housed in the red faux leather slipcase with rectangular cut out. Publisher's bookmark loosely laid in. Illustrated with one full page illustration each by Brooklyn Ann, Tyler Baker, Ben Baldwin, Dirk Berger, Kristen Bird, Emily Blondin, Glenn Chadbourne, Greg Chapman, Vincent Chong, Justin T. Coons, Sarah X. Dylan, Scott Griffin, Lynne Hansen, Eli John, Bailey Ann McDonald, Vincent Sammy, Tomislav Tikulin, Ray Wegner, Erin S. Wells and Charles Paul Wilson III. A fine copy, the binding square and firm, the contents are clean throughout and without inscriptions or stamps. Complete with the fine original dustwrapper, which is free from fading, loss or tears. Not price-clipped ($150 to the front flap). Housed in the fine, structurally sound slipcase. Issued in an edition of 1119 copies signed by the editors Brian James Freeman, Richard Chizmar and dustwrapper illustrator Francois Vaillancourt in black ink on the limitation page. A collection of 20 essays about Stephen King's 'Carrie' and the impact the novel has had on popular culture, the horror genre and publishing world. Introduced by Stephen King with an 'Artwork Gallery' of 20 illustrations inspired by the novel. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.