grice malcolm (18 Ergebnisse)

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First Edition. Jacket has moderate general wear and a 1cm tear to head of spine. Light foxing to preliminaries. Otherwise internally clean. Binding tight. 158pp plus index Size: 145mm x 220mm. Book.

Zustand: New. In.

Softcover. Zustand: Sehr gut. Le Grice, Malcolm. Experimental Cinema in the Digital Age (BFI Film Classics) Springer / BFI, 2012. 330 Seiten, 8°gr., Originalkarton. Stempel auf Vorsatz.

Zustand: New.

Zustand: New. A collection of Michael Le Grice's most notable essays, which shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. Num Pages: 352 pages, biography. BIC Classification: APFA. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 232 x 156 x 24. Weight in Grams: 648. . 2001. 2002 ed. paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. illustrated edition. 484 pages. 9.50x6.25x1.00 inches. In Stock.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

First Edition. First edition. Hardcover. 140 pages. Published in conjunction an exhibition that ran April through June 2007. Text in English and Spanish. A fine copy in cloth boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap.

hardcover. Zustand: Gut. 160 Seiten; 9780289705919.3 Gewicht in Gramm: 1.

Taschenbuch. Zustand: Neu. Neu Neuware, Importqualität, auf Lager - Michael Le Grice, a pioneer of 'structural film' in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. S : 400 Seiten/pp., 76 Farb- und 107 s/w-Abbildungen - Dieser Band zur gleichnamigen Ausstellung mit Film- und Videoprogrammen und einer Vortragsreihe veröffentlicht Aufsätze namhafter Autor*innen, in denen der Begriff der zeitgenössischen Skulptur und die veränderte Ausrichtung der Sammlung Generali Foundation erörtert wird. Diskutiert werden Modelle wie die konzeptuelle Auffassung von Skulptur und die Einbeziehung von Medien wie Fotografie, Film, Video und Fernsehen sowie performative Formen der Kunst. Während anfangs österreichische Skulptur nach 1945 gesammelt wurde, rückte die damalige Leiterin Sabine Breitwieser zeitbasierte und medienüberschreitende Werke ins Zentrum der Sammlungsaktivität. Skulpturen und Installationen von Bruno Gironcoli, Franz West oder Heimo Zobernig, die Filme von VALIE EXPORT und Gordon Matta-Clark sowie die wachsende Videosammlung, zur Schau gestellt im New Design for Showing Videos von Dan Graham, bildeten dabei wichtige Ankerpunkte zur weiteren Entwicklung dieser heute bekannten Sammlung.

Hardcover. Zustand: Very Good. Hardcover in unclipped dust jacket. Light edgewear to jacket and a few marks to front and rear. Page block faintly marked. Very good condition throughout. AD. Used.

Hardcover. Zustand: Brand New. 484 pages. 9.75x6.25x1.25 inches. In Stock.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by MIT Press (MA), 1977. Octavo. Hardcover. Book is like new with previous owner inscription on flyleaf. Dust jacket is like new. A lovely copy of this prolific study on film and cinematography. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. 1st Edition. 22.5 x 14.5 cm. 160 pp. Unclipped jacket is Near Fine. Book is entirely clean throughout with some storage foxing to text block edges. A personal and respectful, signed dedication to fellow film historian, Tim Cawkwell, to title page, dated 2016. Inscribed by Author(s).

29 x 21cm. Paperback, 43pp. Compiled by Paul Willemen with the assistance of Peter Gidal. An important collection of texts on Britain's foremost exponent of Structuralist film theory, produced with support of the BFI in a samizdat-like manner. Contains illuminating discussions and analyses of Gidal's work and ideas by Paul Willemen, Malcolm Le Grice, Stephen Heath, Deke Dusinberre, Steve Dwoskin, Lucy Fischer, Gordon Gow, Annette Kuhn, John Du Cane, Roger Hammond, Lawrence van Gelder, Ian Christie, Al Rees, John Ellis, etc. Rare. Copac locates two copies at Birkbeck and UCL. None in OCLC. Very good condition.