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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Taschenbuch. Zustand: Neu. Neuware - Opera Omnia is a comprehensive collection of the works of Jacob Gretser, meticulously revised by the author himself. This edition expands upon previous publications with the inclusion of numerous shorter works, notes, and supplementary materials, all carefully integrated into their appropriate sections. The collection is thoughtfully organized under specific titles, enhancing its accessibility and utility for scholars and readers alike.Among the notable inclusions is Defensio Romanorum Pontificum, a robust defense of the Roman Pontiffs. This work, along with the other treatises and essays, reflects Gretser's profound engagement with the theological and historical debates of his time. The Opera Omnia offers valuable insights into the intellectual landscape of early modern Europe, providing a rich resource for historians, theologians, and students of classical literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 408 | Sprache: Latein | Produktart: Bücher | Keine Beschreibung verfügbar.

Buch. Zustand: Neu. Neuware - Opera Omnia is a comprehensive collection of the works of Jacob Gretser, meticulously revised by the author himself. This edition expands upon previous publications with the inclusion of numerous shorter works, notes, and supplementary materials, all carefully integrated into their appropriate sections. The collection is thoughtfully organized under specific titles, enhancing its accessibility and utility for scholars and readers alike.Among the notable inclusions is Defensio Romanorum Pontificum, a robust defense of the Roman Pontiffs. This work, along with the other treatises and essays, reflects Gretser's profound engagement with the theological and historical debates of his time. The Opera Omnia offers valuable insights into the intellectual landscape of early modern Europe, providing a rich resource for historians, theologians, and students of classical literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

8° , Leder. Zustand: Gut. koll. Vom Jesuiten, Kontroverstheologen und Hochschullehrer Jacob Gretser (1562 - 1625) verfasstes und im 17. und 18. Jh. vielfach aufgelegtes Lehrbuch der griechischen Sprache, hier in 18. Auflage von 1732. --- Leder d. Zt. Schließen nicht erhalten, Kanten bestoßen. Innen gebräunt, ansonsten noch sehr gut erhalten. Mit Stempel und Rückensignatur einer aufgelösten Klosterbibliothek. atx Philol157 el Gewicht in Gramm: 530.…

Couverture rigide. Zustand: Assez bon. Ingolstadt, Elisabeth Angermaria, 1620 ; petit in-8° relié demi-basane fauve (reliure moderne, dos muet), bandeau, culs-de-lampes et lettrines gravés, une belle planche gravée hors texte représentant sainte Walburge, (5)-55-(1) pp. Rare. Jacob Gretser (1562-1625), auteur de la Contre-Réforme, a composé cet ouvrage traitant du miracle de l'huile sainte suintant du tombeau de sainte Walburge, miracle présent dans la dévotion populaire dès le IXe siècle.…

Couverture rigide. Zustand: Assez bon. Ingolstadii [Ingolstadt], Ex Typographeo Ederiano, apud Elisabetham Angermariam vidum [Elisabeth Angermaier], 1616 ; trois tomes reliés en un fort in-4° pleine truie sur ais de bois, dos à nerfs portant pièces de titre et petit étiquette en queue, riche décor estampé sur les plats (frottés, nombreuses galeries de vers avec atteinte des premiers feuillets, sans perte de texte), tranches rouges, petits restes métalliques de deux fermoirs, ex-libris moderne, mouillures claires sur quelques feuillets en début et en fin d'ouvrage, importantes galeries de ver en marge inférieure de plusieurs feuillets du tome III (quelques rares atteintes du texte), titre rouge et noir avec vignette, bandeaux, culs-de-lampe et lettrines, texte sur deux colonnes, [paginations multiples et désordonnées]. Planches et gravures Tome I : quelques figures gravées (médailles). Tome III, col. 1797-1904 : nombreuses figures gravées in texto (médailles, insignes et symboles). Tome III, col. 1905-1908 : deux représentations gravées, dans l'esprit de l'Homme de douleurs, figurant des personnages portant sur leurs corps les instruments de torture en rapport avec la Passion. Tome III, col. 2453-2456 : planche dépliante, au recto : « Parsantica Crucis Traiectensis » et « Pars postica » au verso. Tome I : De Cruce Christi. Tomus primus, libris quinque constans. Quorum primus est de ipsa Sancta Cruce, in que Christus obÿt. Secundus, de imagine Crucis. Tertius, de Apparitionibus Crucis. Quartus, de signo Crucris. Quintus, de Cruce spirituali. Premier supplément au tome I : Mantissa Adprimum Tomum de sancta Cruce. In qua Disputatio de vino Myrrhato & vasis murrhinis. Apologia pro sancta Cruce. Adversus Francisci Junii Calvinistae Cavillationes. Second supplément au tome I : Apologia pro Prima Christi cruce, imagine et signo crucis. Contra Franciscum Junium Calvinistam. Qua defenduntur & à calumniis vindicantur, quae de hoc argumento disserit Illustrissimus Cardinalis Bellarminus libro secundo de Ecclesia Triumphante. Tome II : De Cruce Christi. Tomus secundus. In quo varia graecorum auctorum encomiastica monumenta graecolatina de SS. Cruce continentur. Tome III : De Sancta Cruce. Liber primus qui est de numistmatis crucigeris. Liber secundus, de Cruciatis expeditionibus. Liber tertius, continens apologiam contra cruciatarum expeditionum calumniatores reinervum reinceccium, et Mattheum dresserum, aliosque Sectarios. Liber quartus. Adversus tres Haereticos, Hospinianum, Danaeum, et Marbachium, quorum duo priores sub Calvino militarunt ; Tertius sub Luthero. Liber quintus, continens graecorum et latinorum in S. Crucem hymnos, cantica & encomia. Ex Greacorum Ritualibus libris. Supplément au tome III : Horti Sanctae Crucis. Supplément au tome II : Annotationes in secundum tomum de Sancta Cruce. Index : Indices in Opus R. P. Iacobi Gretseri, de S. Cruce. Et primum quidem in quinque libros de S. Cruce. Différentes pièces de suppléments ont paru séparément, ce qui peut expliquer la pagination diverse ; manquent par exemple le Liber teritus Historiae Orientalis Jacobi de Vitriaco [.] et le Syntagma de S. R. Imperii Sacrocanctis reliquiss [.]. Bien complet pour le De Sancta Cruce. Jacob Gretser (1562-1625), surnommé le « malleus haereticorum », fut un ardent défenseur de la doctrine catholique et un opposant majeur à la Réforme. Il publia le De Cruce Christi entre 1598 et 1605, œuvre maîtresse de ce grand jésuite allemand, aujourd'hui devenue rare. Le présent exemplaire est issu des Opera omnia, éditées peu après. Le premier volume (col. 1 à 1070) est consacré à l'étude de la Croix : son sens, sa fonction et ses représentations. Le deuxième volume (col. 1079-1744) rassemble des textes anciens, grecs et latins, en lien avec la Croix. Le troisième volume (col. 1749-3186) s'intéresse à la présence de la Croix sur les monnaies et les insignes, depuis le christianisme primitif jusqu'à l'époque des croisades.…

In 24 (cm 8 x 12), pp. (4b) + (28) + 231 + (1b). Legatura coeva in piena pergamena. Edizione portatile di questa grammatica greca di Jacob Gretser, ristampata a Padova presso la Tipografia del Seminario di Giovanni Manfre'. ITA.