Greenstein jack m (11 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by University of Chicago Press, 1983. Octavo. Hardcover. Book is like new. Dust jacket is like new, with some shelf/edgewear.

Zustand: New.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition; First Printing. Chicago & London: University of Chicago Press, (1992). First Edition, First Printing. Large 8vo. xiv,301pp, Index, Notes. Grey cloth. 58 Illustrations. Fine condition in fine dj. Explication of Mantegna's Circumcision of Christ leading to a "new, historically grounded theory of iconography that calls into question many widely held assumptions about the social and intellectual value of Early Renaissance Art" (dj). ISBN 0226307077; Illustrated; Large 8vo 9" - 10" tall; 316 pages.…

hardcover. Zustand: fine. very good(+). First. Black & white illustrations, 301pp., 8vo, cloth, d.w. (slightly faded). Chicago: The University of Chicago Press, (1992). A fine copy in a very good (+) dust jacket. Mategna (illustrator).

Zustand: Good. Hardcover, fade on spine, light rubs on cover, stains on edge of book.

Pp. 301 S. ; Ill. ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 720.

Hardcover. Zustand: Very Good. In stock ready to dispatch from the UK.

Gebunden. Zustand: New. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam s side at God s command.&Uumlber den AutorrnrnJack M. Greenstein is Professor and Chair of the Visual Arts.

Hardcover. Zustand: Brand New. 253 pages. 10.00x7.25x1.00 inches. In Stock.

Buch. Zustand: Neu. Neuware - Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. …