green james harry (21 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. 5. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Acceptable. Used - Acceptable. Cover slightly damaged Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 2nd Printing. In Brodart cover. Size: Octavo.

Soft cover. Zustand: Fine. No Jacket. 208 p. : ill. ; 29 cm. ; ISBN: 0520213009 (pbk.); 9780520213005 (pbk.) LCCN: 97-20496 ; OCLC: 36900938 ; LC: NC1479.H613; Dewey: 741.5/942 ; pictorial stiff paper wrappers ; Contents: 1. Whose Hogarth? -- 2. Hogarth's Public: Finding An Audience -- 3. Politeness and Roman Satire -- 4. Hogarth and 'The Spirit of Party' -- 5. Disenchantment: Hogarth, God and Science -- App. Hogarthomania and the Collecting of Hogarth / Sheila O'Connell -- Catalogue -- Redefining Hogarth: Twentieth to Eighteenth Centuries -- The Satirical Engraver and His Public -- The Targets of Satire: The Orders of Society -- The Political Stage -- Intellectual Warfare: The Analysis of Beauty and Its Reception -- Last Battles -- Index of Hogarth's Works Illustrated. ; Catalog of exhibitions held at the British Museums, London, from 26 Sept. 1997 to 4 Jan. 1998, and other North American museums from 28 Jan. to 21 Nov. 1998./ Includes bibliographical references (p. 204-205) and indexes. ; "This volume.looks at the varied reactions's to Hogarth's prints and the different identities imposed upon the artist over the centuries: witty satirist, stern moralist, libertine, aggressive self-promoter, detached observer, and man of the people."--Jacket. ; exhibition dates . British Museum, London, from 26 September 1997 to 4 January 1998 . Berkeley Art Museum, University of California: 28 January - 19 April 1998, National Gallery of Canada, Ottawa: 18 June - 23 August 1998, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York: 15 September - 21 November 1998] ; "The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. " ; FINE. Book.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: Used. pp. xx + 875 Illus.

Zustand: Used. pp. xx + 875.

CD. Zustand: D'occasion - Comme neuf.

63 pp.; 38.3 x 27.4 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; February 4-10 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "Shooting El Salvador: A Photojournalist in Our Next Vietnam," by Harry Mattison; "Maniac's Maniac," by Claire Martin; "Elvis Costello is Great," by Debra Rae Cohen; "Did Exxon Censor the Guggenheim?," by Gerald Marzorati on the censorship of a drawing by Tom Green at the Guggenheim; and "Co-Opting the Guardian Angels," by Doug Ireland. Centerfold: Photographs by Jim Haberman. Art reporting includes "Guggenheim Exxon Show," by John Perreault and "Reviews," William Zimmer on James Rosenquist and others. Cover photograph by Harry Mattison. Good / Very Good. Folded in two. Light yellowing of paper from age and minimal wear to page edges. Contents clean and unmarked.

Magazine. Zustand: Good. Reid, Robert O. [Cover Art]; Sawyers, Martha; Beall, C.C.; McLeod, Ronald; Biggs, Geoffrey; Cooper, Mario; Roth, Ben; Lichty, George; Timmins, Harry L.; Coe, RolandBorgstedt, Douglas; Keate, Jeff; Green, George Hamilton; Gentry, Thurston; Hilton, Ned (illustrator). First Edition. Feature article by Albert Einstein entitled "Why Do They Hate The Jews?" offers his views on the subject and includes a large black and white profile photo of the man himself. Additional features include: Local Ghost Makes Good - Jesse James Makes Restitution in Pineville; Coach Ralph Furey explains why football stars are not born (article with several photos of football stars of the day); Speak No Evil (short story); Hangin' Crazy Benny (short story); Uncertain Wings (short story); Via All Oceans (short story); You Liked a Parade (short story); None But The Brave (part 5 of 6); Murder for Christmas - part 3 of 10 of this serial by Agatha Christie; Great cover art by Robert O. Reid features young lovely eyeing the dessert table; and more. 70 pages. Unmarked with average wear. Binding intact. Moderate evidence of moisture exposure. A sound vintage copy of this exceptional issue. Boni, Russ & Laurence 396.

Hardcover. Zustand: gut. 2008. KOMPLETT:1-100 Auf Anregung und Wunsch vieler Leser versammelt dieser Band alle 100 Patentexte der Süddeutschen Zeitung Bilbliothek, die zwischen dem 20. März 2004 und dem 26. März 2008 zur Vorstellung der 100 großen Romane des 20. Jahrhunderts im Feuilleton der Süddeutschen Zeitung erschienen sind. Außerdem wurde der Beitrag von Heinz Schlaffer zum Auftakt der Süddeutschen Zeitung Bibliothek und derjenige von Thomas Steinfeld zum Start der zweiten Staffel aufgenommen. Inhalt: Milan Kundera - Die unerträgliche Leichtigkeit des Seins Umberto Eco - Der Name der Rose Günter Grass - Katz und Maus Francis Scott Fitzgerald - Der große Gatsby Thomas Bernhard - Der Untergeher Paul Auster - Stadt aus Glas Elias Canetti - Die Stimmen von Marrakesch Edward M. Forster - Wiedersehen in Howards End Martin Walser - Ehen in Philippsburg John Irving - Das Hotel New Hampshire Juan Carlos Onetti - Das kurze Leben Arthur Schnitzler - Traumnovelle Peter Handke - Die Angst des Tormanns beim Elfmeter James Joyce - Ein Porträt des Künstlers als junger Mann Marguerite Yourcenar - Der Fangschuss Patricia Highsmith - Der talentierte Mr. Ripley Jorge Semprún - Was für ein schöner Sonntag! Uwe Johnson - Mutmaßungen über Jakob Harry Mulisch - Das Attentat Joseph Conrad - Herz der Finsternis Julio Cortázar - Der Verfolger Claude Simon - Die Akazie Michael Ondaatje - Der englische Patient Georges Simenon - Der Mann, der den Zügen nachsah William Faulkner - Die Freistatt Rainer Maria Rilke - Die Aufzeichnungen des Malte Laurids Brigge Wolfgang Koeppen - Das Treibhaus Siegfried Lenz - Deutschstunde Graham Greene - Der dritte Mann Eduard von Keyserling - Wellen Ian McEwan - Der Zementgarten Max Frisch - Mein Name sei Gantenbein Cees Nooteboom Allerseelen William Somerset Maugham - Der Magier Carson McCullers - Das Herz ist ein einsamer Jäger Franz Kafka Amerika Bruce Chatwin - Traumpfade Botho Strauß - Paare, Passanten Marcel Proust - Eine Liebe Swanns John Steinbeck - Tortilla Flat Andrzej Szczypiorski - Die schöne Frau Seidenman Friedrich Dürrenmatt - Der Richter und sein Henker Julien Green - Leviathan Oscar Wilde - Das Bildnis des Dorian Gray Jurek Becker - Bronsteins Kinder Hermann Hesse - Unterm Rad Peter Høeg - Fräulein Smillas Gespür für Schnee Primo Levi - Das periodische System Marguerite Duras - Der Liebhaber Italo Calvino - Wenn ein Reisender in einer Winternacht Truman Capote Frühstück bei Tiffany Orhan Pamuk: Rot ist mein Name Margriet de Moor: Der Virtuose Virginia Woolf: Mrs Dalloway (Verfilmung) Ingo Schulze: 33 Augenblicke des Glücks Louis Begley: Lügen in Zeiten des Krieges Stefan Zweig: Maria Stuart Urs Widmer: Der Geliebte der Mutter Christa Wolf: Kassandra Nadine Gordimer: Niemand, der mit mir geht Carlo Levi: Christus kam nur bis Eboli Brigitte Kronauer: Berittener Bogenschütze Andrzej Stasiuk: Die Welt hinter Dukla Kurt Tucholsky: Schloss Gripsholm. Eine Sommergeschichte Colette: Mitsou Nuruddin Farah: Maps Joan Aiken: Du bist ich. Die Geschichte einer Täuschung Lars Gustafsson: Der Tod eines Bienenzüchters Ivo Andric: Die Brücke über die Drina Hartmut Lange: Das Konzert Amos Oz: Ein anderer Ort Ilse Aichinger: Die größere Hoffnung Joseph Heller: Catch 22 Anna Seghers: Transit Per Olov Enquist: Das Buch von Blanche und Marie Bohumil Hrabal: Ich dachte an die goldenen Zeiten Anthony Burgess: Die Uhrwerk-Orange Jaan Kross: Der Verrückte des Zaren Marlene Streeruwitz: Verführungen Juan Goytisolo: Landschaften nach der Schlacht Isaac Bashevis Singer: Feinde, die Geschichte einer Liebe Ricarda Huch: Der Fall Deruga Javier Marías: Alle Seelen Christoph Ransmayr: Die Schrecken des Eises und der Finsternis Wolfgang Hildesheimer: Marbot. Eine Biografie Patrick Modiano: Eine Jugend Muriel Spark: Memento Mori Lion Feuchtwanger: Narrenweisheit Philip Roth: Täuschung Monika Maron: Stille Zeile Sechs William Maxwell: Zeit der Nähe Franz Werfel: Eine blassblaue Frauenschrift Winfried G. Sebald: Austerlitz Wolfgang Hilbig: "Ich" Penelope Fitzgerald: Die blaue Blume Robert Walser: Jakob von Gunten Ingeborg Bachmann: Malina Arno Schmidt: Das steinerne Herz Leo Perutz: Der schwedische Reiter Mario Vargas Llosa: Lob der Stiefmutter 8°, Original Pappeinbände mit illustr. Original Umschlägen 2008 Literatur Süddeutsche Zeitung Große Romane des 20. Jahrhunderts Süddeutsche Zeitung - Bibliothek: Grosse Romane des 20. Jahrhunderts KOMPLLETT (Bd. 01 - 100) von Süddeutsche Zeitung (Hrsg.) (Autor) SZ - Bibliothek: Große Romane des 20. Jahrhunderts Hundert große Romane des 20. Jahrhunderts. In deutscher Sprache. pages.

Zustand: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 12'' x 9¼''. Contains 6 pages folded sheet music including the covers. Scored for voice and piano with lyrics. Internal clear tape repair down the spine and in Very Good condition. One of the earliest Harry Warren songs. Member of the P.B.F.A. SHEET MUSIC.

Zustand: Good. Folio. 4pp. 37 x 28cm. Calligraphy on cover. Signatures on pp. 2 and 3.Losses of some signatures at to pand bottom.Schedule for the first fourteen weeks of the 1950 Shakespeare Festival; the Festival was under the direction of Anthony Quayle, and five plays were in the repertoire: MEASURE FOR MEASURE, KING HENRY VIII, MUCH ADO ABOUT NOTHING, JULIUS CAESAR, and KING LEAR; the company consisted of:John Gielgud, Peggy Ashcroft, Gwen Ffrangcon-Davies, Leon Quartermaine, Anthony Quayle, Harry Andrews, Andrew Cruickshank, Rosalind Atkinson, Barbara Jefford, Alan Badel, Michael Gwynn, George Rose, Maxine Audley, Cecil Winter, Paul Hardwick, Nigel Green, Mairhi Russell, Evelyne Volney, Jean Short, Romany Evens, Michael Bates, Geoffrey Bayldon, Eric Lander, Robert Hardy, Richard Dare, David Lytton, John Money, Ronald Hines, Harold Siddons, Michael Atkinson, Peter Jackson, James Lund, Harold Kasket, Peter Norris, Robert Shaw, Timothy Bateson, John Dunbar, John Gay, Cyril Conway, Peter Halliday, Michael Ney, Ward Williams, David Woodman, Charles Lepper; the directors were Peter Brook, Tyrone Guthrie, Anthony Quayle, Michael Langham and John Gielgud; the designers were Peter Brook, Tanya Moiseiwitsch, Warwick Armstrong, Mariano Andreu, and Leslie Hu.Gwen Ffrangcon-Davies (1891-1992) played the following roles in 1950: Regan, King Lear, Royal Shakespeare Company 18th July 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Beatrice, Much Ado About Nothing, Royal Shakespeare Company 6th June 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Portia, Julius Caesar, Royal Shakespeare Company 2nd May 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Queen Katherine, Henry VIII, Royal Shakespeare Company 28th March 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon. .Appointed Dame Commander of the Order of the British Empire (DBE) in 1991,?at the age of 100.