Graves nathan (21 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Goldstein, Nathan (illustrator). …

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Goldstein, Nathan (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. No Jacket. SIGNED by the author. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. signed by author.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - Mara Voss has one week to give herself back to herself. That is what the brochure promises, and after a very public breakdown cost her everything she thought she was, she believes it.Halcyon Ridge sits alone at the top of a mountain road, far enough from cell service that the outside world simply stops. There is no schedule she has not agreed to, no exercise she is forced to complete, no door that locks behind her. Every guest is free to leave whenever they choose. And yet, somehow, almost no one does.At first, the stillness feels like a miracle. The silence at breakfast, the guided sessions that seem to reach parts of her no therapist ever touched, the warmth of a community that finally sees her, all of it works exactly the way it is supposed to. Mara cries the good kind of tears. She sleeps the good kind of sleep. She starts to believe she might actually be healing.Then the questions start.A fellow guest who cannot explain why he keeps forgetting entire afternoons. A locked wing no one will discuss. A founder whose calm, patient voice seems to know Mara's deepest wounds before she has spoken them aloud, and seems, more troublingly, to be able to reshape them. The snow begins to fall, the roads begin to close, and Mara starts to understand that the version of herself being built at Halcyon Ridge may not be entirely her own.This is a slow burn psychological horror novel about the seduction of belonging, the price of being truly seen, and the terrifying possibility that the people who help us the most may also be the ones who cost us the most to trust. Fans of atmospheric, character driven horror that lingers long after the last page will find themselves questioning every warm room they have ever walked into.Once you check in, will you know how to leave.…

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Zustand: Brand New. 224 pages. 9.10x6.00x1.00 inches. In Stock.

Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New.

Soft cover. Zustand: Fine. [3], 141 pp; 26 cm. ; blue stiff paper wrappers ; "Writers of the Lost Art" was originally the name of the Strategic Planning Committee of Oak Grove Elementary School [Decatur, Georgia]. In this age of visual and electronic information, the goal of this committee was to encourage creative writing among stufents at an early age so that writing would not become a 'lost art'. This annual publication resulted from their inspiration." Poets: Crystal Brethour, Christopher House, Ali Heslup, Bonnie Chang, Ashley Singleton, Quameshia Neal, Alesha Burk, Trevor Vick, Nicholas Thompson, Emily Richardson, karl Pringle, Cedric Graves, Joshua Campbell, Joshua X. Conton, Willie Price, Arnie McElhaney, Shakera Ball, Chris Taylor, Erik Fyfe, Dana Ford, Stewart Cheatwood, Shakiya Reid, Nyjia Emory, Danielle Wilcox, Rachel Rich, Katie Iuvone, Eric Kopf, Jessica Gould, Simon Woodson, Jenni SImmons, Amy Stover, Nathan Tate, David Huenecke, Albert Thrower, Mark Wiedenmann, Epris Blankenship, Bill Cash, Doug Cunningham, Sally Beall, Joe Saunders, Josh Arnold, Paul Storey, Patrick Skehan, Daniel Hyman, Steven Abernathy, Alexandra Konieczny, Alexandra Konieczny, Romario Rowe, Lauren Barton, Yared Alula, Robyn Leasinger, Aubrey Daniels, David Dorham, Robert reed, Kimberly Seibel, David Cohen, Diana Combs, Robin Williams, Tate Cutrer, Sara relaford, Aviva Rubin, Erica Davis, Rebecca O'Brien, Joel R. Oden, Daphne R. Neloms, Ricahrd C. Manus, Roderick Simmons, David Black, Dina Mohktar, Justin Marr, Sarah Pugh, Bryan Hardy, Justin Marr, Allison Ballard, Martthew Udoh, Sinead Young, John Sikes, Lauren Hunt, greg Marshall, Jenna Marks, Christy Mackel, Erika Milgedel, Ivey Adkins, David Bell, Jake Bellinger, Natalie Caro, Zean Kirkland, Rayond Dillard, Aaron Uddin, Chaffraiex Epstein, Anne Erbil, Kasie Phillips, Chris Anderson, Winn Jordan, Debbie Tankersley, Aaren Allen, Jason Sullivan, Russell Wages, Jimmy Hunt, daniel Hampikian, Alexis Fallon, Charlotte Massey, Anna Marin Russell, Brad Hughes, Madeleine Roberts, Renee Duff, Anastasia Arnold, Sabrina Willmer, John Woodworth, Britney Rodgers, Libby Benson, Kyle Frisina, Risha Jackson, Reynold Blanchard, Cara Lewis, Peter McMahan, Ryan Penso, Laura Calder, Carl Kearney, Ashima Lal, Susie Murphy, Ellen McCauley, Tyler Moss, Zack Foodman, Jordan Bailey-Hoover, Amanda Relaford, Sarah Starratt, Kate Schoenke, William Harris, Josh Lee, Leah Benzur, Kyle Smithers, Susie Penman, Nikole Alexis Brown, Margaret Gipson, Allison McDaniel, Capers Ogletree, David Diaz, Michael Frisbie, Nell Aydlotte (Angelina Mia), Clint Walton, Mustafa Kemal Hamid, Daniel Louis Bell, Bo Schill, Matthew McKee, Jonathan Weatherford, Ben Peterson, Laurel Lloyd, Laura Carmody, Amyr Joyner, Kristin Dillingham, Karl Widenmann, Toya Keys, Joshua Grabel, Ann Huynh, Laura Hindman, Rebecca Boyan, Dan Kasriel, frances Lawrence, Alexandra Pavlostathis, Saaraa Sultan, Margaret Jarocki, Sam Slover, Samantha Sale, Owen Middour, Erica Kirkland,Julia Skidmore, Mary Beth Bidgood, Nathan Black, Cecilia Ballou, Keshona Lawrence, Monesh Mulchandani, Jill A. Paschal, Andrew Swerlick, Brittany Ranew, Tiffany Rowe, Whitney Stepp, Gida Hammami, Rachel Malina, Zac Coleman, Nahu Alula, Tarek Mokhtar, Alex Kaminshine, Steven Nawrocki, Anthony Nappo, Ashley Etheridge, Elicia Skelton, Daniel Schorr, Paula Carlisle, Halley Malison, Chase Watson, Arielle Berlin, Jonathan Lovegren, Ann Downer, Granville Williams, Andrew Vargas, Ian M. Taylor, Ashley Waldrop, Eugene Simonds, Kiki Schill, Max Pfahler, Casey Schelhorn, Sean Grapevine, Bryan Hearn, Leah Fox, Carmen Bowen, Birgitta Caspersen, Max Winograd, Teddi Thornhill, Arianna Rubin, Christine Terrell, Ayesha Patel, Grant Possehl, Caila Nyberg, Gregg Nicholson, Seth Martin, Vanessa Garver, Andrew Carraway, Sellers Cook, Erin Brown, Heather Bullard, Davis Waller, Courtney Sutton, Zan Aydlotte, Ansley Stallworth, Hilary Lamb, Jeffrey Katz, Quartez Key, Sam Crochet, Katie Eckhart, Lauren Axel, Nyssa Turnbow; FINE, scarce. Book.…

Pictorial cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good +. First Edition. A very presentable copy of the 1964 1st edition, in a crisp, bright dustjacket. Clean and Near Fine in an attractive, VG+ dustjacket, with light spotting along the panel edges. Nicely illustrated in color by Nathan Goldstein, part of Garrard's wonderful "Discovery Book" series. Nathan Goldstein (illustrator).…

Arch. Neurol. Psychiat., 36. - Chicago, American Medical Association, July 1936, 20 pp., 11 Figs., orig. wrappers; perforated. Rare Offprint! "From the Department of Neurology and Neurosurgery, the McGill University Faculty of Medicine , and the Montreal Neurological Institute. Read at the Sixty-First Annual Meeting of the American Neurological Association, Montral Canada, June 4, 1936." One of the most frequent sequelae to injury of the head is posttraumatic headache. Sufferers from this complaint all too often wander from doctor to doctor, from clinic to clinic and, alas! from lawyer to lawyer under the unjust suspicion of being neurotic or malingering. Posttraumatic headache associated with dizziness forms a clinical entity which is described by these patients in altogether typical fashion. The patient's description of his symptoms makes the diagnosis certain and allows the understanding physician to recognize the true sufferer and to distinguish him from the neurotic patient and the malingerer. In 1927 this condition was described as a disease entity by one of us (W. P.).1 The fact that the procedure of treatment resulted in relief of symptoms in each of the reported cases was the final proof that the syndrome was a true one and that the underlying pathologic change, whatever it might be, was common to each member of the group." Penfield & Nathan C. Narcross "Wilder Graves Penfield (1891-1976) is well known as the founder of the Montreal Neurological Institute (MNI), the site of his most important contributions to the investigation and treatment of epilepsy and to our understanding of the structure-function relationship of the brain. The seeds of the MNI were sown 6 years before its opening in 1934, when Penfield accepted the position of head of the Subdepartment of Neurosurgery at McGill University's Royal Victoria Hospital (RVH). Penfield took this position because of the facilities made available to him to pursue the neuropathological research that he had undertaken with Pío del Río Hortega in Madrid, and to continue his investigation into the nature and treatment of posttraumatic epilepsy that he began with Otfrid Foerster in Breslau. Penfield and his first neurosurgical research fellows Joseph Evans, Jerzy Choróbski, Nathan (Grosby) Norcross (1906-1981), Theodore Erickson, Isadore Tarlov, and Arne Torkildsen studied the substrate of focal epilepsy, the innervation of cortical arteries, the function of the diencephalon, the microscopic structure of spinal nerve roots, and the ventricular system in health and disease. In his 6 years at the RVH, Penfield and his fellows effected a paradigm shift that saw neurosurgery pass from empirical practice to scientific discipline." Richard Leblanc: The birth of experimental neurosurgery: Wilder Penfield at Montreal's Royal Victoria Hospital, 1928-1934. HISTORICAL VIGNETTE. J. Neurosurg., 136 (2022): pp.553-560.…