Graver bruce (40 Ergebnisse)

Paperback. Zustand: New. The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.…

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New. The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.…

Zustand: New.

Zustand: New. In English.

Zustand: New.

Paperback. Zustand: Brand New. 288 pages. 9.21x6.14x1.00 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Ithaca, NY: Cornell University Press, 1998. First Edition. Octavo. 583 pp. Printed dust jacket. Gray cloth with spine stamped in gilt; gray endpapers. Rubbing to edges of dust jacket and mild fading to spine; rather large stain to front panel. Boards show mild shelfwear; very faint discoloration from stain to front. Binding sound and pages unmarked; still a Very Good and usable copy.…

Paperback. Zustand: New. The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.…

Paperback. Zustand: New. The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

FIRST EDITION 8vo. blue/green cloth hardback, gilt, in unclipped dust jacket. 583pp. illustrated in b/w. A clean copy with no previous owners' markings or inscriptions. Dust jacket spine slightly faded. A VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 6) ISBN: 0801434521 PLEASE NOTE: Heavy book (1.1 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either talk to or email us before ordering. *** Abebooks standard overseas rate is based on items only weighing up to 1 kilo. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.…

Hardcover with dust jacket. Zustand: Gut. XXVIII, 583 p.: Ill. Lediglich der Schutzumschlag weist sehr leichte Gebrauchsspuren auf, sonst sehr sauber und ohne Anstreichungen / only the dust jacket shows very slight signs of usage, otherwise very clean and without markings. - William Wordsworth's two most extensive translation projects were his modernization of selected poems by Chaucer and his unfinished translation of Virgil's Aeneid. Bruce E. Graver offers the first reliable texts, the first complete account of their genesis and publication, and the fullest account of Wordsworth's practice as a translator. Graver's reading of the Aeneid corrects hundreds of substantive errors in the published texts of the translation. Unlike other volumes in the Cornell Wordsworth series, this one focuses on a particular kind of poetical work, translation. Like others, it includes reading texts with full critical apparatuses along with photographic reproductions and transcriptions of manuscripts. Graver's introduction and notes amount to a critical monograph on Wordsworth and translation. Graver suggests that both translation projects were self-conscious attempts on Wordsworth's part to compete with John Dryden, the preeminent English translator. He supplies evidence for a major reassessment of Wordsworth's attitudes toward Dryden and, indirectly, of the relationship of Wordsworth's poetry to British neoclassicism. Graver believes Wordsworth's scholarly abilities were much greater than are commonly supposed, and that his translations will interest classicists, medievalists, and eighteenth-century scholars as well as romanticists. / Contents Preface Abbreviations Manuscript Census Editorial Procedure Part I: Selections from Chaucer, Modernized Introduction Reading Texts The Prioress's Tale The Cuckoo and the Nightingale Troilus and Cresida. Extract from Chaucer The Manciple, (from the Prologue) And his Tale Editor's Notes Nonverbal Variants Transcriptions DC MS. 13 (with Preceding and Facing Photographs) DC MS. 24 (with Facing Photographs) Chaucer Modernizations in DC MS. 89 Part II: Translation of Virgil's Aeneid Introduction Reading Text Book I Book II Book III Book IV, Lines 688--692 Book VIII, Lines 337-366 Georgies, Book IV, Lines 511-515 Editor's Notes Nonverbal Variants Transcriptions Aeneid Drafts in DC MS. 89 (Preceded by Photographs) DC MS. 101 (with Facing Photographs) I. Wordsworth's Letters to Lord Lonsdale II. Coleridge's Notes in DC MS. 101 to Aeneid, Book I III. Extract from Aeneid, Book I, in The Philological Museum. ISBN 9780801434525 Sprache: Englisch Gewicht in Gramm: 900.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:0801434521. …

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:0801434521. …

Hardcover. Zustand: Brand New. 332 pages. 9.75x6.50x1.00 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 288 pages. 9.44x6.44x10.00 inches. In Stock.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. The Stereoscopic Picturesque is an interdisciplinary study of nineteenth-century 3D photography and its relation to the picturesque tradition in art, literature, and tourism. The study focuses on the invention of the stereoscope, originally a laboratory device for demonstrating the nature of three-dimensional vision, and the simultaneous invention of photography, in order to show how early stereo photographers used the optics of the stereoscope to extend the possibilities of picturesque representation. Their images also made "virtual travel" possible for an international mass audience, allowing millions of people to explore places and natural wonders that they would otherwise never have seen. Many of these places had deep literary associations - Wordsworth's Lake District, for instance, or Scott's Trossachs - and the stereography of these regions constitutes an important, yet largely unexplored, chapter in the reception history of these authors. Many of the photographs were deliberate attempts to encourage the preservation of environmentally sensitive sites, something the realism of photography and the 3D presentation of the stereoscope made especially effective. The Stereoscopic Picturesque combines fields of study that have rarely been brought into such close contiguity: the history of science, art history, the history of photography, literature, and environmentalism. The result is an unprecedented look at Victorian popular culture and the way stereo photography shaped their ways of seeing the world.…

Zustand: New.

Zustand: New.