grannan katy (31 Ergebnisse)

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. Features an essay by Jan Avgikos. A striking collection of color and black and white photographs. A tight very good copy with some bumping to the bottom corners in a very good dust jacket with the same bumping to the top corners and with laid in sheet from the publisher noting that this is an advance copy.

Paperback. Zustand: Very good. Paperback. Two volumes in publisher's wraps and die cut card slipcase. Case lightly rubbed, else a very good set.

First Edition. First edition. Exhibition brochure for a show that ran January 5 through February 25, 2006 that also doubles as a promotional item for Grannan's Aperture monograph "Model American." Single sheet folded twice that measures 16" x 20" when opened and includes two color images. A very near fine copy. Scarce ephemera.

Zustand des Schutzumschlags: dj. First Edition. First edition. Large softcover. Catalog for a show that ran January 3 through February 9, 2007 at Fraenkel Gallery. Includes numerous color photographs. A very fine copy in stapled wrappers in a fine dust jacket. A fresh copy of this attractive catalog.

Katy Grannan (illustrator). First Edition. First edition. Hardcover. The 91th entry in the One Picture Book series. Number 34 from an edition of 500 copies. Includes 10 four color plates along with a tipped in original photograph. A very fine copy in the publisher's original ziploc bag. No dust jacket as issued. Signed by Katy Grannan on the verso of the photograph. An as new copy. Signed.

Hardcover. Zustand: New. Katy Grannan (illustrator). 1st Edition. First edition, first printing. Limited edition of 500 hand-numbered copies, with an original archival pigment print tipped in the final page of the book (image size 2-1/2 x 4-1/2 inches; paper size 2-3/4 x 4-3/4 inches), signed verso in pencil by Grannan. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by Katy Grannan. 16 pp., with 10 four-color plates. 7-1/2 x 5-3/4 inches. New. The 91st publication in the Nazraeli Press One Picture Book series. Signed by Author.

Zustand: Good. Folio. Original wraps. [50pp.]. Large fromat 23 color plates. 15 x 12 in. Unused. Katy Grannan's color portraits depict subjects the artist describes as "new pioneers," Northern Californians who struggle to define themselves under the scrutiny of relentless sunlight. California serves as both a literal and metaphorical backdrop for Grannan's new photographs. It is a mythical destination and a real end-point where sunshine illuminates both the abject and the joyful.In The Westerns, Grannan explores the uneasy relationship between fixed photographic portraiture and her subjects' mercurial identities. The photographs are replete with ambiguity and contradiction: they are evidence of an invented, unknowable self, confronting inescapable photographic description.Katy Grannan (b. 1969, Arlington, Massachusetts) was first recognized in 1998 for an intimate series of portraits of strangers she met through newspaper advertisements. Grannan worked for years throughout the northeast and produced several different series entitled Poughkeepsie Journal, Morning Call, Sugar Camp Road, and Mystic Lake, each referring to a local newspaper source or secluded location. Grannan's process and the consequent images are informed by her own childhood in the American northeast. Each photograph is imbued with secrecy, desire, and hidden intentions.With her move to California in 2006, Grannan photographed "new pioneers," people who, like herself, encountered something very different from the mythological "West" with its promise of eternal summer and personal reinvention. Instead, these new settlers face the end of a continent and the potential for failure as they struggle to define themselves under the scrutiny of the relentless Western sunlight. The Westerns explores the relationship between aspiration and delusion - where our shared desire to be of worth, to be paid some attention - confronts the uneasy prospect of anonymity.

Soft cover. Zustand: Good. Oversized softcover with flaps. White illustrated paper wraps with black and silver lettering. Staple-bound. Copyright page dated 2007. Unpaginated. In good condition. Minimal rubbing and edge wear to cover. A couple very small closed tears along the upper edge of the back cover. Pages are clean and unmarked. Overall in great shape. Features large-scale color photographs throughout. This is an oversized (and overweight) book. Extra shipping charges may be required for international or priority delivery.

Hardcover. Zustand: Brand New. new title edition. 120 pages. 11.50x9.75x0.75 inches. In Stock.

Zustand: Fine. limited to 800 numbered copies, this being copy #230; paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Very Good. First edition. Hardback. Quarto. 120pp. Original white boards. Covers slightly shelf worn and faded, otherwise near very good indeed in a slightly worn and marked dust jacket.

Zustand: Sehr gut. Unabridged. 120 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 1157 Gebundene Ausgabe, Maße: 25.86 cm x 1.78 cm x 30.33 cm.

Zustand des Schutzumschlags: dj. First Edition. First edition. Large softcover. Catalog for a show that ran January 3 through February 9, 2007 at Fraenkel Gallery. Includes numerous color photographs. A near fine copy in stapled wrappers in a near fine dust jacket that is lightly soiled and with a small tear to the base of the rear panel. Signed by Grannan on the front free endpaper in 2008. An attractive catalog that is fairly uncommon when signed. Signed.

Zustand: Good. Fo. Hard Cover [ca. 80 pp.] Color Plates. Very Good. Dust Jacket also Very GoodFirst Edition.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). PAYMENT: by check or wire transfer (please inquire about payment by credit card). SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). IMPORTANT NOTE: These publications are only available in the complete limited edition series of 36 total titles in six Sets. Individual titles or Sets will not be sold separately (no exceptions will be made to this policy). ABOUT THE SERIES: Published over a seven-year period, the Six by Six Series includes limited edition books and prints by some of the most important contemporary photographers working today. THIS COMPLETE SET IS ONE OF THE ARTIST'S PROOF/AP SETS. 2010-2016. First edition, first printing. Limited edition of 100 hand-numbered copies and 36 artist's proofs (given to the 36 participating "Six by Six" artists). Each Set (of six Sets) is comprised of six volumes, each with an original, signed and numbered print (Type-C print, gelatin silver print, platinum print or archival pigmented inkjet print) on 11 x 14-inch paper (image sizes vary) laid into the book in an archival protective clear polyester film (Mylar) sleeve. The six volumes and accompanying prints are contained in a custom black Japanese cloth-covered slipcase, with the series title debossed on one side. Each of the volumes shares the following format: Hardcover. Fine Japanese cloth-covered boards, with photographically illustrated dust jacket. Each book is signed and numbered on a small printed paper tipped in a debossed area of the book's rear cover. Unpaginated, with approximately 24 black-and-white (a special viscous "Daido black" ink and varnish are used) or four-color offset plates (varies between 16 and 33 plates), exquisitely printed on Nazraeli's special exclusive heavyweight Japanese paper. 15 x 12 inches. [All six Sets share this same design and format, and are housed in matching slipcases.] SET ONE (published in 2010): Volume One: Anthony Hernandez: East Baltimore. Includes a 14 x 11-inch archival pigmented inkjet print (image size: 10-1/8 x 10-inches). Photographs by Anthony Hernandez. Introduction by Judith Freeman. Unpaginated, with 16 four-color plates. ISBN: 9781590052945. Volume Two: Todd Hido: Motel Club. Includes a 14 x 11-inch Type-C print (image size: 10-1/4 x 10-1/2-inches). Photographs by Todd Hido. Essay by Geoff Dyer. Includes an index of models. Designed by Daya Karam and Gigi Obrecht, San Francisco. Unpaginated, with 20 four-color plates. ISBN: 9781590052952. Volume Three: Raymond Meeks: Amwell. Includes a 14 x 11-inch gelatin silver print (image size: 8-7/8 x 6-3/4-inches). Photographs by Raymond Meeks. Unpaginated, with 10 black-and-white plates and 10 four-color plates. ISBN: 9781590052969. Volume Four: Martin Parr: Machu Picchu. Includes an 11 x 14-inch archival pigmented inkjet print (image size: 8-5/8 x 13-inches). Photographs and text by Martin Parr. Unpaginated, with 23 four-color plates. ISBN: 9781590052976. Volume Five: Toshio Shibata: Expressway, 1986. Includes an 11 x 14-inch gelatin silver print (image size: 6-3/8 x 7-7/8-inches). Photographs and text by Toshio Shibata. Unpaginated, with 24 black-and-white plates. ISBN: 9781590052983. Volume Six: Mark Steinmetz: The Ancient Tigers of My Neighborhood. Includes a 14 x 11-inch gelatin silver print (image size: 11-7/8 x 9-inches). Photographs by Mark Steinmetz. Unpaginated, with 33 black-and-white plates. ISBN: 9781590052990. SET TWO (published in 2011): Volume One: Joe Deal: Karst and Pseudokarst. Includes two black-and-white archival pigmented inkjet prints (image size: 8-1/8 x 8-1/8 inches each) on one 22 x 14-inch folded sheet. Photographs by Joe Deal. Unpaginated (32 pp.), with 20 black-and-white plates. ISBN: 9781590053157. Volume Two: Tanya Marcuse: Wax Bodies. Includes a 14 x 11-inch archival pigmented inkjet print on rag paper (image size: 10-1/4 x 8-1/8 inches). P. Signed by Author(s).

Hardcover. Zustand: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100, Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs; 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street; 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle, Mirta Gómez, Four Sections of Time; 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes; 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki; 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Girl; 71) Steve Fitch: Motel Signs; 72) Liz Steketee: Dystopia; 73) Stephen Shore: Pet Pictures; 74) Martin Parr: Seven Cups of Tea; 75) Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann, A Grid-Portrait; 76) Leon Borensztein: Portraits ii; 77) Carol E. Richards: Birds Have Wings; 78) Melanie. Signed by Author(s).

Soft cover. Zustand: New. 1st Edition. First edition, first printing. Limited edition of 800 stamp-numbered copies. Four volumes sharing the following format: Printed, die-cut, French-fold wrappers; no dust jacket as issued. Unpaginated (40 pp.), with black-and-white and four-color plates throughout. Photographs by Mark Steinmetz, Dru Donovan, Elaine Stocki and Katy Grannan. Designed by Paul Schiek. 8 x 6 inches. New in publisher's shrink wrap. From the publisher: "Mark Steinmetz's book Philip & Micheline documents the end of life as experienced by his parents. Steinmetz uses his camera to share the moments he has witnessed, within which viewers find an intimate portrait of a family's loss. Steinmetz was born in 1961; he received a BA from Wesleyan University and an MFA from Yale University. He has had numerous books published by Nazraeli and his work is in the collections of major museums across the United States including the New York Museum of Modern Art, The Metropolitan Museum of Art, the Whitney Museum of American Art and the Los Angeles County Museum of Art. Steinmetz received a Guggenheim Fellowship in 1994 and now lives in Athens, Georgia where he spends most of his time making photo books. Dru Donovan presents an investigation of mourning in her book, Lifting Water. The tableaus explore the rituals of caregiving while shifting perspectives between the caregiver and the cared for. Donovan focuses on the psychological weight of physical proximity alongside emotional isolation. Donovan was born in 1981; she received a BFA in photography from California College of the Arts and an MFA in photography from Yale University, where she was awarded the Richard Benson prize for excellence. Donovan was included in Wallpaper Magazine's Graduate Directory of emerging talent to watch, her work is included in reGeneration2: Tomorrow's Photographers Today, published by Thames & Hudson and she will be included in the 2010 California Biennial at the Orange County Museum of Art. Donovan now lives and works in San Francisco, California. Katy Grannan's book, N., coincides with Grannan's most recent work; making short films. N.'s cinematic, or time-based structure features Grannan's long-time subject, Nicole, whom after five years of collaborations determined it was time they make some 'real pictures.' These real pictures are a bold combination of theatricality, seduction and repulsion, and Grannan's obsessive and unrelenting photographs challenge our assumptions about the dynamic between artist and subject. Grannan was born in 1969; she received a BA from University of Pennsylvania and an MFA from Yale University. Grannan has been awarded The Baum Award for Emerging American Photographers and the Aperture Award to an Emerging Artist. Her work has been exhibited in galleries in the United States, Germany, Belgium and France, and is included in publications by Steidl, Aperture, Phaidon, Thames & Hudson. Grannan now lives in Berkeley, California. Elaine Stocki's Balcony is a unique exploration of uncertainty and poetic tensions. Stocki's images pose questions about psychological limitations as well as the chaos of human interactions yet stubbornly allows the viewer no answers. Stocki was born in 1979; she received a BS in chemistry and a BFA with honors in painting and photography from University of Manitoba and a MFA in photography from Yale University. Stocki was awarded the Tierney Fellowship as well as the Yale University School of Art Scholarship, Manitoba Arts Council Grant, ACADRE Fellowship Award and the Winnipeg Arts Council Travel Grant. Her work has been in exhibitions in numerous galleries in the United States as well as Germany and Canada.

Zustand: Wie neu. Aperture Foundation, New York, 2005. First edition, first printing. New, unread, mint; still originally shrink-wrapped in publisher`s plastic foil. Hardcover with dustjacket. 300 x 255 mm (9.875 x 11.5 inch). 112 pages. 70 colour photos. Photographs by Katy Grannan. Essay by Jan Avgikos. First monograph on this contemporary photographer. Perfect condition! Collector`s copy! "Katy Grannan's striking portraits capture the desire of her subjects to offer themselves up to the camera lens. Each of her well-known series"Poughkeepsie Journal," "Dream America," and "Morning Call"began with a simple ad placed by Grannan in local newspapers: "Art Models. Artist/Photographer (female) seeks people for portraits. No experience necessary. Leave msg." After an initial telephone conversation, Grannan travels to the caller's home. Photographing her models in their own surroundings, she pays meticulous attention to the elements of their domestic settings: wood paneling, patterned wallpaper, and other mundane but often telling details. The subjects choose to remain clothed, to model nude, or to pause somewhere in between, working with Grannan to arrive at the pose. The resulting images reflect the intensity of the relationship between artist and model. With subjects centrally framed and directly facing the camera, each image resonates with the tension of a first encounter. In Grannan's series "Sugar Camp Road" and her most recent work, she moves the exercise outdoors, using a municipal park as the backdrop. Even though the parklands that serve as her set bring the private encounters of her earlier series into the public landscape, she maintains a delicateyet chargedsense of intimacy."Katy Grannan is one of the most original and compelling portraitists working today.The last time I was this uncomfortable and thrilled by a book of portraits was when I first opened Diane Arbus's monograph thirty years ago." (Richard Misrach) Katy Grannan was born in Arlington, Massachusetts, in 1969. She received her B.A. from the University of Pennsylvania, Philadelphia, in 1991 and her M.F.A. from Yale University in 1999. Her work has been featured in multiple group exhibitions; she was one of five photographers selected for the 2004 Whitney Biennial. Solo exhibitions of Grannan's work have been held at Lawrence Rubin Greenberg Van Doren Fine Art in New York (2000 and 2003) and other galleries. She recently received the 2004 Baum Award for Emerging American Photographers, the Theater Gallery of the Berkeley Art Museum and Pacific Film Archive (2004). Grannan is represented by the Greenberg Van Doren Gallery, New York. She lives in New York City and San Francisco***************Aperture Foundation, New York, 2006. Amerikanische Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweißt in der Plastikfolie des Verlags. Hardcover mit Schutzumschlag. 300 x 255 mm. 112 Seiten. 70 Farbfotos. Fotos von Katy Grannan. Essay von Jan Avgikos. Erste Monographie der zeitgenössnischen amerikanischen Fotografin. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Aperture Foundation, New York, 2005. First edition, first printing. New, unread, mint; still originally shrink-wrapped in publisher`s plastic foil. Hardcover with dustjacket. 300 x 255 mm (9.875 x 11.5 inch). 112 pages. 70 colour photos. Photographs by Katy Grannan. Essay by Jan Avgikos. First monograph on this contemporary photographer. "Katy Grannan's striking portraits capture the desire of her subjects to offer themselves up to the camera lens. Each of her well-known series"Poughkeepsie Journal," "Dream America," and "Morning Call"began with a simple ad placed by Grannan in local newspapers: "Art Models. Artist/Photographer (female) seeks people for portraits. No experience necessary. Leave msg." After an initial telephone conversation, Grannan travels to the caller's home. Photographing her models in their own surroundings, she pays meticulous attention to the elements of their domestic settings: wood paneling, patterned wallpaper, and other mundane but often telling details. The subjects choose to remain clothed, to model nude, or to pause somewhere in between, working with Grannan to arrive at the pose. The resulting images reflect the intensity of the relationship between artist and model. With subjects centrally framed and directly facing the camera, each image resonates with the tension of a first encounter. In Grannan's series "Sugar Camp Road" and her most recent work, she moves the exercise outdoors, using a municipal park as the backdrop. Even though the parklands that serve as her set bring the private encounters of her earlier series into the public landscape, she maintains a delicateyet chargedsense of intimacy."Katy Grannan is one of the most original and compelling portraitists working today.The last time I was this uncomfortable and thrilled by a book of portraits was when I first opened Diane Arbus's monograph thirty years ago." (Richard Misrach) Katy Grannan was born in Arlington, Massachusetts, in 1969. She received her B.A. from the University of Pennsylvania, Philadelphia, in 1991 and her M.F.A. from Yale University in 1999. Her work has been featured in multiple group exhibitions; she was one of five photographers selected for the 2004 Whitney Biennial. Solo exhibitions of Grannan's work have been held at Lawrence Rubin Greenberg Van Doren Fine Art in New York (2000 and 2003) and other galleries. She recently received the 2004 Baum Award for Emerging American Photographers, the Theater Gallery of the Berkeley Art Museum and Pacific Film Archive (2004). Grannan is represented by the Greenberg Van Doren Gallery, New York. She lives in New York City and San Francisco***************Aperture Foundation, New York, 2006. Amerikanische Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweißt in der Plastikfolie des Verlags. Hardcover mit Schutzumschlag. 300 x 255 mm. 112 Seiten. 70 Farbfotos. Fotos von Katy Grannan. Essay von Jan Avgikos. Erste Monographie der zeitgenössnischen amerikanischen Fotografin. Sprache: Englisch Gewicht in Gramm: 1600.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase with tipped-in duotone plate. 48 pp., with 28 four-color plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "Hundreds of Sparrows is a two-volume set of books by contemporary artist and filmmaker Katy Grannan. Volume One (NZL Set 3), and Volume Two (NZL Set 4, forthcoming) both function as stand-alone books; together, they tell a deeper story, playing off of each other and delving deeper into the lives and surroundings of their subjects. The photographs in Hundreds of Sparrows were made in the Central Valley, in particular, the sprawling cities of Modesto, Fresno, and Bakersfield that sit within this vast agricultural region in the geographical center of California. This location also served as the setting for Grannan's debut feature film, "The Nine", which premiered to wide critical acclaim in 2016. Throughout the works, the artist explores the significance and complexity of the seemingly ordinary, the mundane and the overlookedâ"anonymous strangers, familiar gestures and interactionsâ"the soundscape and theatre of nowhere. This is the other side of the American Dream. Katy Grannan's work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and The LA County Museum of Art." NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. Signed by Author.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase with tipped-in four-color plate. 48 pp., with 33 four-color plates.15 x 12 inches. New in publisher's packaging. From the publisher: "Hundreds of Sparrows is a two-volume set of books by contemporary artist and filmmaker Katy Grannan. Volume 1 (NZL Set 3), and Volume 2 (NZL Set 4, forthcoming) both function as stand-alone books; together, they tell a deeper story, playing off of each other and delving deeper into the lives and surroundings of their subjects. The photographs in Hundreds of Sparrows were made in the Central Valley, in particular, the sprawling cities of Modesto, Fresno, and Bakersfield that sit within this vast agricultural region in the geographical center of California. This location also served as the setting for Grannan's debut feature film, "The Nine", which premiered to wide critical acclaim in 2016. Throughout the works, the artist explores the significance and complexity of the seemingly ordinary, the mundane and the overlookedâ"anonymous strangers, familiar gestures and interactionsâ"the soundscape and theatre of nowhere. This is the other side of the American Dream. Katy Grannan's work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and The LA County Museum of Art. Hundreds of Sparrows: Volume 1 is printed in a limited edition of 350 numbered, signed and slipcased copies." NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. Signed by Author.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 800 stamp-numbered copies. Each volume signed by the artist. Four volumes sharing the following format: Printed, die-cut, French-fold wrappers; no dust jacket as issued. Unpaginated (40 pp.), with black-and-white and four-color plates throughout. Photographs by Mark Steinmetz, Dru Donovan, Elaine Stocki and Katy Grannan. Designed by Paul Schiek. 8 x 6 inches. Fine. From the publisher: Mark Steinmetz's book Philip & Micheline documents the end of life as experienced by his parents. Steinmetz uses his camera to share the moments he has witnessed, within which viewers find an intimate portrait of a family's loss. Steinmetz was born in 1961; he received a BA from Wesleyan University and an MFA from Yale University. He has had numerous books published by Nazraeli and his work is in the collections of major museums across the United States including the New York Museum of Modern Art, The Metropolitan Museum of Art, the Whitney Museum of American Art and the Los Angeles County Museum of Art. Steinmetz received a Guggenheim Fellowship in 1994 and now lives in Athens, Georgia where he spends most of his time making photo books. Dru Donovan presents an investigation of mourning in her book, Lifting Water. The tableaus explore the rituals of caregiving while shifting perspectives between the caregiver and the cared for. Donovan focuses on the psychological weight of physical proximity alongside emotional isolation. Donovan was born in 1981; she received a BFA in photography from California College of the Arts and an MFA in photography from Yale University, where she was awarded the Richard Benson prize for excellence. Donovan was included in Wallpaper Magazine's Graduate Directory of emerging talent to watch, her work is included in reGeneration2: Tomorrow's Photographers Today, published by Thames & Hudson and she will be included in the 2010 California Biennial at the Orange County Museum of Art. Donovan now lives and works in San Francisco, California. Katy Grannan's book, N., coincides with Grannan's most recent work; making short films. N.'s cinematic, or time-based structure features Grannan's long-time subject, Nicole, whom after five years of collaborations determined it was time they make some 'real pictures.' These real pictures are a bold combination of theatricality, seduction and repulsion, and Grannan's obsessive and unrelenting photographs challenge our assumptions about the dynamic between artist and subject. Grannan was born in 1969; she received a BA from University of Pennsylvania and an MFA from Yale University. Grannan has been awarded The Baum Award for Emerging American Photographers and the Aperture Award to an Emerging Artist. Her work has been exhibited in galleries in the United States, Germany, Belgium and France, and is included in publications by Steidl, Aperture, Phaidon, Thames & Hudson. Grannan now lives in Berkeley, California. Elaine Stocki's Balcony is a unique exploration of uncertainty and poetic tensions. Stocki's images pose questions about psychological limitations as well as the chaos of human interactions yet stubbornly allows the viewer no answers. Stocki was born in 1979; she received a BS in chemistry and a BFA with honors in painting and photography from University of Manitoba and a MFA in photography from Yale University. Stocki was awarded the Tierney Fellowship as well as the Yale University School of Art Scholarship, Manitoba Arts Council Grant, ACADRE Fellowship Award and the Winnipeg Arts Council Travel Grant. Her work has been in exhibitions in numerous galleries in the United States as well as Germany and Canada. Signed by Author.

hardcover. Zustand: Perfetto (Mint). Six by Six: Set 6, Volume 4. Con una stampa originale sciolta su carta pesante, numerata e firmata al verso (Esemplare 74/100. Cm 35,5x27,5).  37 riproduzioni offset a quattro colori di fotografie, principalmente a piena pagina. Le immagini sono tratte dal film documentario The Nine del 2016, diretto da Katy Grannan, con Hannah Hughes come aiuto regista Stampato su carta giapponese pesante e rilegato in tela giapponese.  Firma dell'Artista inserita in un occhiello al piatto posteriore. N. 74/100 . 4to (cm 36x29). pp. 32. . Perfetto (Mint). . Prima edizione di 100 esemplari numerati e firmati (First edition of 100 numbered and signed copies). . Katy Grannan fotografa soggetti ai margini della società, mettendo in luce in una maniera a volte anche disturbante quelle vite dimenticate che pochi hanno voglia di vedere.The Glint of Light on Broken Glass è un libro che offre una visione intima di un soggetto anonimo, permettendo di addentrarci nel suo mondo attraverso immagini dirette e allo stesso tempo poetiche.Katy Grannan è una fotografa e regista americana. Ha conseguito una laurea presso l'Università della Pennsylvania nel 1991, e un Master in Fotografia presso l'Università di Yale nel 1999. Ha realizzato il lungometraggio The Nine. Il suo lavoro è conservato nelle collezioni del Metropolitan Museum of Art, del Museum of Modern Art, del Solomon R. Guggenheim Museum e del Whitney Museum of American Art. Prima edizione di 100 esemplari numerati e firmati (First edition of 100 numbered and signed copies). Book.

hardcover. Zustand: Perfetto (Mint). Set numero 6 della serie in edizione limitata ''Six by Six'' che comprende: Roger Ballen: Appearances, Disappearances, Reappearances; Mike Brodie: August 29th?September 8th 2012, Oakland, Ca?Oakland Ca, United States; Jim Goldberg: Ruby Every Fall;  Katy Grannan/Hannah Hughes: The Glint of Light on Broken Glass; Idris Khan: Church Walk;  Marilyn Minter, Florida 1969. Ogni libro contiene una fotografia originale sciolta, firmata e numerata dall'Artista (cm 34x27). 6 volumi Esemplare 74/100. 4to (cm 37x29). pp. 32/per volume. . Perfetto (Mint). . Prima edizione di 100 copie numerate (First edition of 100 numbered copies). . Prima edizione di 100 copie numerate (First edition of 100 numbered copies). Book.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Price is net to all; promotional discounts do not apply. SPECIAL EDITION SUBSCRIBER DISCOUNT: Customers who purchase the complete Set 4 of six titles (item #113500) qualify for a $150 discount off the price of this special limited edition (with print) from Set 4 (the special limited edition also includes a copy of the slipcased book). Otherwise, special edition price is net to all; promotional discounts do not apply. First edition, first printing. Special limited edition of 25 copies, with a signed and numbered 11x14-inch Type-C print, which is housed together with the book in a custom clamshell box. Hardcover. 15 x 12 inches. ABOUT THE BOOK: First edition, first printing. Limited edition of 350 copies. Each of the six volumes is numbered on the colophon page and signed by the artist on a label tipped-in to the back cover. Each volume in the set shares the following characteristics: Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 48 pp., with 28 four-color plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "Hundreds of Sparrows is a two-volume set of books by contemporary artist and filmmaker Katy Grannan. Both volumes function as stand-alone books; together, they tell a deeper story, playing off of each other and delving deeper into the lives and surroundings of their subjects. The photographs in Hundreds of Sparrows were made in the Central Valley, in particular, the sprawling cities of Modesto, Fresno, and Bakersfield that sit within this vast agricultural region in the geographical center of California. This location also served as the setting for Grannan's debut feature film, "The Nine", which premiered to wide critical acclaim in 2016. Throughout the works, the artist explores the significance and complexity of the seemingly ordinary, the mundane and the overlookedâ"anonymous strangers, familiar gestures and interactionsâ"the soundscape and theatre of nowhere. This is the other side of the American Dream. Katy Grannan's work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and The LA County Museum of Art." Signed by Author.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. PRICING & EDITION NUMBER: The price of this set of six titles reflects a 40% discount compared to purchasing titles individually ($150 per title compared to $250 per title). DISCOUNT ON SET 4 SPECIAL EDITIONS: Customers who purchase this set of six titles also qualify for a $150 discount off the price of a special limited edition from Set 4 (with print) of one of the six titles from the set (you will receive a second copy of the slipcased book with the special limited edition). SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Limited edition of 350 copies. Each of the six volumes is numbered on the colophon page and signed by the artist on a label tipped in to the back cover. Each volume in the set shares the following characteristics: Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 15 x 12 inches. New in publisher's packaging. From the publisher: "We are excited to announce the NZ Library, a new series of limited edition, highly collectible artists' books. Printed on Japanese art paper using our exclusive 'Daido black' inks, all books in the NZ Library have certain aspects in common: each title is produced using the highest material and production values; each is limited to 350 numbered and signed copies; each is bound in silk cloth and individually slipcased. Each book in the series is uniform in height, with a slipcased format of 15 x 12 inches. The NZ Library will be built six titles at a time, with groupings curated to balance and play off of past, present and future titles in the series. While copies will be available to purchase individually, a generous discount is extended for orders of all six titles in any given set." VOLUME ONE: Steve Banks: Nitro: Drag Racing in the Sixties. ISBN 978-1-59005-480-2. 60 pp., with 26 duotone plates. From the publisher: " In 1964, a young Steve Banks bought one of the most coveted âMuscle Cars' on the marketâ"a Pontiac GTO with a four-speed stick and a Hurst shifter, Tri-Power, and three Rochester 2G carburetors. He then drove Route 66 from Chicago to Los Angeles to begin his new advertising agency job. Gassing up one day at Nobo's Shell station at Beverly and Larchmont, Banks learned that Nobo had previously been head mechanic at the Courtesy Chevrolet dealership, and that his station had become a center for building and tuning street racers. On and off over the next few months, Banks would leave his car at the garage while Nobo fine-tuned the carburetors, replaced the stock tires, torsion, and sway bars, and added Koni shocks and a Sun tachometer. Next, he taught Banks how to âspeed shift'â"while making late night runs up and down Larchmont Boulevard. One day, Nobo mentioned he was going to a drag race that Saturday, and that Banks was welcome to come along. Witnessing his first drag race, Steve Banks was immediately hooked. He returned the following Saturday, and the next, and again the next; but this time with with his cameras. Over the course of two years, Banks photographed guys preparing runs, the thundering nitro-burning dragsters launching down the strip at two hundred-plus miles per hour, and everything else that moved. Today, fifty years later, the sport of drag racing is a big bucks, corporate-sponsored television broadcast business with the NHRA sporting over two hundred different drag racing classes. However, in a nod to the sport's modest beginnings, almost every weekend from coast-to-coast one can find ânostalgia racing' events preserving the dragster culture of the 1960s captured here in NITRO, Drag Racing In The Sixties: 1964â"1966." VOLUME TWO: Katy Grannan: Hundreds of Sparrows, Volume Two. ISBN 978-1-59005-481-9. 48 pp., with 28 four-color plates. From the publisher: " Hundreds of Sparrowsis a two-volume set of books by contemporary artist and filmmaker Katy Grannan. Volume One (NZL Set 3), and Volume Two (NZL Set 4, forthcoming) both function as stand-alone books; together, they tell a deeper story, playing off of each other and delving deeper into the lives and surroundings of their subjects. The photographs inHundreds of Sparrowswere made in the Central Valley, in particular, the sprawling cities of Modesto, Fresno, and Bakersfield that sit within this vast agricultural region in the geographical center of California. This location also served as the setting for Grannan's debut feature film, "The Nine", which premiered to wide critical acclaim in 2016. Throughout the works, the artist explores the significance and complexity of the seemingly ordinary, the mundane and the overlookedâ"anonymous strangers, familiar gestures and interactionsâ"the soundscape and theatre of nowhere. This is the other side of the American Dream. Katy Grannan's work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and The LA County Museum of Art." NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. VOLUME THREE: Abelardo Morell: Tent Camera. ISBN 978-1-59005-482-6. 56 pp., with 22 four-color plates. From the publisher: " Working with his assistant, C.J. Heyliger, Cuban-born artist Abelardo Morell has famously designed a light proof tent that, via periscope type optics, makes it possible to project a view of the nearby landscape onto whatever ground is under the tent. Inside this darkened space he uses a view camera to record the effect. This Tent-Camera now liberates Morell to use camera obscura techniques in a world of new places. Born in Havana, Cuba in 1948, Morell immigrated with his parents to the United States in 1962. His work has been collected and shown in many galleries, institutio.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. PRICING & EDITION NUMBER: The price of this set of six titles reflects a 40% discount compared to purchasing titles individually ($150 per title compared to $250 per title). DISCOUNT ON SET 3 SPECIAL EDITIONS: Customers who purchase this set of six titles also qualify for a $150 discount off the price of a special limited edition from Set 3 (with print) of one of the six titles from the set (you will receive a second copy of the slipcased book with the special limited edition). SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Limited edition of 350 copies. Each of the six volumes is numbered on the colophon page and signed by the artist on a label tipped in to the back cover. Each volume in the set shares the following characteristics: Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 15 x 12 inches. New in publisher's packaging. From the publisher: "We are excited to announce the NZ Library, a new series of limited edition, highly collectible artists' books. Printed on Japanese art paper using our exclusive 'Daido black' inks, all books in the NZ Library have certain aspects in common: each title is produced using the highest material and production values; each is limited to 350 numbered and signed copies; each is bound in silk cloth and individually slipcased. Each book in the series is uniform in height, with a slipcased format of 15 x 12 inches. The NZ Library will be built six titles at a time, with groupings curated to balance and play off of past, present and future titles in the series. While copies will be available to purchase individually, a generous discount is extended for orders of all six titles in any given set." VOLUME ONE: Bevan Davis: New York. ISBN 978-1-59005-450-5. 48 pp., with 20 duotone plates. From the publisher: "Bevan Daviesâs second monograph in the NZ Library Series, New York, 1975 is a powerful companion book to Los Angeles, 1976 (published in NZL Set 1). Both volumes present comprehensive important bodies of work that was influential, widely exhibited and collected at the time it was made; but not published in book form until now. New York, 1975 opens with an insightful essay by Joshua Chuang, The Miriam & Ira D. Wallach Associate Director for Art, Prints and Photographs, and The Robert B. Menschel Senior Curator of Photography at The New York Public Library Bevan Davies's work is included in many major public and private collections, including those of the J. Paul Getty Museum, Los Angeles; Art Institute of Chicago; Metropolitan Museum of Art, New York; Center for Creative Photography, Tucson; and Nelson Atkins Museum, Kansas City. " NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. VOLUME TWO: Katy Grannan: Hundreds of Sparrows: Volume 1. ISBN 978-1-59005-451-2. 48 pp., with 33 four-color plates. From the publisher: "Hundreds of Sparrows is a two-volume set of books by contemporary artist and filmmaker Katy Grannan. Volume One (NZL Set 3), and Volume Two (NZL Set 4, forthcoming) both function as stand-alone books; together, they tell a deeper story, playing off of each other and delving deeper into the lives and surroundings of their subjects. The photographs in Hundreds of Sparrows were made in the Central Valley, in particular, the sprawling cities of Modesto, Fresno, and Bakersfield that sit within this vast agricultural region in the geographical center of California. This location also served as the setting for Grannan's debut feature film, "The Nine", which premiered to wide critical acclaim in 2016. Throughout the works, the artist explores the significance and complexity of the seemingly ordinary, the mundane and the overlookedâ"anonymous strangers, familiar gestures and interactionsâ"the soundscape and theatre of nowhere. This is the other side of the American Dream. Katy Grannan's work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and The LA County Museum of Art." VOLUME THREE: Anthony Hernandez: Discarded. ISBN 978-1-59005-452-9. 68 pp., with 35 four-color plates. From the publisher: "The title of Anthony Hernandez's monograph takes its name from our collective penchant for discarding what we no longer find useful; in this case, unfinished houses and the land on which they sit, to the east and northeast of Los Angeles. The project arose from the 2008 recession, which hit California particularly hard, when homebuilders and owners faced loans and mortgages that were worth more than their properties. Comprising 35 photographs made in desert and high desert cities such as Riverside, Salton City, Lancaster and Palmdale, Discarded opens with an essay by John Rohrbach, Senior Curator of Photography at the Amon Carter Museum where the work was first exhibited in 2016. Of the photographs, Rohrbach writes: "Where through the 1970s and 1980s the 'New Topographics' generation led by Robert Adams and Lewis Baltz drew photographic attention to the expansion of suburbia across the open West, Anthony Hernandez now asks us to take account of the failures, the pulling back from over-exuberant expectation. Capitalism, of course, is built on optimism and growth, but just as central to its being is failure. We can't all be winners; bust inevitably follows boom. While some initiatives survive, others go under, abandoned to the banks and discarded to the scourges of time and happenstance. The subject offers pathos and an enticing undercurrent of violence. But where others generally embrace the romance of the struggle against the harsh climate, emphasizing isolation and self-sufficiency, Hernandez reminds us of the.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). Price is net to all; promotional discounts do not apply. SPECIAL EDITION SUBSCRIBER DISCOUNT: Customers who purchase the complete Set 3 of six titles (item #113194) qualify for a $150 discount off the price of this special limited edition (with print) from Set 3 (the special limited edition also includes a copy of the slipcased book). Otherwise, special edition price is net to all; promotional discounts do not apply. First edition, first printing. Special limited edition of 25 copies, with a signed and numbered Type-C print, which is housed together with the book in a custom clamshell box. Hardcover. 15 x 12 inches. ABOUT THE BOOK: First edition, first printing. Limited edition of 350 copies. Each of the six volumes is numbered on the colophon page and signed by the artist on a label tipped-in to the back cover. Each volume in the set shares the following characteristics: Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 15 x 12 inches. New in publisher's packaging. From the publisher: "Hundreds of Sparrows is a two-volume set of books by contemporary artist and filmmaker Katy Grannan. Volume 1 (NZL Set 3), and Volume 2 (NZL Set 4, forthcoming) both function as stand-alone books; together, they tell a deeper story, playing off of each other and delving deeper into the lives and surroundings of their subjects. The photographs in Hundreds of Sparrows were made in the Central Valley, in particular, the sprawling cities of Modesto, Fresno, and Bakersfield that sit within this vast agricultural region in the geographical center of California. This location also served as the setting for Grannan's debut feature film, "The Nine", which premiered to wide critical acclaim in 2016. Throughout the works, the artist explores the significance and complexity of the seemingly ordinary, the mundane and the overlookedâ"anonymous strangers, familiar gestures and interactionsâ"the soundscape and theatre of nowhere. This is the other side of the American Dream. Katy Grannan's work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and The LA County Museum of Art. Hundreds of Sparrows: Volume 1 is printed in a limited edition of 350 numbered, signed and slipcased copies." Signed by Author.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. IMPORTANT NOTE: These publications are only available in the complete limited edition series of 36 total titles in six Sets (items 107746, 108056, 109664, 109822, 110463 and 112341). Individual titles or Sets will not be sold separately (no exceptions will be made to this policy). SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). SET SIX: Volume One: Roger Ballen: Appearances, Disappearances, Reappearances. Includes an archival pigmented inkjet print (image size 7-3/4 x 7-3/4 inches; paper size 9 x 8-5/8 inches). Unpaginated, with 20 black-and-white plates. Volume Two: Mike Brodie: August 29th-September 8th 2012, Oakland, CA-Oakland, CA, United States. Includes a Type-C print, printed on Fujicolor Crystal Archive paper (image size 9 x 13-1/2 inches; paper size 11 x 14). Unpaginated, with 15 four-color plates. Volume Three: Jim Goldberg: Ruby Every Fall. Includes an archival pigmented inkjet print (image size 8-3/4 x 7 inches; paper size 14 x 11). Unpaginated, with 29 four-color and black-and-white plates. Volume Four: Katy Grannan: The Glint of Light on Broken Glass. Includes an archival pigmented inkjet print (image and paper size 7-3/4 x 14 inches). Unpaginated, with 31 four-color plates. Volume Five: Idris Khan: Church Walk. Includes a Type-C print, printed on Fujicolor Professional paper (image and paper size 11 x 13-1/8 inches; printed on Fujicolor Professional paper). Unpaginated, with 21 black-and-white plates. Volume Six: Marilyn Minter: Florida 1969. Includes an archival pigmented inkjet print (image size 10-1/2 x 10-1/2 inches; paper size 14 x 11 inches). Unpaginated, with 19 black-and-white plates. New in publisher's original packaging. ABOUT THE SERIES: Published over a seven-year period, the Six by Six Series includes limited edition books and prints by some of the most important contemporary photographers working today. 2010-2016. First edition, first printing. Limited edition of 100 hand-numbered copies, and 36 artist's proofs, all of which were given to the 36 participating "Six by Six" artists. Each Set (of six Sets) is comprised of six volumes, each with an original, signed and numbered print (Type-C print, gelatin silver print, platinum print or archival pigmented inkjet print) on 11 x 14-inch paper (image sizes vary) laid into the book in an archival protective clear polyester film (Mylar) sleeve. The six volumes and accompanying prints are contained in a custom black Japanese cloth-covered slipcase, with the series title debossed on one side. Each of the volumes shares the following format: Hardcover. Fine Japanese cloth-covered boards, with photographically illustrated dust jacket. Each book is signed and numbered on a small printed paper tipped in a debossed area of the book's rear cover. Unpaginated, with approximately 24 black-and-white (a special viscous "Daido black" ink and varnish are used) or four-color offset plates (varies between 16 and 33 plates), exquisitely printed on Nazraeli's special exclusive heavyweight Japanese paper. 15 x 12 inches. [All six Sets share this same design and format, and are housed in matching slipcases.] SIX BY SIX SETS: SET ONE (released in 2010) featured Anthony Hernandez, Todd Hido, Raymond Meeks, Martin Parr, Toshio Shibata and Mark Steinmetz. SET TWO (released in 2011) featured Joe Deal, Tanya Marcuse, Joe Mills, Stephen Shore, Alec Soth and Risaku Suzuki. SET THREE (released in 2012) featured William Christenberry, Eduardo Del Valle & Mirta Gómez, John Divola, Daido Moriyama, Karin Apollonia Müller and Carrie Mae Weems. SET FOUR (released in 2012) featured Robert Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Doug Rickard. SET FIVE (released in 2014) featured Jo Ann Callis, Thomas Demand, Kikuji Kawada, Michael Kenna, Richard Misrach and Andrea Modica. SET SIX (released in 2016) featured Roger Ballen, Mike Brodie, Jim Goldberg, Katy Grannan, Idris Khan and Marilyn Minter. From the publisher (about the Series): "A total of 36 titles, created by some of the most widely collected and exhibited photographic artists working today, have been published in 6 sets of 6 titles each. Limited to 100 signed and numbered copies, each book also comes with a signed and numbered 11x14 inch exhibition-quality print. Titles and prints are not sold individually, as each numbered set of 36 titles and prints is conceived to be presented as a whole. Set 6 was published in July 2016, and the series is now complete.". Signed by Author.

Hardcover. Zustand: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100 (Total of 115 Books, Complete with Five Boxed Sets of four books each), Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. A complete set including the rare boxed sets is very rare, as few boxed sets were made near the beginning of the Series. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs (4-Volume Set); 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street (4-Volume Set); 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle & Mirta Gómez, Four Sections of Time (4-Volume Set); 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes (4-Volume Set); 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki (4 Volumes Included with 4 Unique Prints); 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Gi. Signed by Author(s).