grace roth (10 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: As New. 2nd Edition. Second Edition, First Printing, April 2004. Introduction by Steve Earle. Includes Exact Dates Unknown, a linked-verse poem in four parts of all new haiku & new afterword by Tom Gilroy. Bright, clean & tight copy, unread, in AS NEW condition. "In 1996, seven friends agreed to write one haiku a day and mail them to each other. At the end of the year, they realized that their collection of simple, critical observations had given them a new way to look at the details of their lives." [] "Haiku is the most apt poetic form for our times. What a clever group of people to notice the fact. The impressions collected in this little book speak about our lives in a code of language we can understand and feel, quickly and deeply."--Natalie Merchant. "Each of us has only this moment to live. These haiku commemorate 365 others."--Lili Taylor. "Sharp wit and intense sensory perceptions . . . read it bit by bit for sheer pleasure."--Michael McClure. Pristine paperback w/sharp corners & crisp edges, a square & tight binding w/no creases in spine.

Hardcover. Zustand: Fine. 1st Edition. Ix, 66 Pp. Black Plasticized Semi-Rigid Covers, Gilt. First Printing. Fine, No Wear. Medical Bookplate. Card "With The Compliments Of The Author". Includes A Very Brief But Illuminating History Of The Historical Significance Of Tobacco In America; And Good Reasons To Stop Smoking Immediately.That Was 1951, Which Implies That People Who Haven't Stopped Smoking Yet, In The Over 70 Years Since, Must Be Sociopaths.

paperback. Graphs. 8 pages (pp. 653-660) IN: American Journal of the Medical Sciences, vol. 210, no. 5. 8vo, original yellow printed wrappers; dusty. Phila., 1945. First Edition. Whole number offered entire. The Roth-Kvale histamine test for the diagnosis of phaeochromocytoma. GM 3869.

paperback. Graphs. 8 pages (pp. 653-660) IN: American Journal of the Medical Sciences, Vol. 210, November 1945. 8vo, modern wrappers. Philadelphia, 1945. First edition. Whole month of November offered entire. The Roth-Kvale histamine test for the diagnosis of phaeochromocytoma. GM 3869.

Softcover. Zustand: Good. Spine faded, light external wear, outer edge of page block foxed. Internally in very good condition.

American Lecture Series, No. 100. FIRST EDITION. 222 x 145 mm. Small 8vo. ix, 66 pp. 8 figs., 1 table, bibliog., index Black flexible cloth. Fine.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Top spine end of book and dustwrapper lightly bumped, else fine in fine dustwrapper with two tiny holes in rear flap.

Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso, including layout annotations, "FILE" stamps, and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso, and four photographs with manuscript annotations noting their appearance in the May 24, 1954 issue of Life magazine. Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography, capturing intimate and now iconic images of artists and actors throughout his decades-long career, including Marc Chagall, Joan Crawford, Albert Einstein, Henri Matisse, and Elizabeth Taylor, among many others. Based on the 1952 play by Frederick Knott, who also wrote the screenplay, about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D (although the format would ultimately be discarded for theatrical release) and the first of three Hitchcock films to feature actress Grace Kelly, followed by "Rear Window" (1954) and "To Catch a Thief" (1955). One photograph features Hitchcock leaning over a giant rotary dial, a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone, but the specialized 3D camera was unable to focus the close-up correctly, leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. Four photographs 10 x 13.5 inches, one photograph 9.5 x 13.5 inches. Lightly edgeworn, else generally Near Fine. Grant US. Selby US. Spicer US.