grace milton (13 Ergebnisse)

Paperback. Zustand: Brand New. 137 pages. 9.00x6.00x0.31 inches. In Stock.

Paperback. Zustand: Brand New. 188 pages. 9.00x6.00x0.43 inches. In Stock.

Soft cover. Zustand: Very Good. First Edition. Single Issue In Original Wrappers. Light Wear, Tears At Edges At Top And Bottom Of Spine, Bright, Foxing On Edges Of Page Block.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Paperback. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - In Shalom, the Spirit and Pentecostal Conversion, Grace Milton offers a distinctly Pentecostal model of conversion based on practical-theological methods, employing the biblical concept of Shalom as an interpretive lens.

Zustand: Good. [Exhibition brochure]. 8vo. [2 pp]. Single glossy card, printed and folded into halves. Good with toning along folds. 1 black and white plate on front wrap. List of exhibited works. Brochure created to announce exhibition "Milton Avery: Recent Paintings" at Grace Borgenicht Gallery in New York, NY from November 18 through December 18, 1958. Scarce. From the Collection of the Art Historian Peter Selz.

154 pp.; 30.4 x 22.8 cm.; glue bound; black-and-white & color; edition size 60000; unsigned and unnumbered; offset-printed; The May - June 1970 issue of Art in America magazine with a special focus on Mormon art in America. Edited by Jean Lipman. Contents include: "A Panorama of Mormon Life," by Carl Carmer; "Mormon Art and Architecture," by Mahonri Sharp Young; "Mormon Society - A Photo Story," with a note by Kimball Young; "Collectors: Dr. and Mrs. Irving Levitt," by Milton Esterow; "Eleven Sugar Cubes," by Dan Graham; "At Home With Art: The Lawrence Bloedel Guesthouse," photographed by E.E. Le Claire; "Presenting Mike Selig," by Robert A. Ewing; "Three New Theaters," by John S. Margolies; "Art Under $500," by Nan R. Piene; "Boston - New Directions," by Christopher Andreae; "The Artist Speaks: Robert Morris," by E.C. Goossen; "Paris: Unrolling the Red Carpet," by John Russell; "To MOMA, From Germany," by Nan R. Piene; "Canada's Group of Seven," by Mario Amaya: "Letters to the Editor;" "The State of Taste: Meet Me in the Lobby," by Russell Lynes; "New York Gallery Notes: Collectible vs Conceptual," by Grace Glueck; "Forum: Black Creativity in Quest of an Audience," by Henri Ghent; "Graphics '70: Alexander Calder," presented by Donald H. Karshan; "West Coast Report: L.A. - The Stuccoed Box," by David Gebhard and "Books: The Dispossedded Muses," by Jay Jacobs. Cover by Carl hcristian Anton Christensen. Includes an original offset lithograph by Alexander Calder, printed by Triton Press, published (folded) in Art and America in an edition of 60,000. Very Good. Light edge-wear with curling of covers and bumping of corners. 5 mm. tears to top and bottom corners of spine. Light yellowing of pages, contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

[1] pp.; 55.8 x 43.3 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster commemorating the opening of the inaugural exhibition at Martha Jackson's new gallery at 32 East 69th Street in [1957], featuring photographs of the art world celebrities in attendance. Photographs by Edward Kasper and Norman Carton. Artists include Grace Hartigan, Hans Hofmann, Milton Avery, Louise Bourgeois, and others. Good / Very Good. Light curling of poster and gentle bend across center of poster. Light bumping of poster edges and multiple light small tears to poster edges ranging from 2 mm. to 7 mm.

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.

Zustand: Very Good+. Zustand des Schutzumschlags: Good. Boston: Houghton Mifflin Company, 1923. First Edition. Octavo (21 cm); publisher's boards in pictorial dust jacket retaining original price; 147pp+8ads.; illustrationsthroughout including24 plates, collated complete.Jacket creased and generally soiled, rubbed, toned, and chipped with minor loss to top margin of front panel. Sunning to spine and foxing overall, more to verso. Previous owner tape repair to verso. Board corners and spine ends bumped and rubbed with shelfwear and small burn mark to top margin of front board. Page edges lightly dust-soiled with internal toning at margins and offsetting to page 18. Good to Very Good overall. Presentation copy inscribed by Kenneth Roberts to his wife Anna with her bookplate to front pastedown as well as a lengthy illustrated inscription signed by Hugh MacNair Kahler.One manuscript and one typewritten page laid in, as well asautograph letter signed by Grace Coolidge onWhite House letterhead mounted to front pastedown. A humorous take on those who collect and antique. The names of the compilers are pseudonyms for Booth Tarkington, Kenneth L. Roberts, and Hugh MacNair Kahler, respectively. Detailed list of correspondence and signatures/illustrations: - Grace Coolidge Correspondence: When this book was published in 1923, Roberts, author of Rabble in Arms, was working on an informal biography of recently elected Calvin Coolidge, which published the next year. This biography created a connection between Roberts and the First Family, evidenced from the letter pasted, envelope and all, at the endsheet from First Lady Grace Coolidge. She had received a copy of the Whatnot from Roberts and loved the rear ads, calling the three authors "Snoodle-hams" who clearly had fun writing the book. - Inscription: Roberts manuscript inscription to his wife on the front free endsheet, thanking her for her "equanimity and amiability before the wild and persistent collecting of Milton Kilgallen," his pseudonym for this volume. - Typed letter Signedlaid in: Written from the desk of Hugh MacNair Kahler, fiction editor for the Ladies Home Journal,dated a year before the publication. He gives his love to Anna and condolences on Kenneth's current illness with a "Sorry you suffer." - Hand-drawings and descriptions: Kahler also seems responsible (as he signs one) for the hand drawings at the half title and recto of the frontis. He has drawn a "rare" lamp and a burnt match holder tinted in "bile-green sateen" on the half title and (racist?) caricatures of the three authors on the next page. - Manuscript page: Booth Tarkington, novelist known for Penrod, was also known for his satirical writing which poked the American class system, in particular those who were a part of the nouveau riche bent on upward social mobility. While there is no name on it, it is likely the loose manuscript page from "Seawood / Kennebunkport, Maine" was written by him to Roberts about the photos in the book. Overall, a robust collection of things from Snoodle-hams bent on making fun of those stuck in the past.