Grace mcquilten (39 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Zustand: New. This book analyses the challenges and opportunities faced by art-based social enterprises (ASEs) engaging young creatives in education and training and supporting their pathways to the creative industries. In doing so, it addresses the complex intersecti.

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Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

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Taschenbuch. Zustand: Neu. Neuware - An exploration of diverse art practices that attempt to offer new ways of understanding and being in the world. Contemporary art has a complex relationship with crisis. On the one hand, art can draw us toward apocalypse: it charts unfolding chaos, reflects and amplifies the effects of crisis, and shows us the dystopian in both our daily life and in our imagined futures. On the other hand, art's complexity helps us fathom the uncertainty of the world, question and challenge the order of things, and allows us to imagine new ways of living and being--to make new worlds. This collection of written and visual essays includes artistic responses to various crises--including the climate emergency, global and local inequalities, and the COVID-19 pandemic--and suggests new forms of collectivity and collaboration within artistic practice. It surveys a wide variety of practices, oriented from the perspective of Australia, New Zealand, and Asia. Art making has always responded to the world; the essays in this collection explore how artists are adapting to a world in crisis. The contributions to this book are arranged in four sections: artistic responses; critical reflections, new curatorial approaches, and the art school reimagined. Alongside the written chapters, three photographic essays provide specific examples of new visual forms in artistic practice under crisis conditions.…

Paperback. Zustand: Brand New. 218 pages. 9.21x6.14x0.52 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - '¿ây/¿ó (here/there) explores how transnational collaboration in the Asia-Pacific can sustain craft knowledge, cultural heritage, and livelihoods in a time of ecological and social precarity. Bringing together critical scholarship and creative practice, the book examines cross-cultural exchange as both a possibility and a problem: a space for reciprocal learning and innovation, but also one that can reproduce colonial hierarchies of cultural value.Centered on four in-depth case studies of collaboration between Australian and Vietnamese makers and designers, the book traces innovative practices across fashion and textiles, ceramics, and furniture-making. These projects emerged in response to the disruptions of the COVID-19 pandemic and foreground adaptation, recovery, and sustainability in its cultural, social, economic, and environmental dimensions. By situating contemporary Vietnamese craft and design at the heart of the analysis, the book challenges Western-centric discourses that privilege 'fine art' over craft and signals toward decolonial approaches to making and knowledge exchange.Attentive to mobility, tradition, and longstanding ecological practices, ¿ây/¿ó (here/there) offers new ways of imagining craft, creativity, and sustainability in an interconnected world-speaking to scholars, practitioners, and anyone interested in intercultural creative futures.'.…

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - 'Variation' is a term that embraces difference, and is core to the excitement and uniqueness of art practice. This book gives much-deserved attention to the work of artists with exceptional and varied lived experiences - including neurodiversity, diverse mental health, incarceration, and refugee, migrant and Muslim backgrounds - to transform how we understand contemporary visual art. The book's goal is recognising, appreciating and analysing artistic variation - a process in which artists' voices are central to their stories, including how their lives and works are presented, discussed, framed and theorised. The essays, profiles and images in this hardback, lavishly illustrated volume have been co-produced, and in many cases co-authored, with artists and writers who have direct lived experience of social and cultural variation. These profiles include short texts, many written by the artists themselves, accompanied by high-quality reproductions, to ensure the text is accessible to a range of readers. Interspersed between these profiles is a series of longer texts, co-authored by artists and writers, to provide a layered understanding of the contexts in which the works might be understood. These include essays and interviews that address questions of structural and social marginalisation, while exploring the important role of collectives, supported studios and arts organisations. To understand art-making in Australia, it is essential to listen to the voices of artists who live complex forms of social diversity. Engagingly written and beautifully produced, this book introduces readers to a new picture of contemporary Australian art. Some of the artists featured include: Melbourne-based Lisa Reid is one of over 150 artists at Arts Project Australia, a supported studio that has been working with neurodiverse artists since 1974. Reid's painting and drawing, characterised by humour and a highly distinctive graphic style, has attracted attention from private collectors as well as institutions, including the National Gallery of Victoria and Canberra's National Gallery of Australia. Safdar Ahmed is a Sydney-based artist, musician and academic, and a founding member of the Refugee Art Project. This organisation was initially founded to facilitate art workshops for people incarcerated in Villawood detention centre and to amplify their voices through exhibitions and self-published zines. Colombian-born Javier Lara-Gomez began making architectural models out of salvaged materials while incarcerated at Sydney's Long Bay Correctional Complex during the 1990s. As the artist noted, as he worked, he was ' bringing to life the dream that goes through my mind always when I think about my lovely family' . Geelong-born, Sydney-based artist Wart explores the experience of diverse mental health and the impact of institutionalisation in her art. Of the expressionistic works in her 2019 exhibition, ' Unravelling Moments in a Torn Mind', Wart explained: ' they're showing totally how screwed up you can be through colour and shape and mis-forming that shape.' Helen Sheferaw, who came to Australia from Ethiopia, has worked as a printmaker and designer with the support of not-for-profit printmaking studio The Ownership Project and The Social Studio, a fashion social enterprise. Her work documents the hope and trauma of the refugee migration experience, along with a celebration of her Ethiopian culture, from a deeply Christian perspective. Kamilaroi artist Frances Castles was taught by her grandmother in Walgett, New South Wales, to harvest and weave local river grasses. When Castles began working with The Torch, an organisation that supports Indigenous ex-offenders to connect with their culture and create art, she began to nourish knowledge and teach younger Indigenous women how to weave. With her woven baskets and textiles Castles wants a broader audience to ' get a sense of what this country is and what the culture is really about' . …

Kartoniert / Broschiert. Zustand: New. Grace McQuilten is an Honorary Fellow in the School of Culture and Communications at the University of Melbourne, Australia.Written with beautiful clarity, Art in Consumer Culture: Mis-Design asks the contemporary art world to be honest about the pe.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book analyses the challenges and opportunities faced by art-based social enterprises (ASEs) engaging young creatives in education and training and supporting their pathways to the creative industries. In doing so, it addresses the complex intersecting issues of marginality and entrepreneurship, particularly in relation to young creatives from socially, economically and culturally diverse backgrounds. Drawing on extensive fieldwork and interviews with twelve key organisations, and three in-depth case studies in Australia, the book offers a detailed analysis of using enterprise to engage with the structural challenges of marginality. The book explores the local and global contexts through which art-based social enterprises (ASEs) operate and within which they attempt - often successfully - to improve access to education and work for emerging creatives. It also attends to the findings generated through engaging with the lived experiences of the staff and young creatives involved in our ASE case studies, in order to understand both the challenges and impacts of the ASE model on young people's education, training, and employment pathways. The book focuses on three broad themes; precarious youth and digital futures, material practice and sustainable economies, and cultural citizenship in the urban fringe. In exploring these themes, the book contributes to debates about the limits, possibilities and challenges that attach to, and emerge from, an ASE model and highlights the ways in which these models can contribute to young people's well-being, engagement, education and training, and work pathways. More broadly, it examines the possibilities of art as a means of social and cultural engagement. In the context of the precarious future of the creative industries, this book emphasise the ways in which young artists are building alternative economic and cultural models that support both individual pathways and collective change.This bookwill move the field forward with a critical lens that engages closely with experience and the lived realities of juggling multiple priorities of social, economic and artistic goals.…

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