Gould c c ed (11 Ergebnisse)

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With owner's inscription inside cover. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very good in very good dust jacket. Dustwrapper lightly chipped along edges.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN.…

Soft cover. Zustand: Good. Pp. x, 375-580, 8vo, tan wrapper with yapp edges, textblock edges untrimmed, a few pages unopened. A literary quarterly edited by T. S. Eliot during its entire run from October 1922 until it ceased publication in January 1939 ("Perhaps one of the most influential critical reviews of its day," Miller-Price 45). Includes a short story by Aiken, poems by Donaghy, and a poem by Fletcher. Also with book reviews by H. M. Tomlinson, John Hayward, Robert Sencourt, Stephen Spender, and others. A good copy overall; contents fine other than some foxing at textblock foredge, wrapper with a few foxing spots, its yapp edges a little frayed as usual, with some short closed tears.…

Hardcover. Zustand: Good-VG for Age. Second edition. Brown cloth cover. 1st f/piece w.tissue-guard facing ecto rear of 2nd f/piece w. tissue guard, decorated t.p. headed [For Private Circulation Only.] +vi (inc.t.p.etc)+183+7 blank f., cartoon and illustrations throughout of many different kinds, occ. full page, marbled endpapers; generally clean, tight and unmarked internally but some awkwardness with binding from front endpaper to 1st f/piece & tissue guard has caused slight splits to ends of gutter verso front endpaper and after 1st f/piece, have closed these with tear repair tape but because of misaligned adhesion doing this required a straightening which then, woe is me, caused front end-gutter to split, tried fixing this with transparent tear repair top but this now unsightly as transparency not not quite clear enough to prevent visibility against marbled background. End of essay. Covers generally clean with only slight corner bumping but spine ends both horizontally chipped at textblock level. An odd humorous exercise in esoteric Stock Exchange in-joking, probably incomprehensible to even the most veteran of today's stock-brokers, but occasionally amusing nonetheless. Geo.Cruikshank, F.C.Gould, Lucien Davis etc. (illustrator). …

Soft cover. Zustand: Good. 1st Edition. Colin Barker's copy.

Zustand: New. This volume interrogates the implications of the persistence of nationalisms and newer, ethnic-religious identities for the emergence of a robust European identity. Editor(s): Messina, Anthony; Gould, Andrew C. Num Pages: 301 pages, 12 b/w illus. 56 tables. BIC Classification: 1D; JPB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 160 x 230 x 22. Weight in Grams: 544. . 2014. Hardback. . . . . Books ship from the US and Ireland. …

Zustand: New. The growth of international capital flow has provided further opportunities and risks in emerging markets. This volume is the result of a conference exploring this phenomenon, sponsored by the Federal Reserve Bank of Dallas. Editor(s): Gruben, William C.; Gould, David M.; Zarazaga, Carlos E. Num Pages: 242 pages, biography. BIC Classification: KCBM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 15. Weight in Grams: 537. . 1997. Hardback. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Gut. getr. Pag. Mehrbändiges ehemaliges Bibliotheksexemplar mit entsprechenden Kennzeichnungen. Leichte bis moderate Gebrauchsspuren, guter Zustand. Buchrücken von Band 1 oben eingerissen. mbx Sprache: Englisch Gewicht in Gramm: 5116.

Gebundene Ausgabe. Zustand: Sehr gut. 1968. Buchdeckel (Goldprägung) minimal berieben) Innenteil tadellos - keine Risse, Knicke, Anmerkungen.! Insgesamt altersbedingt leicht nachgedunkelt! Namenskürzel oben im Vorsatz. Versand aus München b18-99 Sprache: Deutsch Gewicht in Gramm: 500.

Soft cover. Large folio. 15 magnificent chromolithographs after original watercolours, entitled: Killing Salmon, Moose Hunt, Trout Fishing, Fly-Fishing for Black Bass, Catching a Tarpon, Hunting Antelope, Mallard Shooting, A Wild Turkey Hunt, Catching a Mascalonge, Sailing for Bluefish, Hunting the Deer, A Day with the Chickens, A Hunt above the Timberline, Goose shooting and Stalking the Wapiti. Original half natural linen and red cloth. Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington (1861-1909). From the Santa Fe Trail to the Oregon Trail, he came to possess firsthand knowledge as a rancher, a military scout, a hunter and trapper, and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905, Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject, the bigger the forever loomed. Without knowing how to do it, I began to record some facts around me, and the more I looked the more the panorama unfolded." His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details, producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father, Seth, had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This, coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy, immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." Remington was born in Canton, New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880, Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886, answering the popular need to know about America's wilderness, the Indian wars, wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle, New York in order to have both living space and extensive studio facilities, although he later moved to Ridgefield, Connecticut. In 1898 he served as a war correspondent and illustrator for the Spanish-American War, sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task, he was present to witness the assault on San Juan Hill by American forces, including those lead by Theodore Roosevelt. Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However, his contribution to American painting and to the illustration of the American wilderness is immeasurable.…