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Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
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In den WarenkorbZustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
Sprache: Englisch
Verlag: Cambridge Scholars Publishing, 2017
ISBN 10: 152750347X ISBN 13: 9781527503472
Anbieter: BoundlessBookstore, Wallingford, Vereinigtes Königreich
EUR 23,40
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In den WarenkorbHardcover. Zustand: As New. VG condition book without dust jacket. Boards are clean with little wear. Book has clean and bright contents with no markings, 320pp with B&W illustrations.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 38,49
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In den WarenkorbZustand: New. pp. 296.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2020
ISBN 10: 1501359037 ISBN 13: 9781501359033
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 63,43
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In den WarenkorbPaperback. Zustand: Brand New. 283 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2020
ISBN 10: 1501359037 ISBN 13: 9781501359033
Anbieter: moluna, Greven, Deutschland
EUR 43,92
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Bloomsbury Academic Visual Art Feb 2020, 2020
ISBN 10: 1501359037 ISBN 13: 9781501359033
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In 2013 Georg Baselitz declared that 'women don't paint very well'. Whilst shocking, his comments reveal what Helen Gørrill argues is prolific discrimination in the artworld. In a groundbreaking study of gender and value, Gørrill proves that there are few aesthetic differences in men and women's painting, but that men's art is valued at up to 80 per cent more than women's. Indeed, the power of masculinity is such that when men sign their work it goes up in value, yet when women sign their work it goes down. Museums, the author attests, are also complicit in this vicious cycle as they collect tokenist female artwork which impinges upon its artists' market value.An essential text for students and teachers, Gørrill's book is provocative and challenges existing methodologies whilst introducing shocking evidence. She proves how the price of being a woman impacts upon all forms of artistic currency, be it social, cultural or economic and in the vanguard of the 'Me Too' movement calls for the artworld to take action.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 115,44
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In den WarenkorbZustand: New. In.
Anbieter: moluna, Greven, Deutschland
EUR 127,60
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In den WarenkorbZustand: New. Examines the weight of museum collections on artwork s financial valuations, presenting the evidence of how this impacts - in differing ways - in men and women s painting.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 184,72
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 283 pages. 9.25x6.25x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2020
ISBN 10: 1788310802 ISBN 13: 9781788310802
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 215,84
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC Feb 2020, 2020
ISBN 10: 1788310802 ISBN 13: 9781788310802
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - In 2013 Georg Baselitz declared that 'women don't paint very well'. Whilst shocking, his comments reveal what Helen Gørrill argues is prolific discrimination in the artworld. In a groundbreaking study of gender and value, Gørrill proves that there are few aesthetic differences in men and women's painting, but that men's art is valued at up to 80 per cent more than women's. Indeed, the power of masculinity is such that when men sign their work it goes up in value, yet when women sign their work it goes down. Museums, the author attests, are also complicit in this vicious cycle as they collect tokenist female artwork which impinges upon its artists' market value. An essential text for students and teachers, Gørrill's book is provocative and challenges existing methodologies whilst introducing shocking evidence. She proves how the price of being a woman impacts upon all forms of artistic currency, be it social, cultural or economic and in the vanguard of the 'Me Too' movement calls for the artworld to take action.