goodwin edward lewis (7 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. xiv, 233 p. : ill., ports. ; 26 cm. ISBN 9780520029996, 9780520037199, 0520029992, 0520037197 OCLC 3289253 LCCN 75007193 LC ML3561.J3 S39 Dewey 785.420973 ; gray cloth in pictorial dust jacket ; Contents: Preface / Chadwick Hansen -- Introductions -- Introducing the Jazz Record 1943 / Art Hodes -- Jazz Record: the first year, 1944 / Art Hodes and Dale Curran -- Jazz Record remembered, 1973 / Art Hodes -- Part 1: Facts Of Life / Art Hodes -- Rainbow cafe -- Everybody's in the union -- Playing for kicks -- Wingy, Louis and me -- Liberty Inn drag -- Jam session -- Cops -- Taxi dance hall -- Big bands: 1 -- Big bands: 2 -- Making a record -- Enlightenment-through radio -- Blues for Bennie -- Blues for the dago -- Blues for Nick and tricky Sam -- Blues for 52nd street -- Part 2: Beginnings-Blues, Boogie-Woogie And Ragtime -- Cow cow and the boogie-woogie / Cow Cow Davenport -- Mama don't low no music / Cow Cow Davenport -- Blues in his heart / Jasper Wood -- Rag alley story / Rudi Blesh -- Little brother / Eurreal Montgomery -- Preserve genuine early ragtime / S Brunson Campbell -- They all had it / S Brunson Campbell -- Scott Joplin / R J Carew -- Baby, I done got wise / William "Big Bill" Broonzy -- Memories of Bessie Smith / Carl Van Vechten -- Bessie Smith / Art Hodes -- Really the blues / Milton (Mezz) Mezzrow -- I remember the queen /Zutty Singleton -- Part 3: New Orleans And All That Jazz -- New Orleans trumpeters / Cy Shain -- Jazz music of the gay '90s / John A Provenzano -- Mardi Gras, chic la pai / John A Provenzano -- Mr Armstrong and Mr Robbins / transcribed by Lorraine Lion -- When Armstrong came to New York / Kaiser Marshall -- King Oliver's last tour / Fred Moore -- King's nephew / Dave Nelson, as related to Danny Barker -- Mostly about Morton / Omer Simeon -- Oh, Mr Jelly / Charles Edward Smith -- Oh, play that thing / Warren "Baby" Dodds -- Forty-eight years on the string bass / Pops Foster -- Blues for Jimmy / Vincent McHugh -- Tribute to Joe Darensbourg / John Wittwer -- Once upon a time / Eddie Edwards -- Kid Ory / Alma Hubner -- Letter from Bunk / Bunk Johnson -- Jam session with Bunk / Lewis Eaton -- Play number nine / George Lewis -- New Orleans trombone / Jim Robinson -- Big eye Louis Nelson / Robert Goffin -- Part 4: Second Line -- Baby Dodds knew how / George Wettling -- Drummer from Chicago / Earl Wiley -- Drummer Danny / Bob Aurthur -- Kazoo come on / Jack Bland -- As I knew Eddie Lang / Jack Bland -- Idyll of the kings / Amy Lee -- Riverboat Jess / Mary Peart -- Barrelhouse Frank Melrose / Pete Daily -- Davenport piano / Floyd Bean -- Portrait of George Bruni(e)s / Amy Lee -- Modest George / Harvey Lebow -- Bud Freeman said it / Jasper L Wood -- Pee Wee's soul is music / Alma Hubner -- Rod Cless as I knew him / Ray Cless -- Muggsy Spanier / Alma Hubner -- Hear that ragtime band / Dale Curran -- Wild William / Bob Aurthur -- Talking about boze / Mary Peart -- Dixieland, twin city style / Paul (Doc) Evans -- Gentleman of jazz / Fats Baker -- Music is a business / Fats Baker -- Village tavern league / George Avakian -- Musicians are independent / G F Quittner -- Part 5: Lest We Forget -- Gram-o-phone days / Dale Curran -- Recording with Panassie / Mezz Mezzrow -- I'm a sweet Papa Pigment / Alsion Blair -- St Louis Jazzman / Ed Crowder and A F Niemoeller -- Drums on the Mississippi / Harry Dial -- Everybody loves Cecil / H B M -- Music is my business / Henry Goodwin -- Fats Waller and James P / James McGraw -- Trouping with Fats Waller / Gene Sedric -- You got to be original, man / Allan Morrison -- Sidney Bechet, musical father to Bob Wilber / Al Avakian -- Selections from the gutter / Art Hodes ; FINE/FINE. Book.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Hardcover. Zustand: Good. Presumed First Edition, First printing. xxiv, 342, [2] pages. Illustrations. Bibliography. Foreword by the Rt. Rev. William Cabell Brown. Introduction by the Rev. G. MacLaren Brydon. Frontispiece had become disbound and has been reglued in place. A parish in colonial Virginia was a unit of both civil and religious authority that covered a set geographical territory. Each Church of England parish in the colony was served by a single minister and governed by a vestry usually composed of local elites. As a religious institution, a parish contained a mother, or central, church, and frequently two or more so-called chapels of ease in outlying areas that the minister served on successive Sundays. As a civil institution, the parish vestry was charged with overseeing a wide range of responsibilities that included social welfare and presenting moral offenders to the courts. The contemporary understanding of parishes and vestries as institutions that deal primarily, if not exclusively, with internal parochial affairs is at odds with the extent of duties associated with the colonial parish. Indeed, according to the historian John Nelson, local government in early Virginia should be understood as ?parish-county? government, these two ?linked institutions sharing, dividing up, and intermingling their interests and responsibilities.? English settlers in Virginia introduced a parish system during the colony?s first few decades. The parish was the layer of government closest to the people, and for many it probably had a greater day-to-day impact on their lives than the county or colony-wide government. Local vestries had the authority to exempt poor people ?from all publique charges except the ministers? & parish duties.? Vestries were formally established by the General Assembly in 1642?1643, although these bodies were likely acting to control church affairs by 1635. The General Assembly, in fact, charged vestries with meeting to lay the annual parish levy in 1641. The parish vestries that developed in Virginia, like their English counterparts, engaged in a variety of civil and religious functions because the colonial church was not merely a religious institution but also the largest and most effective social welfare agency of the period. Virginia?s vestries, however, most closely reflected the ?select vestries? established by Parliament in 1598. A vestry then meant a meeting of all members of the parish to take care of the church property. In 1657?1658 the General Assembly passed a statute charging the leadership of Virginia?s colonial parishes with authority over ?all matters concerning the vestry, their agreements with their ministers, touching the church-wardens, the poore and other things concerninge the parish or parishoners respectively be referred to their owne ordering and disposeing from time to time as they shall think fitt.? One of the vestry?s most important duties was setting the annual parish levy, ?often the largest tax paid? by colonists in Virginia, a charge that paid the minister?s salary and provided for members of the parish poor and for other individuals who could not otherwise care for themselves. Funds expended on the parish poor often accounted for more than 25 to 30 percent of a parish?s budget. Parish leaders could be very creative when it came to aiding sick members of the parish. Vestries also appointed individuals to maintain local roads and provide ferry service over Virginia?s many rivers (although the county courts had largely taken over these tasks by the 1730s); to serve as ?tobacco viewers,? who ensured that the colonists were not planting too much tobacco; and to serve as churchwardens, who presented moral offenders to the county courts. Virginia vestries assumed responsibility for many of these duties until the Church of England was disestablished in 1784, existing vestries dissolved, and groups known as overseers of the poor elected to exercise civil powers of the former vestries, especially caring for the poor. As a division of ecclesiastica.