paperback. Zustand: Good.
Sprache: Spanisch
Verlag: Renacimiento, Colección Los Viajeros nº 51, 2022, Sevilla., 2022
ISBN 10: 841881831X ISBN 13: 9788418818318
Anbieter: Librería y Editorial Renacimiento, S.A., VALENCINA DE LA CONCEPCIÓN, SE, Spanien
Verbandsmitglied: SEVILLA
21x15 Rústica (tapa blanda) con solapas. 538 pgs. Foto del autor. Portada impresa a dos tintas. (N12135).
Anbieter: Agapea Libros, Malaga, MA, Spanien
Zustand: New. Idioma/Language: Español. La visión sobre la URSS y el comunismo del artista revolucionario más controvertido de los años treinta. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Binder. Zustand: Buena. Helios Gomez (Portada) (illustrator). 1ª EDICION. muy buen estado general, el primer librillo tiene oxido de cinta engomada. Size: 12X18,6, 160 Pp.
Zustand: New.
Sprache: Spanisch
Verlag: Editorial Renacimiento Feb 2024, 2024
ISBN 10: 841881831X ISBN 13: 9788418818318
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - La visión sobre la URSS y el comunismo del artista revolucionario más controvertido de los años treinta.
Sprache: Spanisch
Verlag: Fundación Centro de Estudios Andaluces, 2012010, Primera edición, 2010
ISBN 10: 849378558X ISBN 13: 9788493785581
Anbieter: Librería y Editorial Renacimiento, S.A., VALENCINA DE LA CONCEPCIÓN, SE, Spanien
Verbandsmitglied: SEVILLA
29x21. Rústica con solapas (tapa blanda). 157 pgs. Profusamente ilustrado. (F5370).
Verlag: Bruselas, Editions L'Equerre, 1928
Anbieter: Largine, Madrid, M, Spanien
Erstausgabe
Encuadernación de tapa blanda. Zustand: Bueno. 1ª Edición. Obra de teatro de Max Deauville ilustrada con 8 reproducciones de dibujos/xilografías , incluyendo la cubierta. 44 pp. + 8 de ilustracoiones fuera de texto sin paginar. 33,5 x 25,5 cm. La cubierta excede en tamaño a las páginas, por l que en los bordes se aprecian algunas grietas, normales en estos casos. Pequeño golpe en la parte superior del lomo. Ejemplar perteneciente al escritor Paul Dewalhens (exlibris en guarda anterior).
Verlag: E. P. I., printed by Bolyn, Brussels, 1934
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Softcover. Zustand: g to vg. Third French edition. 1/1000. Quarto (11 x 8 3/4"). 3 leaves (Text), 20 leaves (Plates), (2)p. Original illustrated stapled stiff wraps with red and black lettering to front cover. Cover illustration: "Libertaria" a young, sixteen year old girl, killed near the machine gun she defended with until the last moment at the North Station in Oviedo, occupied by the revolutionaries. Splendidly illustrated throughout with 20 full-page woodcuts (7 x 5"). "Viva Octubre" (Long live October) is Helios Gomez's third album in which he pays tribute to the revolutionary events that shook Spain, especially in Asturia, in October of 1934. Most of these woodcuts were designed from October to December 1934, aboard the "Uruguay," a floating prison in the port of Barcelona. Introduction by Jean Cassou. "Helios Gomez is a superb exponent of the graphic splendor that was born in the heat of the aesthetic avant-garde and that became popular during the years of the Republic, showing its influence both on political posterism and on commercial iconography. The style of Helios Gomez is based on the unmistakable use of a violent black and white that, influenced by cubism, seeks to construct images with volume and dynamism, figurativ but not without a dreamlike dimension that sublime the allegations and claims of the particular universe of the artist." (From the Helios Gomez Foundation). From the library of Rudolf de Jong, a Dutch historian and writer on the history of anarchism and the Spanish Revolution; one of the original members of the Provo Movement in 1965. Text in French. Wraps with light wear along edges, with light staining and rubbing. Centerfold loose. Staples with light rust. Wraps in overall good, interior in very good condition. Helios Gomez (19051956) was a Spanish painter and anarchist activist. He is considered to be one of the most influential Spanish graphic artists of the first half of the 20th Century. Gomez was the first president and founder of the professional draftsmen syndicate in 1936 in Barcelona. The goal of the syndicate was to defend the Republic through activist graphic posters. He fought in the Spanish Civil War and was part of the "Retirada," a massive migration of some 500,000 Spanish warriors to France. He was deported to Algeria held in a concentration camp, but managed to escape to Spain. In 1946 he was arrested and jailed without trial or conviction in Barcelona. Gomez is also known for his fresco in the Barcelona jail (Virgin of Mercy), located near the cell where prisoners were held who had been sentenced to death. He was to be discharged in 1950, but released only in 1954. "Helios Gomez is a superb exponent of the graphic splendor that was born in the heat of the aesthetic avant-garde and that became popular during the years of the Republic, showing its influence both on political posterism and on commercial iconography. The style of Helios Gomez is based on the unmistakable use of a violent black and white that, influenced by cubism, seeks to construct images with volume and dynamism, figurativists but not without a dreamlike dimension that sublime the allegations and claims of the particular universe of the artist." (From the Helios Gomez Foundation).
Verlag: IVAM, Valencia, 1998
Anbieter: °ART...on paper - 20th Century Art Books, Lugano, Schweiz
Verbandsmitglied: ILAB
Kunst / Grafik / Poster
No Binding. Zustand: Fine. Original exhibition poster by Helios Gomez. 70 x 42 cm, in fine condition. Helios Gómez Rodríguez (19051956) was an Andalusian painter, anarchist communist activist and writer. Born into a working class Calé family, he worked as a painter for the Spanish anarchist movement from an early age. His involvement in the movement forced him to flee Spain, and during his time in Europe he developed his artistic influences and was alerted to the rise of fascism. Upon his return to Spain, he joined the Communist Party of Spain (PCE), seeing it as the force that was best organised to resist fascism. By the end of the Spanish Civil War, he returned to anarchism, but was forced to flee following the victory of the Nationalists. From the 1940s, when he was imprisoned by the Francoist dictatorship, he began focusing on his writing and presenting Romani themes through his creative work. His poetry was collected and published posthumously in 2006.