goltzius hubert (30 Ergebnisse)

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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FIRST EDITION thus. Folio in sixes. 174 unnumbered ll. Roman and Hebrew letter. Chiaroscuro t-p in three colours including green with strapwork decoration and grotesques after Cornelis Floris, small ink burn with loss (not affecting text or decoration), light worming to head and foot just touching strapwork. 133 further chiaroscuro woodcut roundel portraits in two or three colours of emperors, generally good, even impressions with rich tones, paler colour somewhat darkened in later impressions, the odd small ink spot, offsetting. Several roundels left empty, as usual. Traces of numbers erased from margins of preliminary tables, as in other copies. Marginal tear to blank lower edge of B1r, occasional light waterstaining with the odd spot or ink splash, browning and light foxing, heavier to a few ll., light offsetting, a good copy in original limp vellum, gilt (oxidised), spine restored, lightly wormed and chipped at fore edges. c.1600 ex libris to upper blank margin of second l., 'Ducalis Ecclesiae Berchtersgadensis', i.e. the Ducal Church of Berchtesgaden, Bavaria. Bookplate of the great collector Baron Landau and old ms. to front pastedown, occasional marginalia, in one instance in contemp. hand. Rare first edition in German of the painter Hubert Goltzius's lives of the ancient and modern Roman emperors, from Julius Caesar to Charles V and Ferdinand II, beautifully illustrated with over one hundred chiaroscuro woodcuts derived from portraits on coins, published in the same year as editions in Latin and Italian. Chiaroscuro printing involves one or more coloured woodblocks, relief being achieved through the use of the natural white of the paper to provide highlights. Goltzius was 'the first artist from any country to adapt the chiaroscuro print successfully to the requirement of full-scale book illustration (Bialler, p. 30). This was his earliest published work of numismatics, and was, 'in its size and scale ? without precedent in the field of numismatics' (ibid., p. 31). Goltzius's catalogue inhabits a common trope employed by countless humanists and antiquarians of the period: adjoining the Habsburg dynasty of Holy Roman Emperors to an historical account of the ancient Roman emperors. Goltzius, however, added the element of basing portraits of the emperors on their portrayals on coins, his putative numismatic evidence (which cannot have always been strictly accurate) lending credence to the idea of a continuous Roman imperatorial lineage. Initially the series was to include 148 medallions, but a number remained uncompleted for the first three editions. In the Latin edition, presumably the earliest, Goltzius employed an etched line block to provide the outlines, and one or two tone blocks depending on the colouring. In this edition, however, a number of the medallions are printed using a woodcut line block and only one tone block, which removed the need for printing on two presses (one for the etched block and another for the woodblocks), and reduced the number of runs through the press. Van Mander stated that the etched line blocks were made by Goltzius himself, and the woodblocks by Joos Gietleughen (Bialler). This was a well-researched book, as demonstrated by the long catalogue of authors cited in Latin, Greek, Hebrew and German. Goltzius begins with an historical catalogue of the triumphs won by consuls and triumvirs of ancient Rome, from the foundation of the city by Romulus to the death of Augustus. This is followed by a quote from Ammianus Marcellinus, the ancient Roman soldier in the army of Julian the Apostate. Each coin portrait is accompanied by a brief life of the emperor in question, compiled from these sources. There is also a genealogy of the Austrian Habsburg dynasty. The final portrait of Ferdinand II differs from that in the Latin edition, showing him only as a bust, as opposed to a half-portrait holding sceptre. Dekesel G45. Cockx-Indestege & Glorieux I, 1301. Bialler, Chiaroscuro Woodcuts, 2.II.

Couverture rigide. Zustand: Très bon. Edition originale. Au colophon : Anvers, Hubert Goltz, de l Imprimerie de Gilles Coppenius de Diest, 1559. In-folio, veau brun estampé à froid sur ais de bois, jeux de filets et de roulettes en encadrement dessinant un rectangle central, armoiries dorées au centre du premier plat de Antoine de Roore abbé de l Abbaye Saint Frappé, médaillon sur le second plat (armes de l abbaye), traces de fermoirs, dos à nerfs. Reliure de l époque. Complet (le feuillet final Gg4 blanc a été remplacé par le portrait de l abbé de Antoine de Roore). Quelques rousseurs et mouillures en début et fin de volume Galerie de ver restaurée aux 8 derniers feuillets ; trous de vers sur l ensemble du volume. Reliure frottée, quelques restaurations. Première édition en français de cette spectaculaire publication, due au pinceau et au burin de Hubert Goltzius (1526-1583) qui à cette occasion inventa un procédé permettant de rendre en sépia une galerie de portraits des empereurs romains depuis Jules César jusqu à Charles Quint. ___ L ouvrage s ouvre sur un superbe cartouche renaissance en couleurs, chaque portrait pleine page imprimé sur le recto de chaque feuillet est surmonté d une devise en caractères romains et d une légende lapidaire sur le destin du personnage dépeint. Au verso de l estampe se trouve une biographie de l empereur. Un livre innovant dans son propos liminaire Goltzius explique le propos de son ouvrage : Donner vie aux « Princes, gouverneurs et empereurs » de l empire Romain d après les seuls documents dignes de foi Les monnaies et médailles préférant lorsque celles ci sont absentes, laisser un blanc plutôt que de combler comme il est de coutume la lacune par un portrait imaginaire. Pour ce faire Goltzius a inventé ce procédé nouveau afin de donner à chaque visage le plus de vie possible. Remarquable exemplaire aux armes d Antoine de Roore, Abbe de l Abbaye Saint Frappé sur le plat supérieur de son écu à trois fleurs de rose surmontées de ses attributs d évêque et sur le plat inférieur des armes de l Abbaye : Saint-Martin à cheval partageant son manteau.

Full Leather. Zustand: Very Good. 1st Edition. Folio (309 x 225 mm., 12-1/8 x 8-78 in.): [24], 288, [44] pages, including allegorical title page showing the figure of Rome dominating the enslaved peoples around it; 234 wood and copper-engravings of numismatic and epigraphic subjects (light marginal dampstains sometimes on all the length of the margin, some pages slightly browned, and wormhole in the lower margin at the end of the volume). Bound in modern brown calf, ribbed spine (light scratches, spine slightly rubbed). PROVENANCE: 19th century armorial bookplate (two crowned eagles resting on two unicorns) of M. de Bérenger, an unidentified member of the noble de Bérenger family of Normandy, France, with "René Moreau 1871" written in ink over it. COMPLETE, ATTRACTIVE COPY OF FIRST AND ONLY EDITION of this work on the history of ancient Rome, from its origins until the death of Emperor Augustus. It contains 72 wood-cut and 162 copper-engravings (234 total) chronologically depicting the history of Rome through its coins, medals and inscriptions. Hubert Goltzius (or Goltz) was a Renaissance painter, engraver, and printer from the Southern Netherlands. Goltzius studied under Lambert Lombard (ca. 1505-1566) and spent 12 years in Antwerp working on a book of engravings of antiquities called Medaglien oft tronien der Roomsche Keysers (i.e., Medallions or busts of Roman emperors). He operated his own printshop in Bruges, where he published Caius Julius Caesar, or a History of Roman Emperors in Medals (1563) and The Life of Julius Caesar (1566). In 1566 he also issued the present work, Fastos, for which he was made an honorary Roman citizen by the Rome council. He published his final book in 1576 on the emperors of Greece as depicted in medallions. REFERENCES: Adams G-833; BB III-247/248; Funck 323; Hubertus Goltzius en Brugge [exhibition catalog] (Brugge, 1983), p. 50 and no. 40; USTC 401258. Book.

Zustand: molto buono. in-folio (330x240 mm), ff. 182 (su 184): frontespizio figurato in chiaroscuro, 18 di introduzione e indici, 157 su 159, 6 (l'ultimo bianco, applicato al contropiatto). Mancano i ff. T1 (con ritratti affiancati di Irene e Costantino) e V6 (Ottone II). La numerazione dei ritratti è da I a CLV, per complessivi 150 ritratti essendo alcuni affiancati; dopo il ritratto 140 vi sono 3 ff. di testo relativi a Enrico II, mentre dopo il 141 un foglio a stampa con la genealogia di Rodolfo II. Tra i 6 ff. finali un ovale raffigura la concordia di Filippo e Massimiliano. Legatura del XVII secolo in mezza pelle ed angoli, tassello con titolo oro al dorso, carta salmone ai piatti. Edizione originale. Titolo entro elaborata struttura architettonica sormontata dal ritratto dell'a. entro ovale, il tutto su fondo a righe verdi e 151 medaglioni, di cui 13 rimasti vuoti in quanto non completati. Si tratta dunque di 151 silografie in chiaroscuro in ocra lumeggiate in biacca: 139 comprendono i ritratti degli imperatori romani e tedeschi da Giulio Cesare a Ferdinando III. Queste raffinatissime incisioni realizzate a chiaroscuro furono eseguite da Josse Gietleughen con una tecnica che unisce l'impressione di un legno realizzato al tratto e di uno assimilabile al mezzotinto. L'incisore Hubert Goltz (Wurtzburg 1526 - Bruges 1583) si guadagnò inoltre la fama di essere il primo numismatico del suo tempo dando alle stampe questo volume, indiscusso punto di riferimento sino alla metà del XVIII secolo. Esemplare ben conservato, malgrado qualche brunitura o fioritura, di opera di grande impatto grafico; al titolo nota di possesso ms. Vologer Fontenay (chanoine de N.Dame de Chartre, autore di un «Voyage faict en Italie par le marquis de Fontenay-Mareuil» edito nel 1643; altra nota d'acquisto secentesca alla fine della prefazione. Da segnalare che tutte le bibliografie indicano una paginazione varaiabile ed un numero di ritratti inferiore al nostro esemplare. Hollstein, Dutch, VIII, p. 139. Cicognara, 2868: ''è fra le opere di Golzio da tenersi di maggior pregio d'ogni altra''. Brunet II 1653. Berlin Katalog, 4240. Adams G-838. Book.

Edition : New edition (after the 1557 1st edition), Contemporary full calf, spine with 7 densely gilt compartments of raised bands, gilt lettering on two, all edges speckled red. Ornate gilt edging. , Chiaroscuro printing is rare, it was designed to make a print look like a renaissance wash drawing, and was in fact early colour printing using 2 or 3 closely related shades. Important book on Roman medals and coins which illustrates handsome portraits of Roman emperors. , Size : Small folio, Superbly engraved title by Cornelius Galle after Peter Paul Rubens. Elaborate initials, 160 numbered portraits, 9 of which have been left blank and were not completed by the printer. Also 7 are numbered as two because two faces are found within one oval. In total there are 144 actual Chiaroscuro plates (a deep brown background with white highlights making these plates particularly striking and unusual.) The portraits are of the various empeorors of Rome from Julius Ceaser onwards. The plates of this 1645 edition were engraved by Christian Jegher (a prominent German engraver who worked in Holland) to which he added some additional plates., References : Cicognara 2868; Brunet II, 1653; Funck 324, P. half-title, blank, engraved title, blank, v-xiv, (2), 1-423, (3), printer?s imprint. Occasional faint browning otherwise a very good to fine example of this important book.

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Petit in-folio. 12ff. 288pp. 22ff. Plein vélin ivoire du temps. Edition Originale. Important ouvrage de numismatique provenant des presses particulières du célèbre peintre et numismate Hubert Goltzius (1526-1583). Nommé historiographe et peintre de la maison d'Espagne par Philippe II, Goltzius eut l'occasion de visiter un grand nombre de collections et de cabinets d'antiquité à travers l'Europe. Il en rapporta des dessins qui lui servirent à composer des ouvrages dont il gravait lui-même les planches, et qui firent de lui l'un des plus importants numismates de son époque. Cet ouvrage est le premier imprimé par l'auteur dans son domicile à Bruges, où il produisit quelques ouvrages de 1566 à 1576. Il est illustré d'un magnifique titre gravé et de deux cent trente-quatre planches, dont cent soixante-deux gravées sur cuivre représentant des monnaies, et soixante-douze gravées sur bois représentant des inscriptions. Marges du titre gravé un peu courtes, rognant très légèrement la partie imprimée. Bon exemplaire dans son vélin rigide d'origine. H. de la Fontaine Verwey, "The First Private Press in the Low Countries," in Quærendo 2 (1972), pp. 294-310. Brunet, Recherches sur les Imprimeries Imaginaires, Clandestines et Particulières, p.19.

Brugis Flandrorum ( Brugge ) , 1566, format in-folio 31 x 22 cm , engraved title page + (23) nn pp + 288 + (44) pp , with a total of 234 plates (72 woodcuts and 162 copper engravings) representing Roman coins. (complete). Title plate with added blank lower margin ( to fit the size of the text leaves). Bound in later (18th c. ?) full vellum. With two title labels in red leather on spine. small tear in spine but on the whole a very fine copy with a stainless interior.and in an excellent binding. Adams G-833. Pettegree (NB) 13503.

Zustand: Sehr gut. Ausgeschnittenes Oval auf Untersatzpapier montiert. 26,5 x 20,7 cm. *Hubert Goltz oder Goltzius (30. Oktober 1526 24. März 1583) war ein Renaissance-Maler, Graveur und Drucker aus den südlichen Niederlanden. Er ist nicht mit dem viel berühmteren Hendrik Goltzius zu verwechseln, der einst sein Cousin war. - Der Kupferstecher Anthony More oder Anthonis Mor van Dashorst (15191575), war ein niederländischer Porträtmaler. Sprache: Deutsch Gewicht in Gramm: 1000.

Twee delen in geheel perkamenten banden uit de tijd, 384 +494 p, geillustreerd met 2 gegraveerde titelpagina's. Deel 1: Cornelis prekend en dezelfde twee naakte vrouwen geselend. Deel 2: Broeder Cornelis op preekstoel. Goed exemplaar. Gegraveerde titelpagina van deel 1 bevat kleine scheurtjes en een klein gaatje.

16. Antverpiae ( Antwerpen ) , Apud Hieronijmum Verdussium , 1620, in-folio, 33,5 x 22 cm, 3 parts in one volume ; (2)(halftitle) + (2)(engraved title) + (6)nn pp + 45 engraved plates (12 coins each) + (2)(blank) + 75 pp (Vita Julius C.) + (1)(bl) + 40 pp (Vita Augusti) + (2)(halftitle) + 81 engraved plates (12 coins each) + (2)(blank) + pp 41-99 pp (continuation of Nonnius' comm. on Augustus) +(1)(bl) + (2)(halftitle) + 11 (engraved plates, 12 coins) + (2)(bl) + 39 pp + (1)(bl) + (12)nn pp (index). (Complete). Bound in contemporary vellum, manuscript title on spine, traces of ties. Fine copy allthough the vellum is slightly soiled. With the manuscript ex-dono of the author to a library of the Order of Friars Minor Capuchin. This inscription is made illegible and we can not decipher the place name, most probably in the Southern Low Countries. With tipped on to the first paste down a 19th century French ex-libris of Mr. Lepoittevin de Lacroix. Ludovicus Nonnius, a friend of Rubens- who painted his portrait, now in British National Gallery- descended from converted Portugese jews ( maranos ) who had fled to Antwerp. His non latinised name was Luis Nuñez. He dedicated his book to Nicolas Rockox, burgomaster of Antwerp and also friend of Rubens. Nonnius was a 17th century humanist. His main occupation was medicine. He published one of the first books on dietetics. With Rubens , Justus Lipsius and Rockox he shared the interest in Classical Antiquity and numismatics. This book, consisting of three parts ; Julius Caesar, Augustus and Tiberius is based on Hubert Gotlzius' work on the same subject. This is the first edition. A second edition was published in 1644 by Balthasar Plantin Moretus.