Gleizes a (11 Ergebnisse)

58 p 14 x 19 Edición: Colegio Oficial de Aparejadores y Arquitectos Técnicos de Murcia, 198. Colección Arquitectura nº 21.

Couverture souple. Zustand: Très bon. Du 25 Mai Au 30 Juin 1945.

Taschenbuch. Zustand: Neu. Self-organising Software | From Natural to Artificial Adaptation | Giovanna Di Marzo Serugendo (u. a.) | Taschenbuch | Natural Computing Series | xviii | Englisch | 2013 | Springer | EAN 9783642270529 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Taschenbuch. Zustand: Neu. Methodologies and Software Engineering for Agent Systems | The Agent-Oriented Software Engineering Handbook | Federico Bergenti (u. a.) | Taschenbuch | Multiagent Systems, Artificial Societies, and Simulated Organizations | xxx | Englisch | 2010 | Springer | EAN 9781441954657 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

Couverture souple. Zustand: Bon. Edition originale. Plaquette in-8°, broché, 33 pp. (texte) et 12 planches hors-texte en noir avec commentaires.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

GLEIZES (A.).Tradition et cubisme.Vers une conscience plastique. Articles et conférences, 1912-1924.P., 1927, pet. in-8°, br., ill. h.t. 280 gr.

Soft cover. Zustand: Good. O.E. - translation of Du Cubisme - 18,5 x 13 cm - 128 pgs - original soft cover - illustrated bl/wh - very early translation of Gleizes' book 'Du Cubisme' in Russian - Compton mentions 2 translations in 1913 (p 21 the world bachwards) , there is one edited in St Petersburg (1 copy in OCLC) and one in Moscow 1 copy in KVK) - this is the Moscow edition - the inside is fine but the back is damaged, lacking a part of it (image available), in all very accetable considering the rarety - not in Getty, not in Moma.…

Valencia, 1986. Editado por Colegio Oficial de Aparejadores y Arquitectos Técnicos. Rústica Editorial. Colección de Arquilectura nº 21. 58pp.,19x14cm. Ensayo.

FIRST EDITION. PRESENTATION COPY. 240 x 185 mm. (9 1/2 x 7 1/2"). 44 pp., [2] leaves. STRIKING 3-D OPTICAL ILLUSION BINDING BY A. CONTRERAS (stamp-signed on front turn-in), WITH AN ALL-OVER DESIGN OF CUBES rendered in black, white, and silver morocco, smooth spine. In older (probably original) brown woodgrain drop-back box backed with black buckram. With 26 black & white photographic reproductions of works by Cézanne, Picasso, Derain, Braque, Metzinger, Laurencin, Gleizes, Léger, Duchamp, Picabia, and original owner Juan Gris, printed on glossy white paper. WITH A HALF TITLE INSCRIPTION (in French) OF GREAT IMPORTANCE FROM ONE OF THE CO-AUTHORS (translated as): "To the painter Juan Gris, with all my best wishes, Metzinger." Occasional underlinings in blue pencil. Text leaves with overall light browning and occasional foxing (due to paper stock), lower corner of half title restored (and fore edge with minor chipping), otherwise a fine copy, the plates clean and bright and the binding unworn. Penned by two Cubist artists, this is a highly resonant association copy of the first major treatise on the Cubism movement, presented to noted Cubist painter Juan Gris, and later put into an illusionistic binding composed of variably colored cubes that seem to jump off the surface. Albert Gleizes (1881-1953) and Jean Metzinger (1883-1956) had painted in both Post-Impressionist and Fauvist styles before their interest in exploring form and structure as well as light and color led them to the style that would become Cubism. Influenced by Cézanne's "brick-by-brick" technique and Poincaré's writings on space and time, the new movement sought to examine objects from a mobile perspective, and to depict multiple views of a subject in one painting. In "On Cubism," they explain: "An object has not one absolute form; it has many. It has as many as there are planes in the region of perception." The work features black & white illustrations of Cubist paintings by the authors and by fellow pioneers Picasso, Braque, Derain, and Juan Gris, to whom this copy was presented by Metzinger. Born in Madrid as José Victoriano González-Pérez (1887-1927), Gris studied engineering before moving to Paris to pursue art. First working as an illustrator for periodicals, he was inspired by Metzinger to begin painting seriously. His training in engineering helped him appreciate the importance of mathematics in painting, a realization triggered, according to art historian John Richardson, by Metzinger's painting "Le Goûter [Tea Time]," exhibited at the Salon d'Automne in 1911. Our volume was later in the collection of, and probably bound for, Chilean architect and collector Carlos Alberto Cruz (1939-2022). We have been unable to find more information on our binder, "A. Contreras," but it seems possible that he was also Chilean, as the Valparaiso-based Cruz owned a number of bindings signed with that name.…

Pas de couverture. Zustand: Très bon. Tirage argentique d'époque, d'un format 5,2 x 3,2 cm, portant au dos la mention « Albert Gleizes » de la main de PAB.