Girard andre (197 Ergebnisse)

Paperback. Wrappers are edge worn, scuffed and bumped. This item is at our location in Eugene, Oregon. 179 pp.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Heft. Zustand: Gut. 77 Seiten; Das Heft befindet sich in einem ordentlich erhaltenen Zustand. Einbandkanten sind leicht bestoßen. Leichte altersbedingte Anbräunung des Papiers. In FRANZÖSISCHER Sprache. Sprache: Französisch Gewicht in Gramm: 110.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque. Jaquette abîmée. Edition 1990. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Damaged dust jacket. Edition 1990. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Couverture souple. Zustand: Bonne Condition. 207 p.Envoi soigné.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2005. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2005. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Couverture souple. Zustand: Bonne Condition. Couverture légèrement usée. Intérieur propre.277 p. Envoi soigné.

Couverture rigide. Zustand: Bon. Reliure toile sous jaquette, 155 p., richement illustré. 22x25 cm, 900 gr.réf. T012132.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Soft cover. Zustand: Fine. Fine contents and binding; like-new condition. French text. Contents with numerous Matisse plates are fine.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Neuf.

Zustand: Neuf.

Zustand: Neuf.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Broché. Zustand: Bon État. Fin volume broché de 55 pages. Le poids de ce livre nous permettra de diminuer les frais de port indiqués par défaut.

Zustand: Fair. Envoi rapide Etat Correct. in8. 1962. Broché. 45 pages. Couverture usagée intérieur très bon. Fair.

Hardcover. Zustand: Brand New. 268 pages. 10.32x7.32x0.94 inches. In Stock.

Zustand: Neuf.

Couverture souple. Zustand: Assez bon. Labor Et Fides collection Les Cahiers Du Renouveau, 1951. 1 volume broché(s) format In-8 correct.

Original signierte Zeichnung von André Girard von ca. 1940. Auf dünnem Karton aufmontiert. -- Maße: ca. 13,5 x 10,5 cm. -- gut erhalten. || Original drawing signed by André Girard, from c. 1940. -- Laid down on thin cardboard. -- in good condition. || Dessin original d'André Girard de c. 1940.|| André Girard (1901-1968) was a French painter, poster-maker, and Resistance worker known for founding and leading the CARTE network a French Resistance network during WWII. Born in Chinon, Girard studied at the École des Beaux-Arts and served in the military before pursuing a career as a painter, caricaturist, and theatre set designer. He gained recognition as a prominent poster designer during the 1930s in Paris. He produced, among others, advertising posters for Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, The Capehart, Shell.He travelled to France and throughout Europe, and fell under the spell of Venice. In 1937, he embarked for New York and his career as a painter took off. In 1938, he exhibited at the Sullivan Gallery on Park Avenue. As soon as Hitler came to power in Germany, he published numerous political cartoons in the press, Les Échos, Paris-Midi, Paris-Soir, Match, Marianne, Le Rire16. These were published in 2005 under the title Hitler, Stalin et compagne. Dessins politiques de 1934 a 1942 with a preface by Daniele Delorme. Many of his drawings from that time resemble the style of German-American artist George Grosz (1893-1959). During the war, Girard married Andrée Jouan and had four daughters. Refusing to witness the German occupation of Paris, he relocated to the Antibes, where he painted his daughters and established the CARTE network. Although initially apolitical, Girard became involved in recruiting and espionage activities, preparing for an armed uprising against the Germans. Following SOE orders, he flew to England in February 1942 and subsequently went into self-imposed exile in the United States of America. Despite learning about his wife's arrest and deportation to the Ravensbrück concentration camp (she was released in 1945), Girard broke ties with SOE. In post-war New York, Girard produced religious paintings, such as the Stations of the Cross and Apocalypse. In 1952, he decorated churches in New York, Vermont, and California. In 1947, he published the work entitled "Peut-on dire la vérité sur la Résistance," offering important corrections to Bénouville's book "Le Sacrifice du matin." Girard passed away in the United States in 1968 and was buried there. He received the American Legion of Merit in recognition of his contributions. || André Girard (1901-1968) était un peintre, affichiste et résistant français connu pour avoir fondé et dirigé le réseau CARTE - un réseau de la Résistance française pendant la Seconde Guerre mondiale. Né à Chinon, Girard étudie à l'École des Beaux-Arts et sert dans l'armée avant de poursuivre une carrière de peintre, caricaturiste et décorateur de théâtre. Il est reconnu comme un affichiste de premier plan dans les années 1930 à Paris. Il réalise, entre autres, des affiches publicitaires pour Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, La Capehart, Shell. Il voyage en France et dans toute l'Europe, et tombe sous le charme de Venise. En 1937, il embarque pour New York et sa carrière de peintre décolle. En 1938, il expose à la Sullivan Gallery sur Park Avenue. Dès l'arrivée au pouvoir d'Hitler en Allemagne, il publie de nombreuses caricatures politiques dans la presse, "Les Échos", "Paris-Midi", "Paris-Soir", "Match", "Marianne", "Le Rire16". Celles-ci ont été publiées en 2005 sous le titre Hitler, Staline et compagnie. Dessins politiques de 1934 à 1942 », préfacé par Danièle Delorme. Beaucoup de ses dessins de cette époque ressemblent au style de l'artiste germano-américain George Grosz (1893-1959). Pendant la guerre, Girard épouse Andrée Jouan et a quatre fi.…

Original signierte Zeichnung von André Girard von ca. 1940. Auf dünnem Karton aufmontiert. -- Maße: ca. 12 x 9,5 cm. -- gut erhalten. || Original drawing signed by André Girard, from c. 1940. -- Laid down on thin cardboard. -- in good condition. || Dessin original d'André Girard de c. 1940.|| André Girard (1901-1968) was a French painter, poster-maker, and Resistance worker known for founding and leading the CARTE network a French Resistance network during WWII. Born in Chinon, Girard studied at the École des Beaux-Arts and served in the military before pursuing a career as a painter, caricaturist, and theatre set designer. He gained recognition as a prominent poster designer during the 1930s in Paris. He produced, among others, advertising posters for Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, The Capehart, Shell.He travelled to France and throughout Europe, and fell under the spell of Venice. In 1937, he embarked for New York and his career as a painter took off. In 1938, he exhibited at the Sullivan Gallery on Park Avenue. As soon as Hitler came to power in Germany, he published numerous political cartoons in the press, Les Échos, Paris-Midi, Paris-Soir, Match, Marianne, Le Rire16. These were published in 2005 under the title Hitler, Stalin et compagne. Dessins politiques de 1934 a 1942 with a preface by Daniele Delorme. Many of his drawings from that time resemble the style of German-American artist George Grosz (1893-1959). During the war, Girard married Andrée Jouan and had four daughters. Refusing to witness the German occupation of Paris, he relocated to the Antibes, where he painted his daughters and established the CARTE network. Although initially apolitical, Girard became involved in recruiting and espionage activities, preparing for an armed uprising against the Germans. Following SOE orders, he flew to England in February 1942 and subsequently went into self-imposed exile in the United States of America. Despite learning about his wife's arrest and deportation to the Ravensbrück concentration camp (she was released in 1945), Girard broke ties with SOE. In post-war New York, Girard produced religious paintings, such as the Stations of the Cross and Apocalypse. In 1952, he decorated churches in New York, Vermont, and California. In 1947, he published the work entitled "Peut-on dire la vérité sur la Résistance," offering important corrections to Bénouville's book "Le Sacrifice du matin." Girard passed away in the United States in 1968 and was buried there. He received the American Legion of Merit in recognition of his contributions. || André Girard (1901-1968) était un peintre, affichiste et résistant français connu pour avoir fondé et dirigé le réseau CARTE - un réseau de la Résistance française pendant la Seconde Guerre mondiale. Né à Chinon, Girard étudie à l'École des Beaux-Arts et sert dans l'armée avant de poursuivre une carrière de peintre, caricaturiste et décorateur de théâtre. Il est reconnu comme un affichiste de premier plan dans les années 1930 à Paris. Il réalise, entre autres, des affiches publicitaires pour Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, La Capehart, Shell. Il voyage en France et dans toute l'Europe, et tombe sous le charme de Venise. En 1937, il embarque pour New York et sa carrière de peintre décolle. En 1938, il expose à la Sullivan Gallery sur Park Avenue. Dès l'arrivée au pouvoir d'Hitler en Allemagne, il publie de nombreuses caricatures politiques dans la presse, "Les Échos", "Paris-Midi", "Paris-Soir", "Match", "Marianne", "Le Rire16". Celles-ci ont été publiées en 2005 sous le titre Hitler, Staline et compagnie. Dessins politiques de 1934 à 1942 », préfacé par Danièle Delorme. Beaucoup de ses dessins de cette époque ressemblent au style de l'artiste germano-américain George Grosz (1893-1959). Pendant la guerre, Girard épouse Andrée Jouan et a quatre fille.…

Original signierte Zeichnung von André Girard von ca. 1940. Auf dünnem Karton aufmontiert. -- Maße: ca. 10,5 x 14 cm. -- gut erhalten. || Original drawing signed by André Girard, from c. 1940. -- Laid down on thin cardboard. -- in good condition. || Dessin original d'André Girard de c. 1940.|| André Girard (1901-1968) was a French painter, poster-maker, and Resistance worker known for founding and leading the CARTE network a French Resistance network during WWII. Born in Chinon, Girard studied at the École des Beaux-Arts and served in the military before pursuing a career as a painter, caricaturist, and theatre set designer. He gained recognition as a prominent poster designer during the 1930s in Paris. He produced, among others, advertising posters for Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, The Capehart, Shell.He travelled to France and throughout Europe, and fell under the spell of Venice. In 1937, he embarked for New York and his career as a painter took off. In 1938, he exhibited at the Sullivan Gallery on Park Avenue. As soon as Hitler came to power in Germany, he published numerous political cartoons in the press, Les Échos, Paris-Midi, Paris-Soir, Match, Marianne, Le Rire16. These were published in 2005 under the title Hitler, Stalin et compagne. Dessins politiques de 1934 a 1942 with a preface by Daniele Delorme. Many of his drawings from that time resemble the style of German-American artist George Grosz (1893-1959). During the war, Girard married Andrée Jouan and had four daughters. Refusing to witness the German occupation of Paris, he relocated to the Antibes, where he painted his daughters and established the CARTE network. Although initially apolitical, Girard became involved in recruiting and espionage activities, preparing for an armed uprising against the Germans. Following SOE orders, he flew to England in February 1942 and subsequently went into self-imposed exile in the United States of America. Despite learning about his wife's arrest and deportation to the Ravensbrück concentration camp (she was released in 1945), Girard broke ties with SOE. In post-war New York, Girard produced religious paintings, such as the Stations of the Cross and Apocalypse. In 1952, he decorated churches in New York, Vermont, and California. In 1947, he published the work entitled "Peut-on dire la vérité sur la Résistance," offering important corrections to Bénouville's book "Le Sacrifice du matin." Girard passed away in the United States in 1968 and was buried there. He received the American Legion of Merit in recognition of his contributions. || André Girard (1901-1968) était un peintre, affichiste et résistant français connu pour avoir fondé et dirigé le réseau CARTE - un réseau de la Résistance française pendant la Seconde Guerre mondiale. Né à Chinon, Girard étudie à l'École des Beaux-Arts et sert dans l'armée avant de poursuivre une carrière de peintre, caricaturiste et décorateur de théâtre. Il est reconnu comme un affichiste de premier plan dans les années 1930 à Paris. Il réalise, entre autres, des affiches publicitaires pour Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, La Capehart, Shell. Il voyage en France et dans toute l'Europe, et tombe sous le charme de Venise. En 1937, il embarque pour New York et sa carrière de peintre décolle. En 1938, il expose à la Sullivan Gallery sur Park Avenue. Dès l'arrivée au pouvoir d'Hitler en Allemagne, il publie de nombreuses caricatures politiques dans la presse, "Les Échos", "Paris-Midi", "Paris-Soir", "Match", "Marianne", "Le Rire16". Celles-ci ont été publiées en 2005 sous le titre Hitler, Staline et compagnie. Dessins politiques de 1934 à 1942 », préfacé par Danièle Delorme. Beaucoup de ses dessins de cette époque ressemblent au style de l'artiste germano-américain George Grosz (1893-1959). Pendant la guerre, Girard épouse Andrée Jouan et a quatre fill.…

Original signierte Zeichnung von André Girard von ca. 1940. Auf dünnem Karton aufmontiert. -- Maße: ca. 10 x 10 cm. -- gut erhalten. || Original drawing signed by André Girard, from c. 1940. Mounted on thin cardboard. -- in good condition. || Dessin original d'André Girard de c. 1940.|| André Girard (1901-1968) was a French painter, poster-maker, and Resistance worker known for founding and leading the CARTE network a French Resistance network during WWII. Born in Chinon, Girard studied at the École des Beaux-Arts and served in the military before pursuing a career as a painter, caricaturist, and theatre set designer. He gained recognition as a prominent poster designer during the 1930s in Paris. He produced, among others, advertising posters for Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, The Capehart, Shell.He travelled to France and throughout Europe, and fell under the spell of Venice. In 1937, he embarked for New York and his career as a painter took off. In 1938, he exhibited at the Sullivan Gallery on Park Avenue. As soon as Hitler came to power in Germany, he published numerous political cartoons in the press, Les Échos, Paris-Midi, Paris-Soir, Match, Marianne, Le Rire16. These were published in 2005 under the title Hitler, Stalin et compagne. Dessins politiques de 1934 a 1942 with a preface by Daniele Delorme. Many of his drawings from that time resemble the style of German-American artist George Grosz (1893-1959). During the war, Girard married Andrée Jouan and had four daughters. Refusing to witness the German occupation of Paris, he relocated to the Antibes, where he painted his daughters and established the CARTE network. Although initially apolitical, Girard became involved in recruiting and espionage activities, preparing for an armed uprising against the Germans. Following SOE orders, he flew to England in February 1942 and subsequently went into self-imposed exile in the United States of America. Despite learning about his wife's arrest and deportation to the Ravensbrück concentration camp (she was released in 1945), Girard broke ties with SOE. In post-war New York, Girard produced religious paintings, such as the Stations of the Cross and Apocalypse. In 1952, he decorated churches in New York, Vermont, and California. In 1947, he published the work entitled "Peut-on dire la vérité sur la Résistance," offering important corrections to Bénouville's book "Le Sacrifice du matin." Girard passed away in the United States in 1968 and was buried there. He received the American Legion of Merit in recognition of his contributions. || André Girard (1901-1968) était un peintre, affichiste et résistant français connu pour avoir fondé et dirigé le réseau CARTE - un réseau de la Résistance française pendant la Seconde Guerre mondiale. Né à Chinon, Girard étudie à l'École des Beaux-Arts et sert dans l'armée avant de poursuivre une carrière de peintre, caricaturiste et décorateur de théâtre. Il est reconnu comme un affichiste de premier plan dans les années 1930 à Paris. Il réalise, entre autres, des affiches publicitaires pour Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, La Capehart, Shell. Il voyage en France et dans toute l'Europe, et tombe sous le charme de Venise. En 1937, il embarque pour New York et sa carrière de peintre décolle. En 1938, il expose à la Sullivan Gallery sur Park Avenue. Dès l'arrivée au pouvoir d'Hitler en Allemagne, il publie de nombreuses caricatures politiques dans la presse, "Les Échos", "Paris-Midi", "Paris-Soir", "Match", "Marianne", "Le Rire16". Celles-ci ont été publiées en 2005 sous le titre Hitler, Staline et compagnie. Dessins politiques de 1934 à 1942 », préfacé par Danièle Delorme. Beaucoup de ses dessins de cette époque ressemblent au style de l'artiste germano-américain George Grosz (1893-1959). Pendant la guerre, Girard épouse Andrée Jouan et a quatre filles. Ref.…

Original signierte Zeichnung von André Girard von ca. 1940. Auf dünnem Karton aufmontiert. -- Maße: ca. 10 x 7 cm. -- gut erhalten. || Original drawing signed by André Girard, from c. 1940. -- Laid down on thin cardboard. -- in good condition. || Dessin original d'André Girard de c. 1940.|| André Girard (1901-1968) was a French painter, poster-maker, and Resistance worker known for founding and leading the CARTE network a French Resistance network during WWII. Born in Chinon, Girard studied at the École des Beaux-Arts and served in the military before pursuing a career as a painter, caricaturist, and theatre set designer. He gained recognition as a prominent poster designer during the 1930s in Paris. He produced, among others, advertising posters for Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, The Capehart, Shell.He travelled to France and throughout Europe, and fell under the spell of Venice. In 1937, he embarked for New York and his career as a painter took off. In 1938, he exhibited at the Sullivan Gallery on Park Avenue. As soon as Hitler came to power in Germany, he published numerous political cartoons in the press, Les Échos, Paris-Midi, Paris-Soir, Match, Marianne, Le Rire16. These were published in 2005 under the title Hitler, Stalin et compagne. Dessins politiques de 1934 a 1942 with a preface by Daniele Delorme. Many of his drawings from that time resemble the style of German-American artist George Grosz (1893-1959). During the war, Girard married Andrée Jouan and had four daughters. Refusing to witness the German occupation of Paris, he relocated to the Antibes, where he painted his daughters and established the CARTE network. Although initially apolitical, Girard became involved in recruiting and espionage activities, preparing for an armed uprising against the Germans. Following SOE orders, he flew to England in February 1942 and subsequently went into self-imposed exile in the United States of America. Despite learning about his wife's arrest and deportation to the Ravensbrück concentration camp (she was released in 1945), Girard broke ties with SOE. In post-war New York, Girard produced religious paintings, such as the Stations of the Cross and Apocalypse. In 1952, he decorated churches in New York, Vermont, and California. In 1947, he published the work entitled "Peut-on dire la vérité sur la Résistance," offering important corrections to Bénouville's book "Le Sacrifice du matin." Girard passed away in the United States in 1968 and was buried there. He received the American Legion of Merit in recognition of his contributions. || André Girard (1901-1968) était un peintre, affichiste et résistant français connu pour avoir fondé et dirigé le réseau CARTE - un réseau de la Résistance française pendant la Seconde Guerre mondiale. Né à Chinon, Girard étudie à l'École des Beaux-Arts et sert dans l'armée avant de poursuivre une carrière de peintre, caricaturiste et décorateur de théâtre. Il est reconnu comme un affichiste de premier plan dans les années 1930 à Paris. Il réalise, entre autres, des affiches publicitaires pour Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, La Capehart, Shell. Il voyage en France et dans toute l'Europe, et tombe sous le charme de Venise. En 1937, il embarque pour New York et sa carrière de peintre décolle. En 1938, il expose à la Sullivan Gallery sur Park Avenue. Dès l'arrivée au pouvoir d'Hitler en Allemagne, il publie de nombreuses caricatures politiques dans la presse, "Les Échos", "Paris-Midi", "Paris-Soir", "Match", "Marianne", "Le Rire16". Celles-ci ont été publiées en 2005 sous le titre Hitler, Staline et compagnie. Dessins politiques de 1934 à 1942 », préfacé par Danièle Delorme. Beaucoup de ses dessins de cette époque ressemblent au style de l'artiste germano-américain George Grosz (1893-1959). Pendant la guerre, Girard épouse Andrée Jouan et a quatre filles.…

Original signierte Zeichnung von André Girard von ca. 1940. Auf dünnem Karton aufmontiert. -- Maße: ca. 12 x 10 cm. -- gut erhalten. || Original drawing signed by André Girard, from c. 1940. -- Laid down on thin cardboard. -- in good condition. || Dessin original d'André Girard de c. 1940.|| André Girard (1901-1968) was a French painter, poster-maker, and Resistance worker known for founding and leading the CARTE network a French Resistance network during WWII. Born in Chinon, Girard studied at the École des Beaux-Arts and served in the military before pursuing a career as a painter, caricaturist, and theatre set designer. He gained recognition as a prominent poster designer during the 1930s in Paris. He produced, among others, advertising posters for Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, The Capehart, Shell.He travelled to France and throughout Europe, and fell under the spell of Venice. In 1937, he embarked for New York and his career as a painter took off. In 1938, he exhibited at the Sullivan Gallery on Park Avenue. As soon as Hitler came to power in Germany, he published numerous political cartoons in the press, Les Échos, Paris-Midi, Paris-Soir, Match, Marianne, Le Rire16. These were published in 2005 under the title Hitler, Stalin et compagne. Dessins politiques de 1934 a 1942 with a preface by Daniele Delorme. Many of his drawings from that time resemble the style of German-American artist George Grosz (1893-1959). During the war, Girard married Andrée Jouan and had four daughters. Refusing to witness the German occupation of Paris, he relocated to the Antibes, where he painted his daughters and established the CARTE network. Although initially apolitical, Girard became involved in recruiting and espionage activities, preparing for an armed uprising against the Germans. Following SOE orders, he flew to England in February 1942 and subsequently went into self-imposed exile in the United States of America. Despite learning about his wife's arrest and deportation to the Ravensbrück concentration camp (she was released in 1945), Girard broke ties with SOE. In post-war New York, Girard produced religious paintings, such as the Stations of the Cross and Apocalypse. In 1952, he decorated churches in New York, Vermont, and California. In 1947, he published the work entitled "Peut-on dire la vérité sur la Résistance," offering important corrections to Bénouville's book "Le Sacrifice du matin." Girard passed away in the United States in 1968 and was buried there. He received the American Legion of Merit in recognition of his contributions. || André Girard (1901-1968) était un peintre, affichiste et résistant français connu pour avoir fondé et dirigé le réseau CARTE - un réseau de la Résistance française pendant la Seconde Guerre mondiale. Né à Chinon, Girard étudie à l'École des Beaux-Arts et sert dans l'armée avant de poursuivre une carrière de peintre, caricaturiste et décorateur de théâtre. Il est reconnu comme un affichiste de premier plan dans les années 1930 à Paris. Il réalise, entre autres, des affiches publicitaires pour Duco (1928-29), Peugeot (1930), Mercier Frères (1930), Gitanes cigarettes (1930), Marconi (1935) Dubonnet, La Capehart, Shell. Il voyage en France et dans toute l'Europe, et tombe sous le charme de Venise. En 1937, il embarque pour New York et sa carrière de peintre décolle. En 1938, il expose à la Sullivan Gallery sur Park Avenue. Dès l'arrivée au pouvoir d'Hitler en Allemagne, il publie de nombreuses caricatures politiques dans la presse, "Les Échos", "Paris-Midi", "Paris-Soir", "Match", "Marianne", "Le Rire16". Celles-ci ont été publiées en 2005 sous le titre Hitler, Staline et compagnie. Dessins politiques de 1934 à 1942 », préfacé par Danièle Delorme. Beaucoup de ses dessins de cette époque ressemblent au style de l'artiste germano-américain George Grosz (1893-1959). Pendant la guerre, Girard épouse Andrée Jouan et a quatre filles.…

Zustand: Neuf.