Giovanni ottaviani (34 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Loose Leaf. Zustand: New. Reproduction. Original title: Lower part of decorative pilaser German: Unterer Teil des dekorativen Pilaser French: Partie inférieure du pilaser décoratif Spanish: Parte inferior del pilaser decorativo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1772). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Lower part of decorative pilaser German: Unterer Teil des dekorativen Pilaser French: Partie inférieure du pilaser décoratif Spanish: Parte inferior del pilaser decorativo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1772). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. None. No.

Loose Leaf. Zustand: New. Reproduction. Original title: Upper part of decorative pilaser German: Oberer Teil des dekorativen Pilasers French: Partie supérieure du pilaser décoratif Spanish: Parte superior del pilaser decorativo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1772). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Upper part of decorative pilaser German: Oberer Teil des dekorativen Pilasers French: Partie supérieure du pilaser décoratif Spanish: Parte superior del pilaser decorativo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1772). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. None. No.

Loose Leaf. Zustand: New. Reproduction. None. No.

Loose Leaf. Zustand: New. Reproduction. None. No.

Loose Leaf. Zustand: New. Reproduction. None. No.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: NEW.

Zustand: NEW.

Zustand: new.

Paperback. Zustand: Brand New. 31 pages. Italian language. 11.00x8.50x0.07 inches. In Stock.

Zustand: new.

Paperback. Zustand: Brand New. 30 pages. Italian language. 11.00x8.50x0.07 inches. In Stock.

Zustand: New. In English.

Paperback. Zustand: Brand New. 46 pages. Italian language. 11.00x8.50x0.11 inches. In Stock.

Zustand: BUONO USATO. IED. Da revisionare ITALIANO Piccola brossura filo refe, leggere tracce da conservazione o uso, leggero sbiadimento alla copertina in quadricromia, fogli avvolti da ossidazione tono seppia con sporadiche sottolineature con biro, in ottimo stato. N. pag. 191.

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - Un'esplorazione affascinante delle meraviglie d'arte che si trovano nelle Loggie di Raffaele nel Vaticano, a cura di sei esperti nel campo dell'arte, che offrono un'analisi approfondita del capolavoro del Rinascimento italiano. Questa guida ti porterà in un viaggio attraverso l'opera di Raffaele, dalla sua concezione alla sua realizzazione, fornendo anche una panoramica degli eventi storici che hanno influenzato l'opera. Un must per gli appassionati d'arte e per chiunque voglia esplorare una delle meraviglie nascoste di Roma.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

Buch. Zustand: Neu. Neuware - Un'esplorazione affascinante delle meraviglie d'arte che si trovano nelle Loggie di Raffaele nel Vaticano, a cura di sei esperti nel campo dell'arte, che offrono un'analisi approfondita del capolavoro del Rinascimento italiano. Questa guida ti porterà in un viaggio attraverso l'opera di Raffaele, dalla sua concezione alla sua realizzazione, fornendo anche una panoramica degli eventi storici che hanno influenzato l'opera. Un must per gli appassionati d'arte e per chiunque voglia esplorare una delle meraviglie nascoste di Roma.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Skillfully rebacked half calf preserving contemporary blue speckled - marbled boards. Spine raised with six (6) bands; compartments elegantly gilt ornamented at borders, corners and centres and gilt lettered title on two. , Work I: Raphael (1483-1520) painted the ceilings, walls and columns of the Vatican Logge over the two-year period before he would pass away. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. These particular images are renowned for their clarity and accessibility. Much of the subject matter on the columns is traced to Roman iconography. Such items as coins, vases, sarcophagi and various other items are done with stunning clarity and accuracy. Carlo Lasinio (1759 ? 1838) was an Italian engraver who worked chiefly in Florence. Lasinio started as a painter at the Accademia di Belle Arti, Venice. He quickly placed more emphasis on printmaking, especially after moving to Florence in 1778. He established his reputation with two large series of etchings in 1787 and 1789. Lasinio also taught engraving at the Accademia in Florence, becoming a Professor in 1800. Work II: A collection of plates from this work with no title page. The Raphael fresco decorations in the Vatican's three-storied balconies known as the 'Logge' quickly became famous, and various suites of plates were issued from the 17th century onward. However, this set was the first to attempt to show all the decoration of the pilasters and pillars. A set of the present engravings stimulated Catherine the Great to have a replica of the Logge built at the Hermitage in St. Petersburg., Size : Folio (621x478mm)., Illustrated with plates after Raphael: Work I: 14 decorative copper engraved plates; engraved title page by Giovanni Balzar; remaining by Carlo Lasinio after Raphael?s depictions of the Vatican?s loggia and columns. Work II: collection of 31 full page etchings amounting to thirteen (13) pairs or sets of engravings after the Vatican frescoes by Raphael. , Volume : Two works in one volume, Upper pasted endpaper ex libris bookplate marked ?Dampierre? All leaves of the first work, of wove paper, contain the watermark ?Pietro Miliani Fabriano.?, References : Berlin Kat. 1048, Work I: illustrated half-title, plates numbered figure: II (No. I &II), III (No. III & IV), IV (No. V& VI), V (No. VII & VIII), VI (No. IX&X), I (No. I&II), II (No. III&IV), III (No. V&VI), IV (No.VII&VIII), V (No. IX&X dated 1802), VI (No.XI&XII), VII (No.XIII&XIV), VIII (No.XI&XII) ; Work II: plate I-XIII, Num I-XIII, I-V A handsome, fine example. Prints are clean and crisp.…

Handkolorierter Kupferstich von G.Ottaviani, gezeichnet von G.Savorelli und P.Camporesi nach den Loggien Raffaels aus "Loggie di Rafaele nel Vaticano", Tafel XI. 107 x 42,5. Filigran kolorierter Kupferstich in leuchtendem Kolorit auf gut erhaltenem kräftigen Papier. Das Motiv wurde auf zwei Blätter von zwei Platten gedruckt. Die Papierblätter sind passgenau in der Mitte aneinandergefügt. - Raffael, der zu den berühmtesten Künstlern der Hochrenaissance zählt, begann im Jahr 1516 mit der Ausmalung der Loggien im Palast des Vatikans, wo der Papst Leo X. seine private Antikensammlung aufstellen ließ. 1772-1776 entstand mit Zustimmung des damaligen Papstes Clemens XIII. eine Kupferstichfolge, die die Loggien abzubilden versuchte, aus der auch dieser Stich stammt. Die Folge wird als Höhepunkt der künstlerischen Rezeption bezeichnet. "Die Schönheit dieser Stiche und ihr einzigartiger dokumentarischer Wert beschieden ihnen jedoch in ganz Europa einen großen Erfolg und ihr Einfluss bleibt bis in kunsthandwerkliche Produktionen spürbar." (N. Darcos). Pietro Verri jubelte 1776 "Diese kapriziösen Schnörkel Raffaels, dies ihm eigene, einzigartige Begeisterung werden ein Gewölbe von solcher Leichtigkeit und Vielfalt schaffen, dass es Einem auf ewig Freude bereiten wird. Seit man in Rom die Loggien des Vatikan gedruckt hat, hat sich in Allem der Geschmack verändert. Karossen, Mauern, Gemmen und Silbergeschirr schöpfen ihre Ornament aus diesem nie versiegendem Quell .".…

Handkolorierter Kupferstich von G.Ottaviani, gezeichnet von G.Savorelli und P.Camporesi nach den Loggien Raffaels aus "Loggie di Rafaele nel Vaticano", Tafel XIV. 107 x 42,5. Filigran kolorierter Kupferstich in leuchtendem Kolorit auf gut erhaltenem kräftigen Papier. Das Motiv wurde auf zwei Blätter von zwei Platten gedruckt. Die Papierblätter sind passgenau in der Mitte aneinandergefügt. - Raffael, der zu den berühmtesten Künstlern der Hochrenaissance zählt, begann im Jahr 1516 mit der Ausmalung der Loggien im Palast des Vatikans, wo der Papst Leo X. seine private Antikensammlung aufstellen ließ. 1772-1776 entstand mit Zustimmung des damaligen Papstes Clemens XIII. eine Kupferstichfolge, die die Loggien abzubilden versuchte, aus der auch dieser Stich stammt. Die Folge wird als Höhepunkt der künstlerischen Rezeption bezeichnet. "Die Schönheit dieser Stiche und ihr einzigartiger dokumentarischer Wert beschieden ihnen jedoch in ganz Europa einen großen Erfolg und ihr Einfluss bleibt bis in kunsthandwerkliche Produktionen spürbar." (N. Darcos). Pietro Verri jubelte 1776 "Diese kapriziösen Schnörkel Raffaels, dies ihm eigene, einzigartige Begeisterung werden ein Gewölbe von solcher Leichtigkeit und Vielfalt schaffen, dass es Einem auf ewig Freude bereiten wird. Seit man in Rom die Loggien des Vatikan gedruckt hat, hat sich in Allem der Geschmack verändert. Karossen, Mauern, Gemmen und Silbergeschirr schöpfen ihre Ornament aus diesem nie versiegendem Quell .".…