gina gray (10 Ergebnisse)

Zustand: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Zustand: Good. 209 pp., hardcover, ex library, else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: New. In.

Second Draft script for the 1995 film, seen here under the working title "Best of the Best 3: Hard Right." The third film (out of four) in the "Best of the Best" series. A martial arts instructor joins forces with a small town schoolteacher to fight a white supremacist organization. Shot on location in Indiana and Ohio. Clear plastic wrapper. Title page present, dated March 4, 1994, noted as SECOND DRAFT, with credits for screenwriters Barry Gray and Deborah Scott. 107 leaves, with last page of text numbered 106. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two silver brads.

102 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N.Y.P.A.D.D. by Jerri Allyn, "Earthly Bodies : Judson Dance Theater" by Sally Banes, "Measured Fantasy" by Alyson Pou, VIEWPOINTS : "Touch Sanitation, Robert C. Morgan on Mierle Laderman Ukeles," "What I Do Does Not Have a Name," Jerry Stahl on Gina Wendkos, "Still Doing Time," Jonathan Siskin on Tehching Hsieh, "Who Will Save Us Now?," Dennis Cooper on Tim Miller, NEW YORK TALKERS : Men in Dark Times and More by Eric Bogosian In Search of the Monkey Girl by Spalding Gray, "The Lowell Jerkman Story" by Jill Kroesen, "Brains and Bombs" by Beth Lapides, and "Micropolis" by Theodora Skipitares. Very Good. Small chip at base of spine at verso cover. Covers lightly worn. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Vintage reference photograph of Humphrey Bogart on the set of the 1953 film. Two mimeo snipes, affixed to the verso. Loosely based on the 1951 novel by Claud Cockburn, shot as a parody of Huston's 1941 classic, "The Maltese Falcon." One of the inscrutable films ever made, viewed today variously as a cipher, a long literary joke, a Hollywood film, or a bunch of famous folk on vacation with cameras rolling. In truth, probably all of those things. But film noir to the hilt. Set in Europe, shot on location in Italy in Ravello, south of Naples, Italy, and nearby at Palazzo Ruffolo, Palazzo Confalone and the Villa Cimbrone. Some second unit shooting and retakes were later done in the UK. 8 x 10 inches. Very Good plus, with some creasing and several pinholes in margins, and three very small chips on top edge. Ebert II. Grant US.