gillespie gerald (51 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Green cloth. Previous bookseller's price sticker on FFEP. Faint reside of another sticker on front cover. Clean text and interior, otherwise. Tight square binding.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. 1976; German text; green cloth covered boards with gold spine titles; brown dust jacket with black cover titles and spine titles; some wear and markings to front cover of jacket; 8vo - over 7 3/4" to 9 3/4" tall; interior is clean and unmarked. 434 pages.

Paperback. Zustand: Brand New. 162 pages. 8.50x5.50x0.75 inches. In Stock.

Zustand: New. pp. 216.

Paperback. Zustand: Fine.

Zustand: sehr gut. XXI, 304 S., 23 cm. Sprache: Englisch.

Original publisher's sewn paperback, pictorial frontcover, 8vo: xxij, 304pp., 18 contributions, footnotes, bibliography, list of contributors, index. Very fine copy - as new. Volume 5: Textxet. Studies in Comparative Literature.

Broschiert, 244 Seiten, das Buch ist sehr gut erhalten. Shipping to abroad insured with tracking number.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

8vo. xxix + 244pp. + adverts. Paperback in original red and white wrapps., very good. ISBN 082640703X US$12.

Original Brown Cloth. Zustand: Very Good Plus. Zustand des Schutzumschlags: Very Good. First Edition Thus. 1976. First edition thus. xii, 266pp. Ramón María del Valle-Inclán (1866-1936) was a Spanish dramatist, and novelist. His work has been described by literary critics as radical in its subversion of traditional Spanish theatre in the early 20th century. He influenced later generations of Spanish dramatists and is honored on National Theatre Day with a statue in Madrid. Bohemian Lights, or Luces de Bohemia in the original Spanish, was first published in 1924. The central character is Max Estrella, a struggling poet afflicted by blindness due to developing syphilis. The play is a degenerated tragedy (esperpento) focusing on the troubles of the literary and artistic world in Spain under the Restoration. Through Max's poverty, ill fortune and eventual death, Valle-Inclán portrays how society neglects the creative. The text of the present edition is given in both Spanish and English, and there is a substantial introduction (in English) by Anthony N. Zahareas. The book is the 10th volume in the Edinburgh Bilingual Library of European Literature series. The book is bound in the original brown cloth covered boards with gold titling on the spine. The book is in excellent condition and the contents are tight and clean with no inscription. The unclipped dustwrapper has some shelf wear with light soiling and light rubbing along the top edge. There is a nick on the rear spine edges and a tear of about 1/2" on the top front spine corner that has been repaired on the reverse with document repair tape.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Gr.-8°, Broschur. Zustand: Sehr gut. ca. 300 Seiten Ausgetragenes Bibliotheksexemplar, Buch ist in einem sehr guten Zustand, Einband leicht lichtrandig, Papier in sehr gutem Zustand. B05-04-01A Sprache: Deutsch Gewicht in Gramm: 500.

Zustand: Sehr Gut. Zustandsbeschreibung: Mängelexemplar. Studies in Renaissance and Baroque Literature. The themes of «erring,» «education,» and «development» were often linked with the master-images of the garden and labyrinth in Renaissance writing. Humanist concerns about natural order, temporality, and history could be situated in these poetic realms insofar as they symbolized fluctuating aspects of a more complex reality. The imaginative use of the garden and labyrinth is widely detectable in the generic structures and stylistic patterns of the age. 335 Seiten, gebunden (German Studies in America; Vol. 56/Peter Lang Verlag 1988). Statt EUR 55,95. Gewicht: 567 g - Gebunden/Gebundene Ausgabe.

hardcover. Zustand: Fine. in plastic wrap.

Hardcover. 23 x 15,5 cm. Hellbrauner Original-Pappband mit schwarzen Einbandtiteln. (6), 397 Seiten mit vielen Anmerkungen und einigen Notenbeispielen. Einige Textpassagen in englischer und lateinischer Sprache. Außen und innen sehr sauberes, festes und wirklich gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! Rom.ik.

Paperback. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bending to covers and page block. Light bumping visible to corners of boards and ends of spine strip. Secure packaging for safe delivery.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 162 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: Bon état. in-8, cartonnage sous jaquette illustrée, 298 pp. Textes en anglais de Michel Deguy, Julia Kristeva, Albert Cook, Octavio Paz, Kenneth Fields, etc. Jaquette un peu défraîchie, sinon en bon état.

Zustand: New.

Erstausgabe, 8°, XVI, 434 S. Ill. original Leineneinband (Hardcover) mit original Schutzumschlag, kleiner Besitzervermerk auf Vorsatzseite, sonst gutes, sauberes Exemplar Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.

Paperback. Zustand: Brand New. 1st edition. 288 pages. 8.50x5.50x0.75 inches. In Stock.

Paperback. Zustand: Brand New. new edition. 207 pages. 8.50x6.25x0.50 inches. In Stock.

Zustand: Befriedigend. Zustandsbeschreibung: vereinzelte Bleistiftanstreichungen und -anmerkungen, leicht bestoßen. 221 Seiten, gebunden (Twayne's World Authors Series; Vol. 103/Twayne Publishers 1971). Gewicht: 388 g - Gebunden/Gebundene Ausgabe.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Johann Ludwig Tieck (1773-1853) was one of the most formative influences of the romantic movement, inspiring such major figures as Novalis and Hoffmann. Not only did his tales and novels shape the course of German romantic fiction; as a translator he helped to naturalize Shakespeare and Cervantes; as an editor he was among the first to recognize Kleist. Tieck's precocious invention of ironic-fantastic comedy quickly found resonance among fellow romantics, who worked under the parallel influence of the Goethean revolution in drama exhibited in Faust. Yet Tieck's play Puss-in-Boots (1797) had to wait a full century before its impulses were transmitted, by Pirandello, to modern anti-theater and theater of the absurd. The Tieckian direction anticipates the metaphysical strains both of symbolist and of existentialist theater and the beneficent absurdism of Wilder and Ionesco. As the boundary between stage and audience completely dissolves in Puss-in-Boots, we experience the transcendent delight of pure theater and unsettling doubts about our own roles on the world's stage.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines how a long line of imaginative writers, starting from Rabelais and continuing over Cervantes and Sterne down to such modernists as Proust, Mann, Joyce, and Barth, has reaffirmed the picture of an enduring Western civilization despite repeated crises and transformations. The humanist capacity to recapture a sense of European greatness as exhibited in Antiquity was paralleled by and continued in the guise of newer vernacular works, achievements regarded as vital forms of a shared cultural rebirth. This was amplified most notably in the tradition of the ironic encyclopedic novel which surveyed the state of successive phases of culture. The evolving heritage and revitalization of the arts constituted main subject matters in the series of major self-conscious epochal movements, the Enlightenment, Romanticism, and Modernism, which Postmodernism reflexively now struggles to supersede.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book revisits the notion of World Literature and its applications in Comparative Literature. It suggests the notion not as a means to sift out international paradigms for reading literatures, but as a set of guidelines for the construction of interlocking and/or reciprocally illuminating multilingual literary clusters. These ensembles are of very diverse shapes: the world, a region, a country, a language block, a network of cross-cultural «interferences» - while the so-called minor literatures invite to question the use of these ensembles. Within this frame, fourteen essays respond to the basic paradox of World Literature: how may specific methodological and critical outlooks allow expression of the universal The answers to this question can be arranged in three groups: 1. Recognition of the need to break loose from European or Western critical perspectives; 2. Presentation of macro- and microcosmic dimensions connectedness and its processes; 3. Definitions of the methodological efforts and hermeneutic orientations to be applied.; This book revisits the notion of World Literature and its applications in Comparative Literature. It suggests the notion not as a means to sift out international paradigms for reading literatures, but as a set of guidelines for the construction of interlocking and/or reciprocally illuminating multilingual literary clusters. These ensembles are of very diverse shapes: the world, a region, a country, a language block, a network of cross-cultural 'interferences' - while the so-called minor literatures invite to question the use of these ensembles. Within this frame, fourteen essays respond to the basic paradox of World Literature: how may specific methodological and critical outlooks allow expression of the universal The answers to this question can be arranged in three groups: 1. Recognition of the need to break loose from European or Western critical perspectives; 2. Presentation of macro- and microcosmic dimensions connectedness and its processes; 3. Definitions of the methodological efforts and hermeneutic orientations to be applied.