Gideon bachmann (14 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Fine. Abnutzung / Risse - leicht; Gebrochener Buchrücken / Seiten oder Softcover umgeknickt; Vergilbt / ausgeblichen.

Macht und Handwerk des Films. BELTZ-Information für Jugendliche. 1. Aufl. 144 S. mit Abbildungen. ISBN: 340784008x. Beltz. Weinheim. 1977. Mit Gebrauchsspuren/Used condition. Broschur/Softcover. Stempel. Bibliotheksexemplar/Library copy. Sprache: deutsch/german.

Softcover/Paperback. Zustand: Gut. 142 p. ; ill. Noch guter Zustand. Hinterer Buchdeckel stark fleckig, Einband mit 2 zusätzlichen Fotos foliert. Seiten sauber. / Still good. Back cover heavily stained, cover laminated with two additional photographs. Clean pages. Sprache: Italienisch Gewicht in Gramm: 300.…

Zustand: Good. Side-stapled printed wraps. Mimeographed. 4to. Spine chipped, cover sunned along edge. Cinemages' second collection of 1151 film periodicals. Special bibliographical issue. Good.

Softcover/Paperback. Zustand: Gut. 141 p. ; num. ill. Noch guter Zustand. Einband mit leichten Gebrauchsspuren. Vorsatz, Titel und Inhaltsverzeichnis jeweils mit kleinem grünen Vermerk in rechter, oberer Ecke, sonst Seiten sauber. / Still good. Cover shows mild wear. Flyleaf, title page and table of contents each with small green note in the top right-hand corner, otherwise clean pages. Sprache: Italienisch Gewicht in Gramm: 970.…

Booklets. Zustand: Gut. Ca. 720 p. in total ; num. ill. Good. Bundle of 11 booklets - [numbers] Fall 1961, Winter 1964-65, Winter 1972-73, Spring 1973, Summer 1975, Fall 1975, Winter 1975-76, Summer 1976, Spring 1977, Fall 1977, Winter 1980-81. Covers show mild wear adequate to age. Vol. Fall 1961 stamped inside ("Gideon Bachmann Collection"). One booklet with marker markings, otherwise clean pages. Sprache: Englisch Gewicht in Gramm: 1480.…

Softcover/Paperback. Zustand: Gut. Ca. 50 p. ; mostl. ill. Guter Zustand. Einband mit leichten Gebrauchsspuren. Seiten sauber. / Good. Cover shows mild wear. Clean pages. Sprache: Deutsch Gewicht in Gramm: 260.

kart. Zustand: Sehr gut. 144 S. : Ill. ; 21 cm Zustand: sehr gut bis neuwertig; UNGELESEN; w25609 9783407840080 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Deutsch Gewicht in Gramm: 190.

Vintage bound gathering of four programs published in conjunction with four film screenings held by The Group for Film Study (GFS) between December 27, 1953, and February 21, 1954. Films represented in the programs include "On the Edge" (1949, Curtis Harrington), "Le Bijou" (1950, Francis Lee), "Etoile de mer" (1928, Man Ray), "Night on Bald Mountain" (1934, Alexander Alexeieff), "Psyche" (1947, Gregory Markopoulos), "The Late Matthew Pascal" (1925, Marcel L'Herbier), "Roots of Happiness" (1954, Henwar Rodakiewicz), "Swain" (1954, Gregory J. Markopoulos), "Cops" (1922, Buster Keaton), "Caravan" (1953, Jordan Belson), and "Salvation Hunters" (1924, Josef von Sternberg). Of particular note in the programs is a lecture and discussion with von Sternberg himself following the screening of "Salvation Hunters." Founded by Gideon Bachmann in 1953, the GFS was an early New York-based film organization with a particular focus on experimental cinema and film history. Legendary Lithuanian-American filmmaker and critic Jonas Mekas, with whom Bachmann had attended film courses from Hans Richter at New York City College in 1952, was also an active member of the group, and is credited in three of the four programs on offer here. While they remained friends, Mekas and Bachmann drifted apart in 1955, deciding to focus on different aspects of cinema. Mekas, now considered a foundational figure in avant-garde film, would go on to publish "Film Culture" magazine and co-found the Filmmakers' Cooperative. Bachmann, whose primary interest lay in European cinema and its outsiders, would found "Cinemages" magazine, and its sister radio program, "Film Forum," in 1955. The program from February 21, 1954, articulates the ethos of the GFS: "The Group for Film Study is a nonprofit membership organization devoted to the study of the film as an art and as a medium of communication. [Its] programs are designed to further the consciousness of the public to the existence of a cinema of quality, and by creating an intelligent and discriminating film audience, increase the demand for good motion pictures. [.] GFS publishes detailed program notes for each film outlining its history and intrinsic value. Film artists of caliber are invited to present their views on various aspects of the cinema. All programs are chosen through careful selection and in consultation with outstanding film authorities." Approximately 6 x 9 inches. Very Good plus in side-stapled gray wrappers, with brief wear at the wrapper corners and top edges. …

Zustand: Gut. krankheitsbedingt erfolgt der Versand nur 1x pro Woche. Sprache: Deutsch.

Bundle. Zustand: New.

Zustand: Good. Includes Cinemages 2 -Jean Epstein worn A4 paperback - very scarce.

Unbound. Zustand: Very Good. First Edition. Broadside. Measuring 8?" x 14", mimeographed recto only. Two old folds, a trifle soiled, and the unprinted verso a bit tanned, very good or better. With a G.F.S. membership card (good until December 15, 1953) made out to New York publisher and bookseller George Bixby. The broadside advertises three evenings of showings: one is a memorial to the recently deceased Vsevolod Pudovkin, and the other two are titled "Evening of Controversial Films" and "Poetry in Film and as a Film Form." Showing these two nights are Kenneth Anger's *Fireworks*, Bartosch and Franz Masareel's *Idea*, "3 Abstract Film Exercises" by the Whitney Brothers, *Un Chien Andalou* by Bu?uel and Dali, May Ray's *Etoile de mer*, Francis Lee's *Le Bijou*, Gregory Markapoulos' *Psyche*, Alexeieff's *Night on a Bald Mountain*, and Curtis Harrington's *On the Edge*. A nice broadside from an important early experimental film club.…