gibson june (9 Ergebnisse)

Soft cover. Zustand: Fine. First Edition. 43p. Book.

card cover>. Zustand: Fine. First Edition. 27p. Book.

Zustand: Good. Folio. 152 pp. Oblong. Hard cover. Near Fine. Illustrated paper covered boards. Chiefly B&W plates throughout.Heavy volume, additional shipping fee may apply.ISBN: 9781642044485 1642044482Collection from San Francisco Museum of Modern Art.

[32] pp.; 23.5 x 20.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; letterpress Catalogue prepared in conjunction with the annual meeting of the Board of Directors of Tamarind Lithography Workshop, Inc. held April 29, 1969. Text by June Wayne. Includes lists of artist grantees, guest artists, printer grantees, curatorial grantees, printmaker-teacher grantees, research grantees, museum directors, curators and educators, as well as staff. Also includes black and white photographs and maps of lithography in the US in 1959 before Tamarind and lithography in the United States in 1969 with direct links to the Tamarind program. Incorporates action photographs by Ralph Gibson of printing actives at Tamarind. Very Good / Fine. Light handling wear, otherwise clean and unmarked. Includes slipped in September 1995 price list of "New Lithographs, Monoprints, and Monotypes.".

Single Issue Magazine. Zustand: Good. Little, John (Cover); Rockett, Paul; Webber, Ray; Ehricht, Horst; Croydon, Peter; Notman, William; Eve, A.S.; Gibson, John S.T. (illustrator). First Edition. 48 pages. Features: The front cover illustration of this issue will bring a smile to any red-blooded Canadian! The night scene depicts an extended family happily drinking beer while watching hockey on TV by their woodstove in a snug ice fishing hut - pure Canadian magic!; Why pass a useless Bill of Rights?; Going Steady - Is it ruining our teen-agers?; Holiday Weekend in Toronto - Jim and Ruth Dugan return to discover an exploding metropolis; Bedford's three-ring dukedom - The thirteenth Duke of Bedford - article with photos; Famous Families at Home - The Dr. William Blatzes - article with family photos; Is it really possible to see your own ghost? - the answer seems to be yes; Clyde Gilmour picks the best and worst movies of 1958; How Ernest Rutherford launched the atomic age - article with photos; John S.T. Gibson and his family have been fishing the B.C. coast for 10 years - photos with article; Nice colour photo ad for Red Cap Ale; Uncommon colour ad for the Renault Dauphine on back cover; and more. Clean and unmarked with moderate wear. A quality vintage copy.

Original stapled souvenir theatre programme in paper covers. 7'' x 5''. Contains 12 pp including the covers, illustrated advertisements inside the front cover and to the rear cover. The title character of the play, General Harras, is based on the ace Ernst Udet and his struggles during the second world war, simultaneously working under and openly being against the Nazi Party. Despite the serious scenario of it, a comical and satirical tone is often used throughout the play. SIGNED by Trevor Howard and John Sutro to the front cover, also SIGNED to the cast list page by Denis McCarthy, Betty Stockfield, Peter Gibson, Wilfrid Lawson, Frederick Leister, Gearld Cross, Rosalind Boxall, Valerie Hanson, Geoffrey Hibbert, Jane Griffiths, Cyril Luckham, Henry Comor, Tom Colmer, Frederick Treves, Robert Raglan, Gordon Tanner and two others. Member of the P.B.F.A. THEATRE PROGRAMMES.

Vintage reference photograph from the 1924 film, showing actor Gibson Gowland in character as McTeague. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery, but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece, one of the first films to be shot entirely on location, in San Francisco and Death Valley, using (what were then considered) sophisticated and relatively new filming techniques, such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth, 9.5 hour presentation, edited down to two and a half hours against his wishes. All that survives today is a restored, slightly choppy but coherent 240-minute version, supplanted with still photographs, that conveys to the viewer the unimaginable grandeur of the original. 7.5 x 9.75 inches. Very Good plus, with brief wear along the bottom edge and a small toned spot near the bottom left corner. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Detailed collation: I. Annual titlepage, v pages 'Index', 224 pages (Issue #1-#4 individually paginated [16 p. in total], Issue 5 starts with p. 17, then onwards to p. 224). / II. Annual titlepage, xiii pages 'Index', 245 pages. / III. Annual titlepage, xi pages 'Index', 200 pages. / IV. Annual titlepage, x pages 'Index', 245 pages. / V. Annual titlepage, xi pages 'Index', 196 pages. - 'Publisher's' titled greyblue halfcloth bindings with yellow thick cardboard-panels; 8vo.(ca. 20,5 x 14 x 9 cm; ca. 2,5 kg.). *** FIRST EDITIONS, HALFCLOTH ORIGINALS; 5 CONSECUTIVE VOLUMES, COMPLETE. - Front endpapers with holograph previous owner's name, inner rearpanels with corresponding namestamp; topedges with shallow foxing, foreedges slightly spotty; OVERALL A VERY GOOD SET.

Vintage reference photograph of the cast, crew, and onlookers from the set of the 1925 film. Mimeo snipe and annotations in manuscript ink on verso. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery, but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece, one of the first films to be shot entirely on location, in San Francisco and Death Valley, using (what were then considered) sophisticated and relatively new filming techniques, such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth, 9.5 hour presentation, edited down to two and a half hours against his wishes. All that survives today is a restored, slightly choppy but coherent 240-minute version, supplanted with still photographs, that conveys to the viewer the unimaginable grandeur of the original. 8 x 10 inches. Very Good plus, with a small closed tear in bottom margin and faint creasing. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.