Giannini giulia (16 Ergebnisse)

Zustand: COME NUOVO. Pisa, Ediz.ETS cm.13,5x21,5, pp.164, brossura con cop.fig. oll.Politica della Scienza,1.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie Condizioni dell'interno: Discrete con Difetti, sottolineature firma.

Zustand: New. In English.

Zustand: NEW.

Zustand: BUONO USATO. Politica della scienza ITALIANO N.1 della collana, pagine ben preservate, copertina editoriale brunita al dorso e parzialmente ingiallita ai piatti, con leggere ombrature, lievi segni di usura ai bordi e traccia di umidità alla cima. Numero pagine 161.

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book explores continuity and ruptures in the historical use of visual representations in science and related disciplines such as art history and anthropology. The book also considers more recent developments that attest to the unprecedented importance of scientific visualizations, such as video recordings, animations, simulations, graphs, and enhanced realities. The volume collects historical reflections concerned with the use of visual material, visualization, and vision in science from a historical perspective, ranging across multiple cultures from antiquity until present day.The focus is on visual representations such as drawings, prints, tables, mathematical symbols, photos, data visualizations, mapping processes, and (on a meta-level) visualizations of data extracted from historical sources to visually support the historical research itself. Continuity and ruptures between the past and present use of visual material are presented against the backdrop of the epistemic functions of visual material in science. The function of visual material is defined according to three major epistemic categories: exploration, transformation, and transmission of knowledge.…

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book explores continuity and ruptures in the historical use of visual representations in science and related disciplines such as art history and anthropology. The book also considers more recent developments that attest to the unprecedented importance of scientific visualizations, such as video recordings, animations, simulations, graphs, and enhanced realities. The volume collects historical reflections concerned with the use of visual material, visualization, and vision in science from a historical perspective, ranging across multiple cultures from antiquity until present day.The focus is on visual representations such as drawings, prints, tables, mathematical symbols, photos, data visualizations, mapping processes, and (on a meta-level) visualizations of data extracted from historical sources to visually support the historical research itself. Continuity and ruptures between the past and present use of visual material are presented against the backdrop of the epistemic functions of visual material in science. The function of visual material is defined according to three major epistemic categories: exploration, transformation, and transmission of knowledge.…

Taschenbuch. Zustand: Neu. Scientific Visual Representations in History | Matteo Valleriani (u. a.) | Taschenbuch | xv | Englisch | 2024 | Springer | EAN 9783031113192 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Paperback. Zustand: Brand New. 375 pages. 9.25x6.10x0.78 inches. In Stock.

Zustand: New.

Zustand: New. &Uumlber den AutorMordechai Feingold is the Van Nuys Page Professor of History at Caltech. He is the editor of the journals Erudition and the republic of Letters (Brill) and History of Universities (Oxford). He is the author of a.

Hardcover. Zustand: New. &Uumlber den AutorPietro Daniel Omodeo is a professor of Historical Epistemology at Ca Foscari University of Venice and PI of the ERC endeavor EarlyModernCosmology (Horizon 2020, GA 725883). He is the author of Coperni.

Buch. Zustand: Neu. Neuware - This volume aims to furnish a broader framework for analyzing the scientific and institutional context that gave rise to scientific academies in Europe--including the Accademia del Cimento in Florence; the Royal Society in London; the Académie Royale des Sciences in Paris; and the Academia naturae curiosorum in Schweinfurt. The essays detail the multiple backgrounds that prompted seventeenth-century savants--from Italy to England, and from Poland to Portugal--to establish new forms of scientific organizations, in which to institutionalize collaborative research as well as modes of communication with like-minded individuals and associations.…

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Italienisch | Produktart: Bücher | All'inizio della terza edizione di "Ci ragiono e canto", registrata nel 1973 dalla Rai, Dario Fo spiega che le canzoni popolari che parlano del lavoro derivano direttamente, in tempi, lunghezze dei versi e delle strofe, dinamiche e ritmi, dalle operazioni del lavoro. Accompagnavano l'attività lavorativa mentre la si svolgeva e su di essa erano misurate. Ma non tutte le canzoni di lavoro sono inquadrabili in questa prima definizione, come ci avverte Roberto Leydi. Il mondo del canto popolare ispirato al lavoro è molto più ampio e variegato. Giulia Giannini ci offre in questo volume, evocativo fin dal titolo, "Mi ricordo e canto", un panorama più ricco, sia dal punto di vista storico che da quello tematico, delle canzoni legate al lavoro. Nella sua esposizione si può seguire l'evolversi del tema del lavoro nelle varie condizioni economiche e sociali, influenzate anche dalla nascita di un movimento operaio organizzato. In origine prevale la denuncia delle condizioni di lavoro 'nei campi e nelle officine'. Dello sfruttamento, in termini di orari e fatica e di rischi per la salute e per la vita. Successivamente le canzoni di lavoro diventano canti di emancipazione e di lotta, in cui alle difficili condizioni individuali si affiancano i richiami alla battaglia dei lavoratori o le proteste per le tragedie collettive. Prefazione di Janna Carioli. Postfazione di Gaetano Sateriale. Das Urheberrecht an bibliographischen und produktbeschreibenden Daten und an den bereitgestellten Bildern liegt bei Informazioni Editoriali, I.E. S.r.l., oder beim Herausgeber oder demjenigen, der die Genehmigung erteilt hat. Alle Rechte vorbehalten.…