Gervase jackson stops editor (7 Ergebnisse)

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Hardcover. Zustand: Very Good. No Jacket. Sotheby Parke Bernet, London, 1978. Hard cover. Book Condition : Very Good. Clean unmarked text. Superb illustrations. Book will be sent by UK postal service. Inventory #016983.

Hardcover. Zustand: Good. 173 pages. dj ripped.

Hardcover. Zustand: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post.

Zustand: Gut. 184 p. Dust jacket slightly rubbed, otherwise a good and clean copy. - Contents: Mary Moorman: Wordsworth at Cockermouth and Allan Bank -- Ronald Blythe: Coleridge at Nether Stowey -- Ian Campbell: Carlyle in Cheyne Row -- Desmond Hawkins: Hardy at Bockhampton and Max Gate -- Frank Tuohy: Henry James at Lamb House -- Jonathan Keates: Kipling at Batemans -- Michael Holroyd : Shaw at Shaw's Corner -- Raleigh Trevelya: T.E. Lawrence at Cloud's Hill -- John Lehmann: Leonard and Virginia Woolf at Monk's House -- Quentin Bell : A Bloomsbury Circle in East Sussex. ISBN 9780862940560 Sprache: Englisch Gewicht in Gramm: 932 Original linnen with dust jacket.…

Zustand: Very good. Presumed First Edition, First printing. The format is approximately 8.75 inches by 9.25 inches. 112 pages. Illustrated cover. Profusely illustrated (many illustrations are in color). Minor cover wear and soiling noted. One page TLS on Heim stationery signed by Michael Bellamy relating to the catalogue and associated exhibition laid in. The gallery is recognized as being among the first commercial galleries to present scholarly exhibitions. In art history, "Old Master" (or "old master") refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving, woodcut, or etching) made by an artist in the same period. The term "old master drawing" is used in the same way. In theory, "Old Master" applies only to artists who were fully trained, were Masters of their local artists' guild, and worked independently, but in practice, paintings produced by pupils or workshops are often included in the scope of the term. Therefore, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as "A pre-eminent artist of the period before the modern; esp. a pre-eminent western European painter of the 13th to 18th centuries." The first quotation given is from 1696, in the diary of John Evelyn: "My L: Pembroke.shewed me divers rare Pictures of very many of the old & best Masters, especially that of M: Angelo.,& a large booke of the best drawings of the old Masters." The Dutch may have been the first to make use of such a term when oude meester mostly meant painters of the Dutch Golden Age of previous centuries. Heim Gallery London began in June 1966 with François Heim (from Galerie Heim, Paris, begun 1954) and Andrew S. Ciechanowiecki as partners. Ciechanowiecki served as director in London while Heim remained in France. The emphasis of the gallery was Old Master paintings, especially French of the 15th - 18th century, Italian paintings of all periods, and sculpture (marble, terracotta and bronze) from the Renaissance to the 19th century. The gallery was known for its scholarly exhibitions and catalogs. Between 1966 and 1989 the gallery presented exhibitions two to three times a year. The gallery did business with museums and individual clients in Europe and the United States. Ciechanowiecki helped build two significant private collections in the United States, the terracotta sculpture collection of Arthur Sackler (a portion of which is now at the National Gallery in Washington), and the Ian Ross collection of 19th century French sculpture. Heim Gallery also did business under other names: Old Masters (Paintings and Sculptures) Ltd. was created, apparently, as an internal device for tax purposes and had by 1986 as its sole directors, Ciechanowiecki and John Pomian, also sole directors of Heim Gallery at this time. The two entities existed concurrently in different premises. In October 1986, the Heim Gallery premises were leased to Richard Herner, owner of Swiftdene Ltd., and the corporate names exchanged: Herner was to use Heim Gallery, and Ciechanowiecki and John Pomian took on the name Swiftdene Ltd. Swiftdene and Old Masters shared premises at 67/68 Jermyn Street. At this point, Old Masters was still wholly owned by Ciechanowiecki and Pomian, with Swiftdene controlled by a Swiss company. Swiftdene ceased trading 30 September 1989 and its stock was purchased by Old Masters. Trade paperback [stiff card cover].…