Gerry miles (20 Ergebnisse)

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 152 120 Illus. (60 Col.).

Hardcover. Zustand: New. No Jacket. First Edition.

Hardcover. Zustand: Brand New. 152 pages. 12.01x8.58x0.87 inches. In Stock.

Zustand: New. 2008. 2nd. Hardcover. Num Pages: 152 pages, 60 paintings in full colour, over 60 pencil studies, 20 ful. BIC Classification: 1DBKEWD; 5AN; WSZC; WTH. Category: (G) General (US: Trade). Dimension: 222 x 303 x 19. Weight in Grams: 1070. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 152 pages. 12.01x8.58x0.87 inches. In Stock.

Illustrated Boards. Zustand: Virtually as New. Zustand des Schutzumschlags: None - as Issued. First Edition. 103 pages, beautifully illustrated in colour and black and white, including illustrations showing the use of a guillotine lock. Miles, Gerry (illustrator).

Laminated Boards. Zustand: Very Good/As New. No Dust Jacket. First Edition. 103pp, illustrated with both colour and black & white drawings by the author, laminated boards, excellent condition, back board just very slightly scuffed. Size: 8.5 x 12 Inches. Author (illustrator). Illustrated Fiction.

Zustand: NEW.

Zustand: Very Good.

Buch. Zustand: Neu. Neuware.

Zustand: New.

Buch. Zustand: Neu. The South Hams Coast | An Illustrated Guide with 18 Circular Walks | Gerry Miles | Buch | Gebunden | Englisch | 2008 | Halsgrove | EAN 9781841146904 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

10,5 x 14,5 cm. Karteikarte mit Beiblättern. = Bell'Arte. Gerald Joseph "Gerry" Mulligan (* 6. April 1927 in Queens, New York City; 20. Januar 1996 in Darien, Connecticut) war ein US-amerikanischer Jazzmusiker (Baritonsaxophon), Arrangeur und Komponist. Mit seinem klarinettenartigen, in Motivketten elegant perlenden und zugleich leicht anmutenden Spiel hat er dem Baritonsaxophon im Modern Jazz zur solistischen Anerkennung verholfen. Bill Mays (* 5. Februar 1944 in Sacramento, Kalifornien) ist ein US-amerikanischer Jazzpianist. Born in Seattle, Washington, in 1956, Dean studied Bass Violin with a number of bassists, including the renowned Gary Peacock. Dean Johnson also studied piano and composition at the Cornish Institute, in Seattle, with James Knapp and from 1974 to 1976, attended the Berklee College of Music, in Boston, studying with bassists Rich Appleman, John Neves, and studying theory, composition, and arranging with John LaPorta and Herb Pomeroy. Butch Miles (* 4. Juli 1944 in Ironton, Ohio) ist US-amerikanischer Jazz-Schlagzeuger. (Wikipedia) Sprache: deutsch.…

audioCD. Zustand: Wie neu. Seiten; CD - 5652 9N-B2QA-IUBM Sprache: Deutsch Gewicht in Gramm: 500.

24 pp.; 44.9 x 29.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; April 19 - 25, 1974 issue of Berkeley Barb, edited by David Armstrong. Contents include: "Is SLA's Cinque the First Black Lee Harvey Oswald?," by Mae Brussell and Stephanie Caruana; "Teachers in Secret Vote Over Strike," by Avis Worthington; "Has Abbie Jumped Bail in Coke Case?," "People's Park Plan May Get Rector's Name;" "Cinque Called Police Patsy," by Sgt Pepper; "Newsman Busted;" "Coalition Makes Move: Oil Moguls Challenged," by Frederick U. Ross; "Valley Coalition Officers;" "SLA Bank Holdup Answers Some of the Questions," by Ric Reynolds; "Will Gerald Ford Survive San Jose This Weekend?;" "Gunman Suspended;" "Big 'Welcome' Planned for Nixon's Henchmen;" "Protest for Popeye;" "Inventing Diseases to Explain Away America's Violence;" "New Peralta College Plan Hits Snags," by David J. Kolsky; "PT&T CruciFiction: Old Ma Bell's Got a Hang Up," by Jennifer L. Thompson, photo by Janet Fries; "SLA Set-UP? Panther Bust Seen as Stage of Renewed Police Plot," by David Armstrong; "Charge Berkeley Agency Illegal," by Avis Worthington; "Terminal Pot Case;" "Berkeley Council Backs Harassed Trotskyist Party," by Avis Worthington; "Big Protest Demo to Throw Bum out;" "Sun Lovers Fight Atom Smashers," by Tom Plante; "Protest at Japanese Slaughter of Whales;" "Women Busted for Delivering Babies Without License;" "Computers Help Solve JFK Death;" "Psycho-Terror: How They Contract Your Consciousness," by David Armstrong; "Visitors Hassled: Hells Angel Chief Being Victimized in Folsom;" "Striking Utility Workers Seek Probe," by Avis Worthington; "Who Pays Income Tax Anyway?;" "Inquisitors Coming," by Gerry Lee-Borst; "Feminist Socialism: The Hard Core of the Dream," by Herbert Marcuse; "Kiss it All Goodbye;" "Free at Last! Tonto Gets Masked Man," by Berna Rauch; "Gleeson Synthesized," by Loren Means; "Carolee Cuts Through Light, Time and Space," Michael Reynolds on Carolee Schneeman; "Dracula is a Scream," by Berma Rauch; "Chess Barbs," by Jude Acers (U.S. Senior Master); "Sex Roles in the Sixties: Where the Girls Were At;" "Tonight as 'Conrack': A Wise Guy Liberal Crazy Stirring Up Black Kids," by Janet Fries; "Mott Lobotumizes Poet;" "New Stage, Old Story;" "Lenny Tries to Make You See the Way It Is," by Richard Casey; "Pop Culture a Little Overcooked;" "Silence Falls Over Berkeley," by Arnie Passman; "New French Movie is Real Talker," by Richard Casey and "Getting to See Miles Becoming a Hassle," Loren Means on Miles Davis. Good / Very Good. Folded in two, with light yellowing of covers and pages with light edge-wear, bumping, folding and small tearing throughout including 2.7 cm. loss to top right corner of recto and 4 mm. tear to page 3. 1 cm. tearing and loss to bottom left corner of publication. Additional small tearing to page edges with some bumping. Contents are clean and unmarked. …

[24] pp.; 41.3 x 28.4 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 9 of ZG Magazine, edited by Rosetta Brooks. Contents include: "My Death, My Life by Pier Paulo Pasolini," an Extract from New York writer Kathy Acker's New Novel; "You No Wanna Dadda" by Barbara Kruger; "Rock Videos: Another World," By Michael Boodro; "Twin Desires: The Art of Troy Brauntuch, David Salle, Jack Goldstein," by Merope Lolis; "Seeing and Believing," by Jonathan Miles; "Junk Culture: The Uses of Affluence," by Brian Hatton; "Before the Storm: Two Interviews with Eric Bogosian," interviews by Howard Halle, co-edited with Amy Lowe, and by Steve Roeser; "Fashion Fictions: Absence and the Fast Heartbeat," by Dena Shottenkirk; "George is Dead: Boys from the Blacckstuff: A British T.V. Drama," by Philip Derbyshire; "The Algebra of News," by Sylvere Lotringer; "Fear of Fascism: Old Stories - New Narratives," by Angela McRobbie; "It's All True: A Cautionary Tale About the Video Age," ZG talks to Julian Temple; "After the Fire is Gone," by Josh Baer; "A Flower of Light in a Field of Darkness," by Gerry Morehead and "Glenn Branca: Symphony No. 4," photos by Chris Harris. Cover by Robert Mapplethorpe. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 312. Good. Light rubbing of covers and cover edges with bumping of top right corner of magazine and light creasing across recto. Yellowing of pages. Contents clean and unmarked. Due to size additional shipping charges will be required for international orders. …

Superb group of candid images of Miles and Mulligan captured by celebrated jazz photographer Burt Goldblatt and dating to the 1955 Newport Jazz Festival, in many ways Davis's breakthrough appearance. As the trumpeter himself said, "I wasn't really popular at this time, but that began to change after I played at the Newport Jazz Festival in 1955. [George Wein] had an All-Star band that had Zoot Sims, Gerry Mulligan, Monk, Percy Heath, Connie Kay; he later added me. They played a couple of tunes without me and then I joined them on "Now's the Time," which was a tribute to Bird's memory. And then we played "'Round Midnight," Monk's tune. I played it with a mute and everybody went crazy. It was something" (Miles: The Autobiography, p. 181). Miles appears alone in 17 images and twice with Mulligan, apparently backstage; in one of these Gerry is lighting Miles's cigarette and in the other, Davis is checking the baritonist's attire. Those of Miles alone showing him reading, tending a houseplant, sitting with his horn and looking reflective. A single shot shows him playing onstage in the "white jacket and black bow tie" mentioned by Goldblatt in his Newport Jazz Festival: An Illustrated History, the photographer noting that, "it was a completely unscheduled appearance. He had shaken off the junk and personal problems that had led the jazz establishment to write him off. [on "'Round Midnight"] Miles played with great emotion. His solo, particularly after the bridge, had a clarity and austerity that were to mark much of his later work. He got at something more than the truth. The audience sat spellbound. Newport was a turning point in his career". Mulligan is pictured in five images, showing him onstage with a group of horn players - Kai Winding and Bud Shank are identifiable - two of these being very atmospheric shots employing deep chiaroscuro, something of a Goldblatt trademark. The lensman's New York Times obituary described him as "a prolific designer of moody jazz LP album covers. In the early 1950s, after the introduction of the LP, the most progressive American cover designs were created for jazz albums, and Mr. Goldblatt was among the pioneers in establishing the cool-jazz style. It encompassed black-and-white portraits and studio photographs, inspired by film noir, as well as gritty street scenes, often abstractly overlaid with flat colours, evoking a sense of urban night life" (7 September 2006, retrieved 22 November 2019). Miles Davis with Quincy Troupe, Miles: The Autobiography, Picador (1990); Goldblatt, Newport Jazz Festival: The Illustrated History (1977); Vail, Miles' Diary, p. 68. Two sheets measuring 253 x 202 mm, the other 280 x 215 mm; studio wet stamps to verso of the smaller. One sheet a little creased, two images with slight show-through from wet stamp, another two with faint blue ink splashes but overall in very good condition.…