germano kate (25 Ergebnisse)

Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Clean, unmarked copy with a solid and crease-free spine, KRM/Marines/Mil Hist.

118 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art" and "Reviews," by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, and Stuart Morgan. Cover: Robert Mangold. Good. Light soiling of covers including dust soiling, spiling along cover edges, and rubbing with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Trade paperback. Zustand: Very good. First Printing [Stated]. 304 pages. Chapters 27 and 29 authored by Joe Plenzler. Marine-Speak 101: Glossary and Rank Structure. Notes. Small chip at top corner of spine. Inscribed by both authors on the title page. Inscriptions read: Katherine - Thanks so much for your support Semper Fi- Kate. Kakki- Great to meet you! Hope you enjoy the Press Club! Kelly Kennedy. Kate Germano is an American author and a former officer in the United States Marine Corps. Germano is known for her 2018 book Fight Like a Girl, which explores gender bias within the Corps. Germano graduated from the U.S. Marine Corps Command and Staff College and Georgetown University. She served 20 years in the Marines before retiring. She is COO of Service Women's Action Network. Kelly Kennedy is the best-selling author of "They Fought for Each Other: The Triumph and Tragedy of the Hardest Hit Unit in Iraq," and the co-author of Kate Germano's "Fight Like a Girl: The Truth Behind how Female Marines are Trained." An award-winning journalist, Kennedy embedded in both Iraq and Afghanistan, and served as Military Reporters & Editors' first female president. She is the only American woman to have both served in combat in the U.S. military and covered U.S. combat as a civilian. A deeply personal, fully heartfelt, and powerfully written indictment of the policy of the US Marine Corps on training women for war. Lt. Col. Germano lays out the story of her journey from topflight Marine officer and battalion commander to being fired over differing vision for training female Marines at Parris Island. Joe Plenzler met the love of his life, another Marine officer, Kate Germano, and they married in 1999. That same year, Joe also attended the Defense Information School and earned a secondary military occupational specialty as a public affairs officer. While working for General James N. Mattis from 2001-2003, he planned and executed the largest media embed program in Marine Corps history during the invasion of Iraq. He narrowly survived an ambush that seriously injured two of his six-man team on March 23, 2003 as his convoy shot their way out of the town of Az Zubayr. Derived from a Kirkus review: A passionate account of a former Marine Corps officer's fight for equality and justice in a historically sexist system. When Lt. Col. Germano was hand-selected to take command of the 4th Recruit Training Battalion at Parris Island, a group that trains only female recruits, she was well-aware of the challenges ahead. The Marine Corps was the only service that still segregated men and women during basic training, and the biased strategy is a breeding ground of issues. Implemented after an outdated, inaccurate study that showed mixed-gender units performed worse than single-sex units, the training program holds women to lower standards and maintains the damaging assumption that women are inherently mean and emotional. This strategy results in poorer performances in female recruits as well as dangerous and destructive behavioral issues. When Germano took command of 4th Battalion for what was supposed to be the swan song of her 20-year career, she was determined to change things for the better and prove women could be just as effective as men. After a year in charge, Germano's recruits had markedly improved performance and fewer behavioral issues and injuries, and the overall quality of life at the training camp improved. Despite these achievements, the author's high expectations and no-nonsense command style shook up the status quo and the many Marines and leaders who wanted to protect it, and she was ultimately fired. Using her firsthand experience and anecdotal evidence from her year in command, Germano concludes that it was sexism, prejudice, and an overt opposition to women's success that ended her career. She provides a unique, powerful story of sexism and gender bias that will resonate with women across industries and experiences. A no-holds-barred condemnation of discriminatory training policies within the Marines and of systemic sexism facing women everywhere.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 371 pages color illustrations throughout. A touch of soiling and rubbing otherwise fine. Organized by Julia Brown Turrell. Edited by Howard Singerman. Square format. Published on the occasion of the exhibition from The Museum of Contemporary Art, Los Angeles CA December 10, 1986-January 10, 1988. Checklist of the Exhibition. Index.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. Reviews by Richard Armstrong, Lisa Liebmann, Thomas Lawson, Donald Kuspit, Ronny H. Cohen, John Howell, Jeanne Silverthorne, Barbara Kruger, Charles Hagen, Kate Linker, Judith Russi Kirshner, Suzaan Boettger, Hal Fischer, Howard Singerman, Annelie Pohlen, Martha Fleming, Paul Groot, Lars Nittve, Stuart Morgan, Ida Panicelli, and Luciana Rogozinsky. Cover: Brice Marden.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art." Reviews by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, Stuart Morgan. Cover: Robert Mangold.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Rebecca Horn: Dancing on the Egg," by Germano Celant; "Modern Art from a Japanese Viewpoint," by Shigeo Chiba; "Modern-Postism," by Glenn O'Brien; "Stubborn Ideas and LeWitty Walls," by Lisa Liebmann; "Jim Starrett, Pacifist Painter," by Donald Kuspit; "A Project by Dorothea Rockburne"; "Robert Wilson: It's About Time," by Franco Quadri; "Gone With the Wind," by Greil Marcus. Reviews by Glenn O'Brien, Donald Kuspit, Thomas McEvilley, John Yau, Ida Panicelli, Charles Hagen, Barbara Kruger, Jeanne Silverthorne, Kate Linker, Patricia C. Phillips, John Howell, Judith Russi Kirshner, Eleanor Heartney, Suzaan Boettger, Robert L. Pincus, Jeff Kelley, Ken Baker, Annelie Pohlen, Ingrid Rein, Denys Zacharopoulos, and Stuart Morgan. Cover: Rebecca Horn.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. Hoberman; "Bagpipes on the Shore: On Packing One's Bags with Visual Expectations, and on Traveling Light," by Carter Ratcliff; "The World of Photography: A Crash Course in a Pictorial Field, A Project for Artforum," by Michael Smith and William Wegman; "Under Midwestern Eyes: Silos of the Heart," by Buzz Spector; "A Blossoming of Cells: Michelle Stuart's Polyvalent Panoramas," by Patricia C. Phillips; "A Double Portrait of Cecil Beaton: Edwardian Modernism," by Max Kozloff. Reviews by Stuart Morgan, Patricia C. Phillips, John Howell, Ida Panicelli, Jeanne Silverthorne, Jean Fisher, Donald Kuspit, Carlo McCormick, Ronny Cohen, John Yau, Kate Linker, Charles Hagen, Barbara Kruger, Martha Clarke, Glenn Harper, Susan Freudenheim, Colin Westerbeck, Bill Berkson, Colin Gardner, Linda Burnham, Ida Panicelli, Max Wechsler, Denys Zacharopoulos, Helmut Draxler, Ingrid Rein, Annelie Pohlen, and Wolfgang Max Faust. Cover: Michelle Stuart.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. Reviews by Jeanne Silverthorne, Charles Hagen, Kate Linker, Ronny H. Cohen, John Howell, Sidney Tillim, Linda Burnham, Donald Kuspit, Richard Armstrong, Thomas McEvilley, Barbara Kruger, Charles Hagen, Judith Russi Kirschner, Suzaan Boettger, Melinda Wortz, Thomas McEvilley, Jeanne Randolph, Stuart Morgan, Annelie Pohlen, Saskia Bos, Kate Linker, Max Wechsler, and Ida Panicelli. Cover: Jannis Kounellis.