German jean (23 Ergebnisse)

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Zustand: Very Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. State University of New York, 1996. Hard cover. Book condition : Very good, clean text, Superb photographs. Jacket has shelf wear tears etc. Previous owners bookplate inside cover. Book wil be sent by UK postal service. Inventory #022925.…

Loose Leaf. Zustand: New. Reproduction. Original title: Allegory representing the freedom of France with four silhouettes German: Allegorie repräsentiert die Freiheit Frankreichs mit vier Silhouetten French: Allégoire représentant la liberté de la France avec quatre silhouettes Spanish: Alegoría que representa la libertad de Francia con cuatro siluetas High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1793?1800). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Hardcover. Zustand: Very Good. Firmly bound illustrated laminated boards, fifth edition 1968, copyright 1959.

Zustand: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Soft cover. Zustand: Fine. 115 x 217 x 30mm. 413pp. TEXT IN FRENCH. Condition as new. NB: An extra shipping charge may be requested for heavier or more valuable items. All our 'Seller Images' show the actual item you will receive.

Hardcover. Zustand: Sehr gut. Gelesen, aber ohne Mängel---. nein.

Paperback. Zustand: Brand New. bilingual edition. 341 pages. French language. 8.27x5.83x0.71 inches. In Stock.

Rústica. Zustand: Muy Buen estado. Idioma español.

223 untrimmed and partly unopend pages. - Publisher's titled softcover with gentle ornament at frontpanel; 8vo.(ca. 19 x 12 cm). ~~~ FIRST EDITION, SOFTCOVER ORIGINAL; EXEMPLAIRE 'S.P.'(Service de Presse), INSCRIBED AND SIGNED BY THE AUTHOR ''Pour Claude Bourdet / en respectueux hommage / . . .'' at foretitle-page. - Cover slightly used; A VERY GOOD COPY.…

Frühes Porträtfoto, eigenhändig signiert (verschiedene Motive vorhanden) (early photo-postcard signed / different shots available).

Zustand: New. In English.

Hardcover. Zustand: Brand New. 1st edition. 484 pages. 9.00x6.00x1.25 inches. In Stock.

8°. 408 pp., 2 ff. Original softcover Bbliotheque des archives de philosophie, nouvelle serie 28. Text in French. - Just a little darkened due to the quality of the paper, else fine, clean.

Softcover. Zustand: Sehr gut. broschiert, geringe lagerspuren, sonst sehr gut.

Zustand: Good. First English language edition hard back binding in publisher's original quarter orange cloth, black cloth sides, blocked and lettered gilt back over black ground. 8vo. 9'' x 6¼''. Contains (xvi), 493 + i pp. Sun fading across the top of the front board, pencil message and off-setting to the front free end paper and in Good condition, no dust wrapper. Member of the P.B.F.A. MODERN FIRST EDITIONS.…

Zustand: Fine. First edition hard back binding in publisher's original quarter black cloth, colour illustrated glazed white paper covered boards, blocked and lettered white back. Folio. 13'' x 12''. Wol's artistic work was created exclusively in France, where he had emigrated in 1932. Inspired by Surrealism and the Bauhaus masters and without professional training, after a short period as a photographer, he first created surrealist and later informal drawings and paintings. In particular, the oil works of his later phase influenced French and German painters of the Art Informel. Jean-Paul Sartre and other French writers appreciated him as a book illustrator. Contains 79 pp French text with among other things, 12 black framed and mounted watercolours reproduced on removable pages, 15 monochrome drawings between each removable colour plate, 3 photographs to the text section, two extra white framed mounted cards stored within a triangular canvas pocket inside the rear cover. Lightly repaired fraying of the cloth to the spine edges, contents in Fine condition, no slip case. Heavy volume weighing 2 kg, extra postage will be requested over and above our default setting for destinations outside of the UK. Member of the P.B.F.A. ART [Surrealism].…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; 398 pages : illustrations (some color) ; 24 x 28 cm ISBN 9788570417992, 9788531412530, 9788570608734, 8570417993, 8531412536, 857060873X OCLC 814693314 ; white boards in photographic dustjacket ; Revision of the author's thesis (doctoral)--USP, 2000 ; Artists photographers include: Jean Manzon -- José Medeiros -- Flávio Damm -- Luciano Carneiro -- Luís Carlos Barreto -- Gheorghe Torok -- João Martins -- Henri Ballot -- Pierre Verger -- Hildegard Rosenthal -- Marcel Gautherot -- Thomaz Farkas -- David Zingg -- George Love -- Luigi Mamprin -- Maureen Bisilliat -- Claudia Andujar -- Ed Keffel -- Luiz Carlos Barreto -- Nair Benedicto -- Sebastião Salgado -- Luiz Braga -- Walter Firmo -- Pedro Martinelli -- Miguel Rio Branco -- Rosa Gauditano -- Araquém Alcântara -- Claudia Jaguaribe -- Evandro Teixeira -- Carlos Moreira -- Milton Guran -- João Urban -- Orlando Brito -- Mario Cravo Neto -- Chico Albuquerque -- German Lorca -- Boris Kossoy -- Juca Martins -- Luis Humberto -- Tiago Santana -- Celso Oliveira -- Elza Lima -- Luiz Carlos Felizardo -- Carlos Fadon Vicente -- Antonio Saggese -- Arnaldo Pappalardo -- Marcos Santilli -- Otto Stupakoff -- Bob Wolfenson -- Geraldo de Barros -- Valdir Cruz -- Pedro Vasquez -- Ed Viggiani -- José Albano -- Aristides Alves -- Anna Mariani -- Kenji Ota -- Paulo Vainer -- David Drew Zingg -- Flávio Damm -- Carlos Fadon Vicente -- Cláudio Feijó -- Romulo Fialdini -- Emidio Luisi -- Márcia Ramalho -- Miguel Rio Branco -- Lily Sverner ; A panoramic view of the photojournalism in Brazil in the second half of the 20th century based on works that discuss various aspects of Brazilian society in the city or in the countryside. Author Maria Beatriz Ramos de Vasconcellos Coelho, a researcher of the Nu?cleo de Estudos em Cultura Contempora?nea and of the Grupo de Estudos da Imagem of the UFMG (Federal University of Minas Gerais) analyzed the work of some of the major Brazilian photojournalists active between the decades of 1940 and 1990 and discovered how a particular image of the nation was built. Coelho also highlights the life stories of those professionals in their search for a graphic identity of Brazil. The book contains numerous images of selected photographers like Pierre Verger, Sebastiao Salgado, Luiz Bara e Nair Benedicto, amongst others ; Contents: Agradecimentos -- Negativos do pai?s / Heloisa Pontes -- Introduc?a~o -- Fotografi?a e verdade -- Fotodocumentac?a~o -- A fotografi?a como linguagem -- Imagen da Nac?a~o -- O mercado editorial da fotografi?a -- Imagens do Brasil em meados do se?culo XX -- Estado e fotografi?a -- Identidade da Nac?a~o -- A Bahia Negra de Pierre Verger -- Um fotodocumentarista Brasileiro -- Uma nova capital para o Brasil -- Do golpe militar ao Instituto Nacional de Fotografi?a -- Fotografia -- Cores -- Universita?rios -- Integrac?a~o Nacional em "Ritmo de Brasil Grande " -- Trabalhadores rurais -- Age^ncias e a construc?a~o de uma rede de foto?grafos no pai?s -- Instituic?o~es que promoveram a fotografia no final do se?culo XX -- Mudanc?as no campo da fotografi?a brasileira no final do se?culo XX -- A Amazo^nia: migrantes e populac?o~es tradicionais -- Trabalhadores e direitos humanos -- Diversidade -- Metro?pole: Carnaval, viole^ncia e solida~o -- Considerac?o~es finais -- Lista de abreviaturas e siglas; FINE/FINE. Book. …

Zustand: Good. Woodcut. 29 x 21.5 cm (sheet). Not signed. Text on verso in English. Very Good.

1p, 8vo. In fair condition, lightly aged and worn. With stub from mount adhering along one edge. From the celebrated manuscript collection of Richard Monckton Milnes (Lord Houghton). In reply to the unnamed recipient's letter, he writes that he has presented to the Berlin Academy 'votre Prospectus que vous les avez deja fait parvenir par M le Directeur Merian [i.e. Johann Bernhard Merian (1723-1807)].' The Academy wishes Formey to thank the writer for his attentions, but as such works do not feature 'dans le plan de la Bibliotheque', the Academy will not be able to profit from the offer. Formey ends by wishing him 'un heureux succès dans votre louable entreprise'.…

Leipzig, Johann Ambrosius Barth, 1824. Without wrappers as issued in "Annalen der Physik und Chemie. Hrsg.von Poggendorff", Bd. 2, Jahrgang 1824, Zwölftes Stück. Pp. 345-448 (entire issue offered). Fourier's paper: pp. 359-402. First German edition (in the same year as the French " Résumé théorique des Propriétés de la chaleur rayonnante") of this importent paper which gives an analytical account of surface-emissions and absorption based on the principle of equilibrium of temperature, forecasting the more elaborated theories which he published in his famous work "La Therorie analytique de la chaleur. 1822". His analytical mathematical method, that any continous function can be represented as a sum of sine and cosine curves, is here applied to physical problems f.i. his treatment of the warming (and cooling) of the earth and terrestrial temperatures. The theory of terrestrial temperatures played a central role in Fourier's mathematical physics.…

Leipzig, Johann Ambrosius Barth, 1851 Without wrappers as issued in "Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff", 82. Bd., 3. issue ("Heft" No 3, 1851). Entire issue offered. Pp. 337-464. Foucault's paper: pp. 458-462. With titlepage to volume 82. First German edition of the famous paper in which Foucault presented his discovery of the proof of the rotation of the earth by the large pendulum, called FOUCAULT'S PENDULUM. It was presented by Arago at the meeting of the Acadey of Scieces on February 3, 1851.Since Léon Foucault?s public demonstration of his pendulum experiment, it has played a prominent role in physics, physics education, and the history of science. The Foucault pendulum is a long pendulum suspended high above the ground and carefully set into planar motion. The phenomenon described by Foucault1 concerns the orientation of the plane of oscillation of the pendulum. "The experiment (with the pendulum) caused great exitement at the time. Heracleides had first suggested twenty-two centuries before that the earth was rotating and Copernicus had renewed the suggestion three centuries before. Since the time of Galileo two and a half centuries before, the world of scholarship had not doubted the matter. Nevertheless, all evidence as to that rotation had been indirect, and not until Foucault's experiment could the earth's rotation actually be said to have been demonstrated rather that deduced." (DSB).Parkinson "Breakthroughs" 1851 E.…