Verlag: Cantz, Ostfildern-Ruit, 1996
Anbieter: Antiquariat Clement, Bonn, Deutschland
Hardcover Wie neu. Zustand: 0. Erschienen zur Ausstellung " Gerhard Richter: 100 Bilder"im Carré d'art, musée d'art contemporain, Nîmes" vom 15.6 bis 15. 9 1996. Gestalteter Leineneinband, Rückentitelei, TADELLOS. 155 paginierte Seite, Kunstdruckpapier, zahlreiche Abbildungen, überwiegend in Farbe. Zustand WIE NEU. +++ 17,2 x 22 cm, 0,7 kg. +++ Stichwörter: Conceptual Art Katalog Konzeptuelle Kunst Gewicht in Gramm: 700.
Verlag: Cantz Verlag, Ostfildern-Ruit, 2002
Anbieter: Bücher-Insel Antiquariat Rolf Selbert, Kassel, Deutschland
155 S. 3. unveränderte Auflage. Mit 100 farbigen Repros der Gemälde und Texten dazu. Kunstband guter Qualität. Guter Zustand.
Sprache: Deutsch
Verlag: Cantz Verlag, Ostfildern-Ruit, 1996
ISBN 10: 3893228543 ISBN 13: 9783893228546
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
8vo. 156pp. Translated from the German. Gray cloth lettered in black. Illustrated with 103 color plates. A fine, as new copy, still in publisher's original shrinkwrap. "Released on the occasion of an exhibition of Gerhard Richter's 'private paintings' at the Carré d'Art in Nîmes"--Page 5./ Includes bibliographical references.
Sprache: Deutsch
Verlag: Cantz Verlag, Ostfildern-Ruit, Germany, 1996
ISBN 10: 3893228543 ISBN 13: 9783893228546
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Erstausgabe
Hardcover. Zustand: Fine condition. First English language edition. Octavo. 153 (1)pp. Original tan cloth with black lettering on cover and spine. "Richter's approach long appeared disorienting, incoherent, even absurd: the artist developed an extraordinary diversity of forms, moving from "photo-realist" pictures to others that seemed to run the gamut of abstraction, from concrete art to action painting. More than twenty years of hindsight were needed to grasp the dialectical movement that structures his research, determining its unprecedented attempt at an ontological exploration of painting's foundations and limits, and making it one of the most remarkable artistic experiences of the last three decades. The initial observations the "painting has never painted anything but itself" forms the basis of Richter's oeuvre. Complex, multifariousranging from photo-realist representation to gray monochromesit constitutes the analysis, the methodical critique (the sublimation?) of all the forms that painting can take." (Preface). illustrated with 100 color photographs of Richter's paintings by Friedrich Rosenstiel, covering the wide range of Richter's oeuvre.