gerard vaughan (13 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. still in protective plastic, very minimal amount of wear to corners of book.

Hardcover. Zustand: Brand New. 422 pages. 6.00x0.94x9.00 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very good. Sewn binding. Cloth over boards. 128 p. Contains: Illustrations. Audience: General/trade. 0.0.

Hardcover. Zustand: Brand New. 403 pages. 10.50x7.50x1.00 inches. In Stock.

Pictorial Hardcover. Zustand: Very Good. Exhibition Publication. Minimal wear to boards. Internally clean. Binding tight. 224pp In mid-nineteenth century Britain, a group of rebellious young artists emulated the spirit of early Renaissance painting in protest against the art establishment of the era and society at large. Radically flouting convention, these artists revelled in the use of brilliant colour, meticulous detail and exquisite layering. The Pre-Raphaelites drew inspiration from the great love stories of history and literature, the tempestuousness of lustful entanglements, and the wonder of religious icons. They created a new artistic genre, sometimes poetic and sexy and sometimes raw, that combined medieval romanticism with modern life to produce literary scenes, portraits and landscapes rich in symbolism. Love & Desire features 40 of the Tate's most famous and best-loved works, alongside 40 loans from other British and Australian collections. With masterpieces such as John Everett Millais' Ophelia 1851-52 and William Holman Hunt's The Awakening conscience 1853, this exhibition is a stunning survey of the Pre-Raphaelite movement. Size: 245mm x 285mm. Book.

Hardback. Zustand: Very good. 20 x 26cm 264pp very good hardback in dust jacket signed and dedicated by the author on the title page. John Keith Vaughan was a British painter, graphic artist, illustrator, photographer, teacher and journal writer. Although mainly working with oil paint, he is also considered one of Britain's finest exponents of gouache painting. His main subjects were: male nudes, landscapes and still lifes. Among his key works are a 22-meter-long mural at the Festival of Britain (1951; destroyed) and his nine Assembly of Figures paintings (1951 1976). Includes black and white reproductions.

Oblong 4to, 331pp. Original golden boards in pictorial dustwrapper. A collection of illustrated essays exploring the impact of art of Giovanni Battista Piranesi. Numerous full colour and b/w illustrations and reproductions of works of various artists influential to, and influenced by Piranesi. Title page bears signature and dedication from contributing author. A beautiful copy in fine condition. First edition. Singed by contributing author.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 240 pages. Folio. A fine copy that traces an unusual life, dedicated to the arts, and illustrates her magnificent contribution to contemporary art in Australia. Illustrated with numerous colour images of the works of art and unique black and white portrait studies. There is a RFID and price label on the back of the dust jacket ***This book weighs more than 2kg and may require additional postage if sent out of Australia***.

Soft cover. Zustand: Fine. 1st Edition. First Edition (first printing). 4to. 96pp. Card wrappers (not issued in casebound format). Illustrated with photographs and reproductions, including many in colour. A fine copy of this uncommon account of the circa twenty years Vaughan spent just outside of the village of Toppesfield, Essex (in 1964 he purchased a neglected piece of land with a row of derelict cottages and set about transforming it into a private paradise).

Hardcover. Hardback. 125 pages, 96 pages of colour and b/w photos. With a critical essay on Vaughan and his work by Gerard Hastings and previously unpublished extracts from his journals. A fine copy, as new. John Lehmann first published an extended passage of the journals in his Penguin New Writing (No. 12, April, 1942). Further extracts were printed in the catalogue to Vaughan's Whitechapel retrospective in 1962, which led to Alan Ross publishing Keith Vaughan, Journals and Drawings 1939-1965, four years later. This the first time the journals have been published at such length as a complete book. Book.

Paperback. Zustand: Near fine in wraps. First Edition. 20 x 29cm 114pp near fine paperback. Incldes extracts from Vajughan's journals and from Clough's plus letters one to the other. Colour plus black and white reproductions showing the works of each artist.

Paperback. Zustand: Near fine in wraps. First Edition. 19 x 23cm 162pp near fine paperback inscribed on the title page: 'For Ivan with great love 30.vii.13 Gerard.' Divided into sections including the Introduction entitled 'Male Gazing', followed by 'The Highgate Ponds Album' and 'Travels Abroad'. With largely black and white reproductions.