gerard hoet (25 Ergebnisse)

Zustand: New. pp. 777.

Zustand: New. pp. 666.

Loose Leaf. Zustand: New. Reproduction. Original title: Joseph declares the Pharaoh's dreams German: Joseph erklärt die Träume des Pharao French: Joseph déclare les rêves du Pharaon Spanish: José declara los sueños del Faraón High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1664). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Landscape with four figures German: Landschaft mit vier Figuren French: Paysage à quatre chiffres Spanish: Paisaje con cuatro figuras High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1664). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Landscape with walking couple German: Landschaft mit Wanderpaar French: Paysage avec couple à pied Spanish: Paisaje con pareja a pie High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1664). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Musical company German: Musikunternehmen French: Société musicale Spanish: Empresa musical High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Paris and Oenone German: Paris und Oenone French: Paris et Oenone Spanish: París y Oenone High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Aminta and Thestylis German: Aminta und Thestylis French: Aminta et Thestylis Spanish: Aminta y Thestylis High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Pastoral scene with Dameet, Galate and Amaril German: Pastoralszene mit Dameet, Galate und Amaril French: Scène pastorale avec Dameet, Galate et Amaril Spanish: Escena pastoral con Dameet, Galate y Amaril High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Hoofsmith German: Hoofsmith French: Fabrication à partir de matières de toute position Spanish: Hoofsmith High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Mercury recommends Bacchus' care to the nymphs of Nysa German: Merkur empfiehlt Bacchus' Pflege für die Nymphen von Nysa French: Mercure recommande le soin de Bacchus aux nymphes de Nysa Spanish: Mercurio recomienda el cuidado de Baco a las ninfas de Nysa High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Hoofsmith German: Hoofsmith French: Fabrication à partir de matières de toute position Spanish: Hoofsmith High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Zustand: New. In.

Zustand: New. In.

Original Kupferstich-Portrait aus dem 18. Jahrhundert. -- Blattmasse: ca. 34,5 x 25,5 cm. -- An den Ecken auf Karton montiert. -- knapp beschnitten, an den Ecken etwas leimschattig und teils leicht beschädigt, sonst gut erhalten. || Original copper engraved portrait from the 18th century. -- Mounted on cardboard. -- closely trimmed, with minor stains of glue on the corners, partially slightly damaged, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.

Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Neuware.

Hardcover. Zustand: g to vg. Second edition. Octavo (7 3/4 x 6 1/4"). [58], 859, [49]pp. Original full blind-stamped parchment, with handwritten lettering to spine. Raised bands. Additional engraved title by Dutch Golden Age painter and engraver Gerard Hoet. Title page in red and black lettering. Title vignette. Decorative head-, tailpieces and initials. Originally published in 1692, this work is the second edition of Hermann Witsius' compendium of religious works. It includes eight full-page engravings by Jan van den Aveelen, including four double-page. Six of these appear in the text on Jewish law and ritual ("de Tabernaculi Levitici mysteriis"), and one includes an overflap showing the Ark of the Covenant. At the end of the Preface has been added a large engraved portrait of the author by Pieter van Gunst after a painting by Gerard Hoet. The portrait is dated 1700 and comes from a later edition of Witsius' "Miscellaneorum Sacrorum" published in Amsterdam and Utrecht in 1700 by Francisci Halmae (François Halma). Also includes an extensive Index at rear. Minor foxing and darkening to binding. Ex-library bookplate on inside of front cover. Minor and sporadic clear water-staining at upper, lower or outer margin of pages (never affecting lettering). Slight rippling to pages due to damp exposure. Otherwise pages are extremely clean and white. Text in Latin, with some Hebrew and Greek. Binding in overall good+ to very good, interior in good to very good condition. About the author: Hermann Witsius (1636-1708) was "Professor of Divinity in the Universities of Franeker, Utrecht, and Leyden. A brilliant and devout student, he was fluent in Latin, Greek, and Hebrew by the age of 15, when he entered the University of Utrecht. He was ordained at 21 and served in several pastorates, filling both the pulpit and the academic chair over the course of his life" (Encyclopedia Britannica).

Couverture rigide. Zustand: Très bon. Edition originale. Plein veau de l'époque dos à six nerfs ornés et dorés. Plats décorés d'un double encadrement de dentelles. Petits fers aux glands dorés. Trois volumes in folio (402x256 mm), frontispice et (2)-148 pages et 72 planches (dont 6 planches doubles) / (2)-[149-280]-14 pages et 71 planches (dont 11 planches doubles) / frontispice et (2)-160 pages et 71 planches (dont 12 planches doubles). Coins émoussés. Mouillure angulaire au tome III. Edition originale. L'un des plus beaux livres illustrés du début du XVIIIe siècle. Cette remarquable iconographie de la Bible à laquelle ont principalement participé Gérard Hoet et Bernard Picart comprend 214 planches à pleine page (29 en double page), dont la légende est écrite en hébreu, anglais, allemand, latin, français et néerlandais. Titres en français sur les deux frontispices : Figures de la Bible et Figures qui représentent les évènements les plus mémorables du Nouveau Testament. Le texte est écrit en néerlandais. Chaque chapitre se finit par un beau cul-de-lampe gravé. Cet ensemble d'estampes fut d'abord commencé par Picart en 1720 avec le concours du peintre néerlandais Gérard Hoet, pour ce qui deviendra sans nul doute l'apogée des "Figures de la Bible". Les Figures de la Bible sont des recueils de gravures, qui représentent ou signifient l'Ecriture à travers des cycles d'estampes couvrant toute la Bible, un seul Testament, voire un seul livre biblique. C'est un genre qui se popularise avec l'imprimerie au seizième siècle. Pierre de Hondt récupère les gravures de Picart, qui avec ses légendes multilingues avait déjà une volonté de diffusion européenne, pour accompagner des textes de Pierre Saurin (cf. Brunet). Le tout est nouvellement décoré d'ornements typographiques. Bel exemplaire de Talleyrand au Chateau de Valençay avec son ex libris à chaque volume. Provenance : Ex libris de Talleyrand, Charles-Maurice de Talleyrand-Périgord (1754-1838) est l'un des plus célèbres diplomate de l'Empire et de la Restauration. References : Brunet [V, 150]. ___________________________________________________________________________________ ______________________________ENGLISH_DESCRIPTION : Contemporary full calf, gilt spine in seven compartments. Gilt covers. Three volumes Folio (402x256 mm), frontispiece and (2)-148 pages and 72 plates (including 6 double plates) / (2)-[149-280]-14 pages and 71 plates (including 11 double plates) / frontispiece and (2)-160 pages and 71 plates (including 12 double plates). Corners bumped. Waterstain in a corner of volume III. First edition. One of the most beautiful illustrations of the Bible in the eighteenth century. This remarkable iconograph of the Bible in which Gérard Hoet and Bernard Picart mainly participated includes 214 full-page plates (29 double-page), the legend of which is written in Hebrew, English, German, Latin, French and Dutch. The two frontispieces are captioned in French, the rest of the text is written in Dutch. Each chapter ends with a beautiful engraved cul-de-lampe. This set of prints was first started by Picart in 1720 with the assistance of the Dutch painter Gérard Hoet, for what would undoubtedly become the pinnacle of the "Figures of the Bible". The Figures of the Bible are collections of engravings, which represent or signify Scripture through cycles of prints covering the entire Bible, a single Testament, or even a single biblical book. It is a genre that became popular with printing in the sixteenth century. Pierre de Hondt, recovers the engravings of Picart, who with his multilingual legends already had a desire for European distribution, to accompany texts by Pierre Saurin (cf. Brunet). Everything is newly decorated with typographic ornaments. Beautiful copy of Talleyrand at Chateau de Valençay with his ex libris in each volume. Provenance : Ex libris de Talleyrand, Charles-Maurice de Talleyrand-Périgord (1754-1838) est l'un des plus célèbres diplomate de l'Empire et de la Restauration. References : Brunet [V, 150]. 8100g.

Hardcover. Zustand: Good. 22x 14 cm (vol 1 & 2), 23,5 x 14,5 cm (3th vol.) - XII+614 +(30) pgs, IV+538+(30) pgs, XLVIII+725 pgs, the unnumbered pages in first two volumes ( ) being a list of the auctions and artists, 3th volume contains a Catalogus van een gedeelte van 't Vorstelyk Kabinet Schilderyen van Zyne Doorl. Hoogheid, den Heere Prince van Orange en Nassau. - contemporary half leather bindings, quite similar, with title gilt printed on spine, 5 raises bands (3th vol. spine skilfully restaurated - autions start in 1676 untill 1752 (vol. 1 & 2) and 1728 untill 1768 (3th vol.) - some spotting in first volume but mostly clean, fine set - probably one of the firt indexes on paintings - for some paintings the sizes are given.

's Gravenhage, Pieter Gerard van Baalen 1752 (for Eerste Deel en Tweede Deel), Johannes Gaillard 1770 (continuation by Peter Terwesten) , 3 vols in-8°, xii + 614 pp + ca. 30 pp index ; iv + 538 pp + ca. 30 pp index ; xlviii + 725 pp, bound in nearly uniform contemporary full leather, raised spines with gilt decoration and two title labels. Bindings sound but with some wear at extremeties ; headcaps damaged and partly missing, some corners slightly bumped and with slight loss of leather. Interior fine except for vomume III which has some leaves with ink stains (also title leaf). Nothwithstanding these defects still a good/fine set. Compilation of the auction sale results of painting sales organised in the Low Countries, mostly Holland (Amsterdam, The Hague, Dordrecht etc. but also in Antwerp, Brussels.) The first volume starts with a sale in Amsterdam in 1684 and goes on for another 63 sales up till 1739. The second series gives another 60 sales and ends with the description of still extant (in 1762) painting collections. The rare third volume, published in 1770 gives approx. another 100 art auction sale catalogues and ends with a 32 pp list of the painting collection of the Prince of Oranje. This is certainly one of the first ''Art Indexes'' ever compiled. It contains valuable information on the art trade and the general artistic climate in the Low Countries in the 17th and 18th century.

Bust of an old man with beard. Numbered on top right corner: '10'. Signed at bottom: 'G.Hoet del: / P.Bodart.fec'. Not in G. Hoet's 'Les principaux fondements du dessein' published in Leiden by J.A. Langerak in 1723. Etching on paper, mounted on a thick sheet of paper; plate mark: 115 x 97 mm, total: 187 x 149 mm; some dirt within plate and smudges along the margins.

At the request of Joseph, his men search the luggage of his brothers. They find a golden cup in the bag of his youngest brother Benjamin. Benjamin is taken as a prisoner and brought back to Joseph.Illustration for the Old Testament, Gen. 44: 12-34. Below, the title in Hebrew, English, German, Latin, French and Dutch.Signed at bottom: 'G. Hoet del. / A: van Buissen fecit'.The plate was integrated in: 'Figures de la Bible, Amsterdam', by B. Picart, published in Amsterdam in 1720. Also used in: 'Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt' published in The Hague by Pieter de Hondt in 1728.[NL] In opdracht van Jozef doorzoeken zijn mannen de bagage van zijn broers. In de zak van zijn jongste broer Benjamin vinden zij een gouden beker. Benjamin wordt gevangen genomen en terug gebracht naar Jozef. Illustratie voor het Oude Testament, Gen. 44: 12-34. Onder de voorstelling een titel in het Hebreeuws, Engels, Duits, Latijn, Frans en Nederlands.  Etching and engraving on paper, mounted on a cardboard frame; sheet total: 372 x 230 mm; tired impression; foxing and smudges on verso. Some foxing on the front cardboard.

La Haye,Pierre de Hondt,1728. Grand in-folio, 45 x 29 cm, 148 et 149-280 (pagination continue) - 14 pp. et 160 pp. Reliures de l'époque demi-veau à coins, dos à nerfs, pièces de titre. Reliures usées, manques au dos, surtout aux coiffes, coins usés, mais reliures encore solides. Planches en très bel état. 214 planches (dont 2 frontispices) exécutées d'après les dessins de Hoet, Houbraken et Picart, et accompagnées d'une légende en hébreu, anglais, allemand, latin, français, hollandais.Ces planches, gravées de 1705 à 1720 ont paru d'abord séparément, et plus tard ont été insérées dans les Discours historiques, critiques, théologiques et moraux, sur les événements les plus de mémorables du V. et du N. Testament, publiés à Amsterdam en 1728-39. Titres en français sur les deux frontispices : Figures de la Bible et Figures qui représentent les événements les plus mémorables du Nouveau Testament. Selon Brunet (V, 150), "les exemplaires ont été tirés sur quatre sortes de papier dont la qualité est indiquée au bas des titres de chaque volume", un papier ordinaire ou médian, un papier royal, un papier super-royal et un papier impérial.EXEMPLAIRE SUR PAPIER ROYAL (Roiaal Papier) dont l'épaisseur et la blancheur permettent des épreuves d'une grande finesse et particulièrement contrastées. Livres.