Gerard haggerty (10 Ergebnisse)

Soft cover. Zustand: Very Good. Softcover, 8 pgs. Brief critical statements, color illus. Moderate wear.

Soft cover. Zustand: Good. Softcover, 28 pages (one fold-out). 10.75 x 8.25 in. Essay, full-page color plates. Includes exhibition announcement postcard laid in. A few spine creases, crease to back cover.

Paperback. Zustand: Very good. Paperback. Single leaf folded four times to make [8]pp.

First Edition. First edition. Oblong softcover. 10 pages. Exhibition catalog for a show that ran May 8-27, 1999. Essay by Gerald Haggerty. Includes 4 color illustrations and a black and white photograph of the artist. A very near fine copy in wrappers. Uncommon.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. 1st Edition. Very good copy in oblong hardcover with near fine jacket. Light shelf-wear.

Couverture rigide. Zustand: Bon état. In-8 cartonnage éditeur sous jaquette abîmée. 23 cm sur 30. dédicace au stylo noir sur page de faux-titre. Livre en anglais. 239 pages. Bon état d'occasion. New-York en mouvement.

paperback. Zustand: fine. 50 full page color plates. 100pp., folio, pictorial wrappers. New York: Beadleston Gallery, (2000). A fine copy. Koulbak (illustrator).

Softcover. Zustand: Very Good. Softcover, color illustrations. Catalog for exhibition of work by Russian artist. Signed, two-page letter from author to art collectors Irma and Sheldon Gilgore laid in ; 4to; 104 pages; Author Signed by Author.

67 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser "Colson's Corner," by unattributed artists. Cover: Tom Wudl. Good. Dusting and rubbing of covers with light edgewear. 1 cm. area of dark rust soiling around staple binding on recto. Very light and sparse yellow spotting throughout pages. Contents otherwise clean and unmarked. …

67 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser "Colson's Corner," by unattributed artists. Cover: Tom Wudl. Very Good. Dusting and rubbing of covers with light edgewear. Light yellow spotting/soiling along recto spine edge. Contents clean and unmarked. …