Georges ambroise (28 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Quarter Leather. Zustand: Fair. First published 1867, later, flat-printed edition in contemporary binding. Binding worn: backstrip poor with some major loss. Some foxing.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

broché. le rôle historique des idées générales, essai, les universaux, le nominalisme, le réalisme, définitions, in-8 143 couverture défraîchie, usage, bon état.

Couverture souple. Zustand: bon. RO30100955: 1946. In-8. Broché. Etat passable, Couv. défraîchie, Dos satisfaisant, Non coupé. 140 pages. Non illustré. Rousseurs sur les plats. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES.

Couverture souple. Zustand: bon. RO40088184: 1946. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Non coupé. 143 pages. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES.

Couverture souple. Zustand: bon. R200038442: 1946. In-12. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur frais. 143 pages. Note au stylo rouge sur le premier plat. Rousseurs sur le premier et deuxième plat. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES.…

Soft cover. Zustand: Near Fine. First Edition. 140 Pages. Text Pages In English. Long Closed Tear To Top Edge, A Few Surface Cracks Around Lower Spine, Otherwise Near Fine And Square With A Single Slight Vertical Reading Crease On Spine. International Shipment At Additional Cost, By Insured Usps Mail.…

Zustand: New.

Couverture souple. Zustand: bon. RO20177623: 1946. In-12. Broché. Etat d'usage, Couv. convenable, Dos frotté, Intérieur frais. VIII + 143 pages. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES.

Hardcover. Zustand: Very Good. No Dust Jacket. Limited Edition. Light edgewear, light tone, otherwise slight wear. Tape repair to the original rear wrap bound in. Crisp quarter leather binding. ; French language. "Nous publions ici les poésies de Laclos qui n'ont jamais été réunies et qui ne pouvaient l'être encore, à cause de la disparition momentanée d'une édition des Liaisons dangereuses, qui contenait la plus grand partie du bagage poétique de Laclos, et que l'un de mous a récemment découverte en Angleterre (on atrouvera, dans l'appendice de ce volume, des détails sur cette édition et sur son histoire)." - Préface. Unnumbered copy of limited edition of 312 copies, with "The Daily Graphic" written instead of a copy number. The British poet Arthur Symons was resident in Paris during the time of his joint work with Louis Thomas. Louis Thomas was a French author and translator, and not related to the Thomas family that ran the Daily Graphic from 1890-1926, the first daily illustrated newspaper in England. "En outre, après que Symons eut déniché par hasard des poèmes de Choderlos de Laclos, Thomas l'aida dans la publication de l'ensemble de l'uvre poétique, peu importante, de cet auteur, y ajoutant une introduction de sa main et en traduisant un postface écrit par Symons." - Andries Van den Abeele; Louis Thomas Biographie. Custom unsigned binding with quarter leather spine and paper boards, and no title. An unusual copy of this significant edition of the poetic works of Choderlos de Laclos. ; 100 pages.…

couverture souple. Georges Crès & Cie | Paris 1919 | 15.50 x 24 cm | agrafé | Edition originale illustrée de deux dessins de Georges Rouault, mention de quatrième édition. Dos et plats marginalement décolorés comme habituellement, première garde partiellement ombrée, deux manques en pieds du premier plat et de la première garde. | [ENGLISH DESCRIPTION FOLLOWS] First edition illustrated with two drawings by Georges Rouault, with fourth edition statement. Spine and covers marginally discolored as usual, first endpaper partially shadowed, two lacks to foot of front cover and first endpaper. *.…

Couverture papier illustree en noir, 24 x 15cm., 29pp., croquis. Couverture dechiree. 4e edition. Rare. 0 g. : croquiq par Georges Rouault (illustrator).

Couverture souple. Zustand: Très bon. Zustand des Schutzumschlags: Très bon. Edition originale. - PRESENTATION : in-folio in leaves under illustrated cover. - ILLUSTRATED With 104 original woodcuts (including 15 full page and 25 half-page), 6 pages table of the illustrations, 22 etchings on Arches & a suite of the 22 etchings on Rives. - PRINTER :Aubert. - LIMITED : To only 305 copies, this one n°45 one of the 55 DELUXE COPY. - SIGNATURE : Handsigned by Vollard and Rouault at the justification page. - SIZE : 15 x 23". - PAPER : All the portfolio is printed on handmade vellum, bearing the watermark of Ambroise Vollard. - INFORMATIONS : All the etchings and the woodcuts are plate signed. Only the deluxe edition is handsigned at the justification page. - CONDITION : Excellent, very rare clear foxing one 4/5 pages, one of the etching of the suite have marginal foxings. Our copy complete of the facsimile of the letter of Rouault. ASK FOR EXTRA PICTURES. Georges ROUAULT (illustrator). Signé par l'illustrateur. …

The catalogue of Firmin-Didot's collection of prints and drawings, one of the best collections ever assembled. 5,795 items described. Printed on fine wove paper. 4to. Attractively bound in contemporary quarter morocco and decorated boards. Light overall wear and scuffing to binding, internally fine.

First edition. A LARGE-PAPER COPY OF THE MOST IMPORTANT OF VOLLARD'S "UBU" PLAYS, a satire of French colonial policy (Vollard, of course, was from Reunion Island.) 29 pp. Illustrations by Georges Roualt. ONE OF ONLY 25 NUMBERED LARGE-PAPER COPIES PRINTED ON IMPERIAL JAPANESE PAPER. Slim 4to. Original wraps, featuring a large composition by Rouault depicting Ubu. FINE AND BRIGHT, A PRISTINE COPY WITH NO DEFECTS. An extraordinary rarity. Georges Rouault (illustrator). …

Soft cover. Zustand: Very Good. 1st Edition. Gr.4° - 134pp - One Lino-print (Patineurs) and One double-page original color Lithograph by Henri Matisse (La Danse) and four original color Lithographs by André Derain (Au jardin D'Allah), printed by Mourlot frères, color tipped-in Plates & B/w reproductions and B/w Photo-gravures by Brassai - Claude Simon - Bill Brandt - Breitenbach. Textes: Colloque dans un étre, Paul Valery - Le poète secret. par Pierre Reverdy - Nourritures, Jean-Paul Sartre - Grenade, F. Garcia Lorca - Au jardin D'Allah, Dr. J.-C. Madrus - Souvenir d'Amerique, Ambroise Vollard.First edition, text in French language. Original Boards (G. Rouault). In Very good condition.…

2 vols. Folio. (450 x 358 / 466 x 350 mm). pp. vii, 192. Illustrated with 104 wood-engraved plates, vignettes and head- and tail-pieces (including the vignettes of the etchings in the 'Tables', the title vignette and that for the wrapper), all by Aubert after Rouault's originals and 22 full-page mixed etchings. Rouault's manuscript (sheet size c.443 x 328 mm) in black ink over pencil on 2 bifolia of thick cream paper forming eight pages recto and verso is accompanied by proof text (sheet size c.384 x 278 mm) of same printed recto only on five leaves of thin proofing paper - see below. Loose as issued in original publisher's wrappers with printed title and wood-engraved vignette after Rouault, later marbled board chemise and slipcase; manuscript loose in coarse weave cloth wrapper with manuscript title to front cover. Vollard's Les Réincarnations du Père Ubu illustrated by Rouault together with Rouault's original manuscript for his introduction. From the edition limited to 335 copies, with this one of 55 édition de tête copies (number 2) on Montval signed by Rouault and Vollard in ink on the justification with two sets of the 22 hors-texte etchings: one on Rives with the watermark 'Ambroise Vollard' and one on Arches. Also included with this copy is Rouault's original manuscript text for the introduction ('Petit Poème Français en Guise d'Avertissement, Introduction, Préface aux Réincarnations du Père Ubu') on 2 bifolia of large cream paper (with the watermark 'M B M' and 'J. PERRIGOT ARCHES (FRANCE)') and dated '6/8/29' in pencil at the foot of the first sheet. Rouault's manuscript, written in black ink over pencil within ruled pencil frames and on ruled lines is for his first draft for the introduction to the book. Beneath a large wash vignette, largely effaced but matching the size and shape of the final published vignette, Roualt's title and text, including the verse interpolations, follows the contours of the final published version save the vignette illustrations but differs in many respects. The manuscript concludes with Rouault's name beneath and is dated 'Paris, mars 1929'. The manuscript is also accompanied by a printed proof of the same text on five leaves of thin proofing paper printed recto only. In this version, stamped at the head of the first sheet with 'Imprimerie A. Jourde / 1er Epreuve / le 28/8/29', the text matches that of the manuscript but has been reworked extensively by Rouault in blue ink. The opening paragraph has been rewritten, many passages have been removed entirely, the verse has been edited and the text rearranged. The changes made by Rouault evidenced here go much further towards the final published version than the manuscript version, however, comparison between the final published version and this proof version evince further changes. Both versions provide highly interesting variations to the completed version and demonstrate Rouault's working practise in a literary sense. 'Les gravures sur le thème d'Ubu aux colonies datées de 1918 et 1919 furent tirées à l'initiative d'Ambroise Vollard mais conservées sans être utilisées pour une édition. Les cuivres qui n'avaient pas encore été rayés furent retravaillés par Georges Rouault en 1928. Le premier tirage (1918 - 1919) fut retrouvé après la mort d'Ambroise Vollard.' (Chapon). 'Vollard wrote more than 10 works on the subject of Père Ubu, beginning with Le Grand Almanach du Père Ubu (1900 - 1901) and ending with Les Réincarnations du Père Ubu (1932). The character was based on Allfred Jarry's Ubu Roi, a play first performed in 1896 and marking the beginning of the Théâtre de l'Absurde, which had great vogue in Dada and Surrealist circles. Whereas Jarry's Ubu was a personification of crass malevolence and dictatorial buffoonery, Vollard's character was made into a character that typified political and bureaucratic corruption.' (From Manet to Hockney). [Chapon 8 - 30; The Artist and the Book 270; From Manet to Hockney 81].…

Limited Edition. Artist book in fine illustrated printed boards with loose folded leaves as issued, in a somewhat torn and frayed glassine wrapper. Internally bright and clean; a very good example overall. Further images and additional bibliographic data available upon request Physical description; vii, 211 pages illustrations, plates, facsimile (letter) ; 45 cm. Notes; Extensively and impressively illustrated with 22 etchings and 104 wood-engravings by the artist. All leaves numbered. Only 350 numbered copies officially printed: "305 exemplaires nume?rote?s en chiffres arabes . Trente exemplaires hors commerce nume?rote?s en chiffres romains . Quinze exemplaires hors commerce marque?s de A a? O." This is an out-of-series, unnumbered copy. Contents; With a facsimile of a letter from Rouault to Vollard. Added title page illustration, musical annotations, table of contents and note to the binder. Subjects; Rouault, Georges 1871-1958. Illustration of books. Bookbinding (Binding). French drama. Drama in French 1900-1945 Texts. French graphic arts 1900-1945 Texts. 1 Kg. …

8vo. (288 x 210 mm). pp. (blank leaf), 221, (viii), (blank leaf). Illustrated with 23 hors-texte copper engravings by Georges Rouault. Loose as issued in original publisher's printed wrappers, faux wood board chemise with title in silver to the spine and matching slipcase. The small format version of Les Réincarnations du Père Ubu. From the edition limited to 210 numbered copies, with this one of 110 'réservés pour la société' and 'imprimé pour Le Docteur Jean Magat'. The small format version of Ambroise Vollard's text illustrated by Georges Rouault was issued some 20 years after the large folio version of 1932. 'Vollard wrote more than 10 works on the subject of Père Ubu, beginning with Le Grand Almanach du Père Ubu (1900 - 1901) and ending with Les Réincarnations du Père Ubu (1932). The character was based on Allfred Jarry's Ubu Roi, a play first performed in 1896 and marking the beginning of the Théâtre de l'Absurde, which had great vogue in Dada and Surrealist circles. Whereas Jarry's Ubu was a personification of crass malevolence and dictatorial buffoonery, Vollard's character was made into a character that typified political and bureaucratic corruption.' (From Manet to Hockney).…

Couverture souple. Zustand: Bon. Plaquette agrafée (238x150mm), 32pp. 1 vignette sur la couverture répétée sur la page de titre par Georges Rouault. Livre d'occasion.

Zustand: Used: Very Good. Uniformément jauni, un mini manque d'un cm2 sur premiere plat, très bon état.

2. Anvers, éditions Sélection, 1929, 26,5 x 19 cm, 152 pp avec des ill. noir/blanc, broché, couverture originale (couverture légèrement souill., - marges pouss., interieur bon.). Numéro spécial de la revue belge avant-garde Sélection, avec des contributions de Waldemar Georges - Paul Fierens - Maurice Raynal - Jacques Maritain - Pierre Courthion - Joseph Delteil - Ambroise Vollard - Chagall . …

Eau-forte originalesurpapier fort Van Gelder Zonen gravée, datée 1928 et signée dans la planche. Feuille : 31x44 cm. illustration:21x30 cm. Paris : Ambroise Vollard. Marges roussies mais bon état de la gravure. Dès 1916, Rouault travaille sur lesRéincarnations du Père Ubuavec le texte de Ambroise Vollard. C'est le premier ouvrage né de leur collaboration, dont le livre paraîtra en 1932, tiré à 335 exemplaires. Livres.…

4. Paris, Librairie Firmin-Didot, 1877, in-4°, 28,5 x 22,5 cm, xxx + 540 pp + (1)nn pp + 16 full page two-toned lithographs reproducing the highlights of the collection. One of 200 numbered copies. This is copy n°5 printed for Paul Firmin-Didot. Sewn, original printed wrapper, wrapper soiled and torn, last plate with a marginal waterstain, first and last leaves with some sparse foxing spots but overall a clean interior. Uncut copy. Rare illustrated copy of one of the most important print and drawing collections ever assembled. The auction catalogue describes 5795 items.…

S.l., Société normande des amis du livre, 1955. In-4, 221 pp., en feuilles, couverture originale imprimé, chemise et étui de l'éditeur (couverture insolée). Deuxième édition, de dimensions réduites, de cette collaboration entre le marchand et éditeur Ambroise Vollard et Georges Rouault. Elle est illustrée de 23 gravures en noir de Rouault, datées et signées sur la planche par l'artiste. Un des 110 exemplaires, celui-ci l'exemplaire nominatif de Maurice De Ridder tiré sur Auvergne. Vollard était Bel exemplaire. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.…