George william wall (6 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Paperback. Zustand: Good. 42 pages. Black and white reproductions of wonderful archival photos. Contents: The Contributions of James F. Cairns, Businessman and Civic Leader of Saskatoon; The Roxy - Saskatoon's Last Historic Theatre; Obituary of Glen Makahonuk; Lost to History - The A.L. Cole Generating Station and its Industrial Heritage; Personal Recollections of a summer job at the Saskatoon Brewing Company; The Struggle to Save the Forestry Farm Superintendant's residence. Unmarked with average wear. A sound copy. Size: 4to - over 9¾" - 12" tall.…

Zustand: Fine. Clean and unmarked. [20] pp.; 28 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of "SMS: The Portable Museum of Original Multiples in 6 Portfolios Published in 1968 by The Letter Edged in Black Press," held October 11 - December 11, 1988. Essay by Carter Ratcliff. Includes brief discretion of each element by every artists who contributed to the six S.M.S. issues including Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Kasper König [Kaspar Koenig], Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Marcel Duchamp, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfriem, George Reavey, John Battan [John Sebastian Matta], Aftograf, Enrico Baj, William Bryant [Billy Copley), Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley, Robert Stanley, Arman, Paul Bergtold, John Cage, Robert Watts, Princess Winifred, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Congo, William Anthony, Wall Batterton, CPLY [William Copley], Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, William Schwedler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot [Dieter Roth], Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeam, Claes Oldenburg, Mischa Petrow, Jean Reavey, and Bernar Venet.…

Zustand: Good. [23] leaves of text and 20 colour engravings each with tissue guard. (4to) 32.5x24 cm (12¾ x 9½") period three-quarter blue morocco and marbled boards, spine gilt, raised bands, all edges gilt. Edges worn, front hinge open; paper a bit toned but overall internally near fine.Henry Vizetelly, Printer and engraver, Gough Square, Fleet Street"Plates engraved by Louis Marvy; after Sir Augustus Wall Callcott, J.M.W. Turner, J. Holland, Francis Danby, Thomas Creswick, William Collins, Richard Redgrave, Frederick Richard Lee, George Cattermole, William James Mu?ller, James Duffield Harding, Peter Nasmyth, Richard Wilson, Edward William Cooke, John Constable, Peter De Wint, David Cox, Thomas Gainsborough, David Roberts, and Clarkson Stanfield. Each plate is followed by a short critique by Thackeray. Thackeray was an old friend of Marvy, a French artist, who took refuge in London after the chaos of 1848. Theodore Taylor's 1864 biography of Thackeray mentions the history of the book: "A fine and skillful landscape painter himself, M. Marvy, while here, as a means of earning a living, made a series of engravings after the works of our English landscape painters. The publishers, however, would not undertake the work without a series of letter-press notices of each picture from Thackeray; and the latter accordingly added some criticisms which are interesting as developing his theory of this kind of art" (p.32). An interesting and quite scarce Thackeray item, very rarely found colored.Abbey, Life in England, no 207 : "The majority of the copies issued were uncoloured.".…